The second part of "The Years of Playing the Piano in Matsushita" is "Life with Wine before Flowers".
First, Matsushita Fuqin
In the traditional culture of China, Matsushita has been personified with moral and ethical connotations because of its unique natural attributes, thus becoming the representative of noble character and noble personality. Li Bai once said in a poem, "For grass, it is blue, and for wood, it is pine.". The fragrance of the orchid is fragrant and the wind is far away. " Hansong Youcao symbolizes the dauntless spirit of perseverance and fearlessness.
second, the collocation of pine and guqin
pine and guqin are in harmony with each other in cultural meaning. Guqin is generally made of paulownia, but Lei Wei, a famous guqin maker in the Tang Dynasty, cut pine into a piano. According to historical records, Lei Wei went to Mount Emei alone in a snowstorm, wearing a bamboo hat and diving into the deep pine. Those who listened to its continuous and clear sound thought it was a piano, which was more wonderful than a tung. It was called "Lei Gong Qin" in the world and also named "Song Xue".
Later generations praised it for its good selection of materials and profound intentions. Therefore, Guqin, Changsong and Hermit have naturally become the materials written by painters of all ages, and they are unified in the paintings. Under the pines in the mountains, Songtao bursts, and the fiddler is in harmony with the heavens and the earth, and the Panasonic fiddle is extremely aesthetic.
Precautions for couplets:
1. The parts of speech are relative and in the same position.
Generally called "virtual to virtual, real to real", it is equivalent to modern Chinese noun to noun, verb to verb, adjective to adjective, quantifier to quantifier, adverb to adverb, and the relative words must be in the same position.
2. Be even and even, and have a harmonious tone.
The level tone of couplets is required to be "flat and flat", that is, if the rhyme foot of the upper couplet is flat, then the rhyme foot of the lower couplet should end in a flat tone, which is called "flat and flat". As for couplets, there is an occasional phenomenon of "flat and flat", but it should be regarded as a change of style and not as a common practice of couplets.
3. Blend in feelings.
When you create couplets, you should integrate your feelings. If the first five points of attention in writing couplets are the accumulation of couplet rules and skills, then the last point is a leap in the quality of couplets. Works without feelings are always pale and powerless, and works created by integrating their emotions can really touch people's hearts and have souls.