1. Poems about Realism
Poems about Realism 1. Are there any realistic poems, short and touching ones are best
Bright Moon, Bright Night, Anonymous, Bright Moon The night light makes the weavers sing on the east wall.
Yuheng refers to Meng Dong, how can all the stars align. White dew touches the weeds, and the seasons suddenly change.
The autumn cicadas chirp among the trees, and the mysterious birds pass by? In the past, I and my fellow disciples held high and vibrated the six feathers. If you don't want to join hands, you will abandon me like a relic.
There is a fight in the south and north, and the cow will live up to its will. What's the use of a false reputation if a good thing is not solid? Our poet is immersed in the moonlight at this moment, and everyone can feel this from the opening line of the poem - "The bright moonlight is shining brightly at night, prompting the weaving of the east wall."
The clear moonlight, the crickets' The low humming intertwined into what a clear melody of the night. Looking at the night sky again, the Beidou is turned sideways. The handle (dipper) composed of the three stars of "Yuheng" (the fifth star of the Beidou), "Kaiyang" and "Yuoguang" is pointing to "Mengdong" in the twelve directions of the sky, the twinkling star. The stars are like pearls embedded in the sky, making the night sky brilliant! Everything seems to be beautiful, including the poet walking in the moonlight.
But wait, let's take a look at "this moment". What time is it? "Yan Yuheng refers to Mengdong." According to Mr. Jin Kemu's explanation, "Mengdong" here does not refer to the early winter season (because there is also "autumn cicada" in Chinese culture), but to a certain time in the middle of the night after mid-autumn. The second half of the night in mid-autumn! - In such a deep night, the poet is still walking under the moon, which is obviously abnormal.
If it weren't for the lingering sorrow in his heart, which made people uneasy. Will he stay awake at such a moment for a long time? After understanding this, people will know that the poet's mood at the moment is not only not "beautiful", but also a bit desolate. From this, the state of mind will change - not only that. The bright moonlight seems to have become a bit colder, and the crickets chirping from under the "Dongbi" sound particularly sad? From the beautiful night scene, it expresses the sadness of being alone among the guests. "Beautiful" can also become "bleak", which is the contrasting effect in art.
The poet was silent and just wandering under the moonlight when he suddenly discovered something. : “White dew touches weeds.
The hazy grass blades are actually covered with crystal dew, which is a sign that autumn is already deep - the poet Xiping did not feel until this moment that late autumn has arrived unknowingly. How swiftly the stream of time flies! And from among the shadows of the branches and leaves, there are intermittent chirping of cicadas.
No wonder the swallows (blackbirds) of the past have disappeared. It turns out that it is the time for wild geese to return south in autumn. Where will these swallows fly to? -- "The cicadas sing in the trees in autumn, and the black birds pass away peacefully"? This is the poet's sad question under the moon.
This question seems to be addressed only to the "Xuanniao". In fact, isn't it another self-question filled with frustration and frustration? It can be seen from the following that the poet's travels in Beijing have gone through many winters and summers. Now that the grass is dew and the cicadas are chirping, another autumn has passed. What they evoke in the poet's heart must be the melancholy and sadness among the homeless people! The above eight sentences start from describing the scenery of autumn night, expressing the poet's sadness wandering under the moon.
Adapted to the silence of the autumn night and the poet's feeling of loss and frustration, the brushstrokes were moved gently and the colors were white; there was no loud sound, only the occasional and occasional sounds among the chirping of crickets and cicadas. The poet's long sigh. When the poet touches his own pain, his emotions become more angry.
Why did the poet stay so long? Why are you so anxious and unable to sleep at midnight? That's because he once hoped and expected, but now all his hopes and expectations have been shattered! "In the past, my fellow disciples held high and fluttered the six feathers." In the wasted years when the poet was seeking eunuchs in the capital, his fellow disciples who traveled hand in hand with him first raised their wings and soared to the top. At the beginning, this was undoubtedly like a bright sunshine, illuminating the poet's future with colorful colors.
He believes that his friends from the same school will drop their hands from the blue clouds to help him; one day, he will be able to fly together with his friends and travel in the blue sky! But the fact is far beyond the poet's expectation. The former friends of the same family have now become strangers who never recognize each other. As he was rising through the ranks, he treated himself like his footsteps, leaving them behind and dismissing them! "If you don't want to join hands, you will abandon me like a relic." This inadvertently used metaphor not only vividly depicts the despicable attitude of a friend of the same family who "changes his face as soon as he becomes rich", but also reveals the poet's ignorance of the harshness of the world. How much surprise, grief, anger and injustice! The theme of the whole poem has only been revealed at this point. The poet wandering under the moonlight turned out to be such a down-and-out man who was deceived and abandoned by his friends.
Behind him, the moonlight printed a quiet figure; and above his head, there were still the "Lili" stars shining like pearls. When the poet looked up at the stars with the anger of being abandoned, he happened to catch a glimpse of the constellations named "Jixing", "Douxing" and "Morning Bull".
Just as "Xiaoya·Dadong" said: "There is a dustpan in the south of Weiwei, but you can't flip it; there is a bucket in the north of Weiwei, and you can't squeeze the wine pulp." box (car)”.
They can't push, weigh, or pull a cart, so why are they named like this? What a great laugh! The poet suddenly felt a sense of unknown resentment, pointing at these empty-name constellations and loudly asking: "There is a fight in the south and the north, and the morning glory will not let you down!" Isn't it strange to suddenly accuse the stars in the vast sky? Not surprising at all.
There is really too much depression in the poet's heart, and there is nowhere to vent this depression. If he doesn't ask about these vain stars, who will ask? However, the stars did not speak, but blinked slyly, as if they were mocking: What about yourself? Didn’t he also bear the false reputation of being a ‘fellow disciple’, and was finally abandoned by his fellow disciples? " ----" A good friend is as solid as a rock, but what's the use of a false reputation?" I think about how my friends swore in the past and claimed that the friendship of the same family was "as solid as a rock"; now, the false name of "fellow students" still exists, and the friendship of "rock" is still at peace? The poet finally looked up to the sky and sighed, ending the poem with a sad and angry sigh. This sigh and emotion contained how much pain and sorrow the poet had been deceived and fooled by the cold world. It was originally a way to express such pain and sorrow! It can be said in just a few words.
This poem starts from the scene of the autumn night. At first glance, it seems to have nothing to do with the purpose of the poem, but in fact it is all connected with the emotional expression of the following: moonlight. Covering the sadness, it gives the whole poem a desolate background; the weaving sound on the east wall adds a few mournful sounds to the silence; "Yuheng Zhimeng" highlights the sleepless time in the middle of the night, and "How are the stars so bright" dims The strange thoughts of fuji, fighting and morning glory; and then derived from the dew of grass and the chirping of cicadas
2. Who are the poets of the Tang Dynasty who are the realists?
The realists are mainly Du Fu. Li Bai is a romantic poet, and his poems are impassioned and rich in imagination. Du Fu's poems are more realistic and are called epics, with a plain style and desolation caused by the war era.
There are also some frontier fortress poets, such as Cen Shen, Wang Changling, Gao Shi, Wang Han, Cui Hao, Li Qi, etc. The frontier fortress poets are represented by Gao Shi and Cen Shen, so their poems mainly describe the frontier fortress war. The customs and customs of the frontier fortress, as well as the various conflicts brought about by the war, such as parting, homesickness, resentment, etc., are mostly in the form of seven-character song lines and five or seven-character quatrains. The poetic style is tragic and the style is vigorous, which can best express the atmosphere of the prosperous Tang Dynasty. In addition to Gao and Cen, its poets include Wang Changling, Li Qi, Cui Hao, Wang Zhihuan, Wang Han, etc.
3. Which sentences in the street market in the sky are realistic and which are imaginary sentences
The first stanza of the poem is the realistic part
The last three stanzas are the imaginary part
Realism paves the way for imagination. Imagination expresses the author’s vision of a beautiful ideal state. Yearning.
The street lights in the distance are bright, as if they are shining with countless stars. It is realistic and the latter is imaginary. The poet imagined the starry night sky as a celestial market with countless street lights lit, and transformed it. The legend of the Cowherd and the Weaver Girl imagines the meteors in the sky as the Cowherd and the Weaver Girl wandering the streets with lanterns, symbolizing the happiness and beauty of their lives, which contrasts with the instability of the society and the suffering of the people at that time. This poem implies both the poet and the poet. The dissatisfaction, anger and sadness of disillusionment with the real world also reflect the author's passionate yearning for bright happiness and longing for an ideal society, showing the poet's innocence and character despite difficult circumstances. Calm and peaceful, beautiful in artistic conception, fresh and simple.
4. The realistic sentences in the following poems are A. The street lights in the distance are bright, as if they are shining with countless stars
2. Choose. Question ﹝1﹞Point out which of the following sentences are associations and which are imagination? A. The street lights in the distance are bright, as if countless stars are shining.
B. I think there must be a beautiful market in the misty sky. C. You see, the shallow Tianhe is certainly not very wide.
D. I think they must be wandering around Tianjie at this moment. E. If you don’t believe it, look at the shooting star. They are walking with lanterns.
F. Where is Tianhe? The distant sea fog blurs. Are you afraid there will be sharks on the shore looking at the moon? ★Associative poems A, E; Imaginative poems B, C, D, E, F﹝2﹞Point out one of the following poems that has incorrect rhythm division and stress judgment﹙D﹚A. I want/that ethereal/in the air , there must be a beautiful street market.
B. Look, the shallow / Tianhe River must be / not very / broad. C. Tianhe/Where? Distant / sea fog / blur.
D. Are you afraid that there will be sharks on the shore, looking at the moon with beads? "Two Poems by Guo Moruo" - "Street Market in the Sky" Knowledge Objective: Cultivate the ability of association and imagination. Ability Goal: Try writing methods of association and imagination.
Emotional goal (moral education): Guide students to experience the author's strong feelings of love and hate and his desire to pursue the bright ideal freely. Appreciate the beauty of artistic conception, rhythm and emotion expressed in this poem.
Learning focus: Learn the knowledge of association and imagination, and cultivate the ability of association and imagination. Learning difficulties: Distinguish between association and imagination.
Learning content: 1. New words: 缼（piāo） 缈（miǎo） 2. New words: 缈缈: describes vaguely, if there is nothing. Definitely: This must be the case.
Rare: valuable and rare. Leisurely travel: take a leisurely walk.
Display: Putting things out for people to see. 3. About the author: Guo Moruo (1892-1978), formerly known as Guo Kaizhen, was born in Leshan, Sichuan. He is an outstanding modern Chinese writer, poet, playwright, historian, archaeologist and social activist.
His representative works include "Goddess" and "Starry Sky". Among them, "Goddess" is a new collection of poems with outstanding achievements and great influence in modern Chinese history.
It confirms Guo Moruo's status as the founder of new poetry in the modern history of our country. 4. This article is selected from the first volume of "The Complete Works of Guo Moruo".
5. Background of the times: This poem was written on October 24, 1921. At that time, the author studied in RI Japan and was full of longing. He returned to China twice in the late spring and early autumn. However, the domestic Jun clans were at war and the people were in dire straits. Disappointed him. The poet stared at the "ethereal" starry sky and imagined a magical world. The poem entrusted his beautiful social ideals, criticized the dark and ugly social reality, and awakened the people to fight for freedom and a happy life.
6. Recitation requirements: The poem "Street Market in the Sky" has a quiet and fresh style, a harmonious and beautiful rhythm, and a slow and calm rhythm. The emotional tone of the reading is beautiful, quiet, comfortable, fresh and slightly melancholy.
When reading aloud, the rhythm should not be strong, the voice should not be loud, and the speed should not be fast. It should be relaxed, soft, and soothing. At the same time, we should pay attention to: the first stanza should read the feeling of "surprise", the second stanza should read the feeling of "praise", the third stanza should read the feeling of "joy", and the fourth stanza should read the feeling of "longing". .
The street market in the sky seems to be shining with countless stars. The stars in the sky appeared, as if they were lighting up countless street lamps.
I think there must be a /beautiful/market in the /ethereal/ sky. Some of the items on display in the market must be rare in the world.
You see, the shallow / Tianhe River must be / not very / broad. The Cowherd/Weaver Girl across the river will definitely be able to ride the cow to and fro.
I think/they/must/be wandering/in Tianjie/at this moment. If you don’t believe it, please look at the shooting star. It’s them carrying a lantern and walking.
7. Overall understanding This poem is based on the ancient Chinese legend about the Cowherd and the Weaver Girl. It depicts the wonderful scene of Tianjie with rich novel associations and imaginations, and expresses the poet's thoughts and feelings of getting rid of feudal shackles, pursuing ideals, and yearning for freedom and happiness.
In Guo Moruo's early poems, he often borrowed myths and legends and recreated them to express his emotions and ideals. The bold imagination and peculiar conception in the work reflect the poet's romantic creative characteristics.
"Sky Market in the Sky" also has the above characteristics, and the specific manifestations are as follows: (1) Select myths and legends as the theme. This poem is based on the myth and legend of the Cowherd and the Weaver Girl in ancient my country. However, when it was specifically used, the poet made a bold transformation according to his own wishes and ideals. He abandoned the tragic content of lovers being separated and unable to reunite, and replaced it with It contains new content about the freedom and happiness of the Cowherd and the Weaver Girl.
In the poet's imagination, the Cowherd and the Weaver Girl were liberated. They rode cows and traveled freely in the shallow Milky Way. Their life is so happy: "I think they must be wandering in Tianjie at this moment.
/If you don’t believe it, please look at the shooting star. /They are walking with lanterns." Here, autocracy The Queen Mother no longer exists, and a free life unfolds in front of them.
A loving couple, after farming and weaving, strolling leisurely in the beautiful market with hand-held lanterns, how free they are! What a relief! Such transformation expresses the poet's yearning and pursuit of a better life. (2) Use association and imagination.
At the beginning of the poem, the poet saw the "street lights in the distance", with stars dotted and appearing and disappearing. They looked like stars in the sky, so he naturally connected "street lights" with "stars" and used the word Using metaphorical rhetorical techniques to express this association concretely, it not only depicts the charming night scene, but also implies the pursuit of a bright future and dissatisfaction with the dark reality. This "association" with a strong fantasy color attracts readers' eyes from the earth to the sky, paving the way for the detailed description of the "street market in the sky" below.
In the last three sections, the author uses imagination to describe the furnishings of Tianjie and the life of Cowherd and Weaver Girl, as well as their current activities. The "wonderland" conceived by the poet's imagination is integrated with the objectively existing "heavenly river" and "shooting stars", which appear so concrete and real: the beautiful street market, the rare items in the street market, the Cowherd and the Weaver Girl riding a bull, the Cowherd and the Weaver Girl carrying lantern.
In the poet's writings, myths and legends and actual scenes are perfectly integrated together, seeming to be both illusion and reality, triggering readers' infinite reverie. They follow the author's imagination to travel to wonderland, and thus feel the poet's pursuit. Ideal beautiful feelings. 8. Research questions: (1) What kind of picture does the poem depict? The poem describes the beautiful streets in the sky and the free and happy life of the Cowherd and the Weaver Girl.
(2) How was this picture painted? Lenovo, imagination (3) The author thought of stars from the street lights in front of him, which is also Lenovo.
5. Realistic techniques in Bai Juyi’s poetry
Bai Juyi is a very noteworthy poet in the mid-Tang Dynasty. His poetic ideas and poetry creation are characterized by his emphasis on popularity and realism. Prominent emphasis and full expression occupy an important position in the history of Chinese poetry. In "Nine Books of Yuan Dynasty", he clearly said: "The servant's ambition is to be both helpful and good, and his behavior is to be unique. If you follow it from beginning to end, it is Tao, and if you talk about it and invent it, it is poetry. It is called an allegorical poem, and it is the ambition of concurrently helping others. It can be seen from this that among Bai Juyi's four categories of poems: allegorical, leisurely, sentimental, and miscellaneous, the first two categories embody his "consistent dedication." "The way of doing both and doing good alone is the most valued. His poetic ideas were mainly based on the creation of early allegorical poems.
As early as in "Celin" written in the early Yuan Dynasty, Bai Juyi showed a tendency to emphasize realistic, popular and allegorical writing: "Today's articles of praise and criticism are not verified, so the way of punishment and encouragement is lacking. ; Poems that are beautiful and satirical are not political, so the meaning of supplementary inspection is abolished... Those who combine poetry with Jiongjie's satirical edicts should be praised despite their wild quality." (Sixty-eight "Yi Wen") Its function is to punish evil and encourage good, and to make up for current affairs. The means of poetry are to praise and criticize with beauty, and to warn and slander. Therefore, he advocated: "Establish an official who collects poetry, develop the way of satire, observe the gains and losses of politics, and communicate with the people above and below. "Love." (Sixty-nine "Collecting Poems") He opposed the simple pursuit of "high palace rhythm" and "wonderful writing" without content, and was even more opposed to the gorgeous poetic style of "mocking the wind and moon and playing with flowers and plants" since Qi and Liang Dynasties. In the "Preface to New Yuefu", he clearly pointed out that the criteria for writing poetry are: "The words are clear and precise, and those who want to see them can easily tell them; their words are straightforward and clear, and those who want to hear them can be warned deeply; the things they say are clear and precise." "Solid," so that those who pick it can convey the message; its body is smooth and smooth, and can be broadcast in music and songs. "The words "quality and diameter", "straight and cut", "core and solid", and "smooth and smooth" here are respectively. It emphasizes that the language must be simple and popular, the discussion must be straightforward, the writing must be pure and false, and the form must be fluent and smooth, with the color of a ballad. In other words, poetry must be written in a way that is authentic and credible, easy to understand, and easy to sing to music, to be considered the ultimate.
From emphasizing realism, favoring the popular, and emphasizing allegory, to advocating writing for the emperor and the people, Bai Juyi put forward a systematic theory of poetry, and his allegorical poems such as "Qin Zhong Yin" and "New Yuefu" It was created under the guidance of this theory. This theory, with its outstanding realistic pertinence and popularization tendency, may bring poetry closer to social reality and even interfere with politics. This theory is the direct inheritance of the traditional Confucian poetic theory and the further development of Du Fu's creative path of writing about current affairs. In terms of writing about current affairs, Bai Juyi and Du Fu are the same; but Du Fu only wrote about what he saw and felt, integrating the suffering of the people and his own sorrow and sadness. Although he often mixed discussions and allegorical meanings in his realistic writing, But it does not take satire as its starting point. Du's poems are based on emotion. The difference between Bai Juyi and Du Fu is that he is based on ideas and regards "writing for the king" as the main purpose of poetry. This extremely highlights the realistic utilitarian color of poetry and introduces poetry into the world of poetry. Narrow roads. Due to overemphasis on the satirical function of poetry, poetry is equated with remonstrances and memorials, and the image of many poems is replaced by ironic reasoning and discussion. Because the standards for evaluating poetry are too narrow and strict, a large number of outstanding writers and works that did not meet this standard in history have been excluded. All of these had certain adverse effects on that time and later generations.