Xihe·Jinling·Zhou Bangyan
Beautiful land, who remembers the great events of the Southern Dynasties? Mountains surround the motherland and surround the Qingjiang River, and the servant girls in buns face each other; Shu Tao beats the isolated city in loneliness, and the wind canopies reach far into the sky.
The tree on the cliff is still leaning upside down; don’t worry about the boat being tied to it. The remaining old traces are dark and gray, and the fog is half-covered. Late at night, the moon comes over the female wall, and I look eastward at the Huai River sadly.
How about wine, flags, and drums? Thinking vaguely, thanking the neighbors, the swallows don't know where they are; entering ordinary alleys and strangers' houses, it's like talking about the rise and fall of the sun, in the setting sun
This word is a metaphor for Liu Yuxi's "Stone City" and "Woyi Lane" two poems Become. The poems eulogize historical sentiments and express feelings about the past, expressing feelings about the vicissitudes of human affairs through the past and present by describing the scenery. The author adapted the poems of previous generations for his own use, wrote his own feelings with his own pen, and integrated the vivid and concrete images in Liu Yuxi's original poems - mountains, rivers, vegetation, wind, moon, swallows, etc., into his own feelings. Use the style of "state the matter and speak it directly" and speak one by one calmly and unhurriedly, making people feel more real and sensible.
At the beginning of the film, it suddenly comes out, pointing out that Jinling, the former capital of the Sixth Dynasty, is a "beautiful place". This sentence is taken from Xie Tiao's "Entering the Dynasty" "The beautiful place in the south of the Yangtze River, the emperor of Jinling" "Coming from "Zhouzhou", it is both touching Jinling and making people unaware of it. The ending is a concise and comprehensive description of the swallow's murmuring old words. The time and place are the old capital "in the setting sun". It starts with prosperity and ends with desolation. This is how the tone of the whole poem is displayed. Through the poet's use of twists and turns, interruptions and continuations, a picture of Jinling's vicissitudes of life is deeply and touchingly portrayed. Chen Tingzhuo's comment on Zhou Bangyan said: "The beauty of a beautiful poem is that if the front and back are not confused, it is the beauty of pause and setback." (Volume 1 of "Bai Yuzhai Ci Ci") The feature of pause and setback is most obvious in this nostalgic poem. When the author is nostalgic, he focuses on the past events of the Six Dynasties. His sense of the rise and fall of history is summed up in the sentence "Who remembers the events of the Southern Dynasties?" Do some dyeing below. The four lines of "Shanwei" are adapted from Liu Yuxi's "Stone City", "The mountains are surrounding the motherland, and the tide beats the empty city and returns lonely". "Mochou's boat was tied" comes from the sentence "The boat beats two oars to urge Mochou to come" in the ancient Yuefu's "Mochou's Music", which is also suitable for the land of Jinling. The yacht that had once been tied to Zeng Chou's beauties was left with fallen cliffs and fallen trees. It was a desolate place with "empty old traces". Then, the poet used Liu Yuxi's poetic conception of "the old moon east of the Huai River, still coming over the female wall late at night". Looking east sadly, the Huai River is vast, and I can't help but recall the grand events of the past, such as the fluttering wine curtains and the drums. Boom, there was a noisy scene on the long street at that time, but now "the city is full of wine, flags, and drums." This is a continuation and interruption. Finally, the poet used Liu Yuxi's poem "In the old days, the swallows in front of the Wang Xietang, flying into the homes of ordinary people" ("Wu Yi Xiang"), used the swallows to tell the rise and fall, showing that the "grand event" may still be remembered, and the "old "Trace" may still be reliable. This is discontinuation and resumption.
The second part of the word is mainly dense, and it is further outlined on the basis of the previous part: from the peaks surrounding the "motherland" in the front, it leads to the "cliff trees" in the back, and even to the imaginary " "Don't worry about the boat"; from the "Qingjiang" in the front, it leads to the "Huai River" in the back; and from the "Gucheng" in the front, it leads to the "Half Base" in the fog and the "Nvqiang" under the moon. The camera gradually zooms in, and in the third part, the only thing that stands out is the close-up shot: a pair of swallows flying into the homes of ordinary people are whispering to each other. The dialogue of the little bird can be said to be detailed and dense. "Relatively" refers to the relative relationship between swallows and swallows. Although their whispers have no deep meaning, to the poet, their "unknown world" adds to the sense of prosperity and death.
This word and Wang Anshi's "Guizhixiang" can be called two gems, and they are excellent works of nostalgic words. The whole poem does not directly describe historical events, without adding any discussion, but purely uses scenes to describe emotions. The author alternates density and density when writing the scenery, including a dark view and a close-up; a long shot, a middle shot, and a close shot. The whole poem is sparse and detailed, and the artistic effect is excellent.
No explanation found ~ only appreciation ~ The author is sorry. . .