Guancanghai calligraphy pictures
The poem "Looking at the Sea", including sea water, mountain islands, vegetation and autumn wind, is all in front of us, but the sun, moon and stars below are all imaginary scenery of Cao Cao, not real scenery. This poem is not only full of scenery, but also unique. It is the earliest masterpiece of landscape poetry in China, especially loved by literary historians. This poem, written on the autumn sea, can wash away the sentimental sentiment of sad autumn and is vigorous and magnificent, which is closely related to Cao Cao's tolerance, personality and even aesthetic taste.
Cao Caohai's Calligraphy Works
In this poem, scenery and emotion are closely combined. By writing about the sea, the author expressed his ambition to unify China and make contributions. But this kind of feeling is not directly revealed in the poem, but contained in the description of the scenery, which contains feelings. Every sentence is about the scenery and every sentence is lyrical. Although the six sentences in "What's Water" are depicting the vibrant sea scenery, they are actually praising the magnificent mountains and rivers of the motherland and revealing the author's feelings of loving the motherland. Seeing the magnificent scenery of the motherland's mountains and rivers aroused the poet's strong desire to unify the motherland. So with the help of rich imagination, to fully express this desire. The author compares himself to the sea and expresses the poet's broad mind and heroism by writing about the momentum of the sea devouring the universe. His feelings are unrestrained but subtle. "Sun and Moon" is a masterpiece of landscape writing and the author's emotional development. Poets in the Song Dynasty said that Cao's poems were "as full of vitality as veteran Yan". The poem "Looking at the Sea" has a broad artistic conception and is magnificent, which conforms to the demeanor of an aspiring politician and strategist. Reading its poems really makes people feel like people.
Appreciation of Guan Canghai's Poems
Judging from the genre of poetry, this is an ancient poem; In terms of expression, this is a lyric poem about the scenery. The words "Jieshi is in the east, looking at the sea" point out the positioning of "looking at the sea": the poet climbed to the top of Jieshi, with a broad vision and a panoramic view of the sea. The following ten descriptions are almost all derived from this. The word "Guan" plays a leading role in the whole poem, which embodies the characteristics of broad artistic conception and vigorous momentum of this poem.
The first four lines describe the scene of the sea, which is dynamic and quiet. For example, "autumn wind is bleak and the waves are rough" and "what is the water like" describe dynamic scenery, while "trees are full of vegetation" and "mountains and islands are full of scenery" describe static scenery.
Guan Canghai is selected from Yuefu Poetry, which is the first chapter of Yuefu Poetry Out of Xiamen.
"The water is full of water, and the mountains and islands are all scenery" is the general impression of seeing the sea at the beginning, which is a bit like a thick line in the painting. In this rippling sea, the first thing you see is the towering mountain islands, which are dotted on the flat and wide sea, making the sea look magical and spectacular. These two sentences roughly outline the prospect of the sea, which will be described in depth at different levels below.
"There are many trees and plenty of herbs. The autumn wind is bleak, and Hongbo surges. " The first two sentences specifically describe the mountain island: although the autumn wind is bleak and the vegetation is withered, the trees on the island are lush and the grass is flourishing, giving people a poetic feeling. The last two sentences are a further description of the sentence "What is water like?". Look carefully, the sea in the bleak autumn wind is actually a huge wave, surging and undulating. Here, although it is a typical autumn environment, it is not as bleak and desolate as autumn. Facing the bleak autumn wind, the author wrote the vastness and magnificence of the sea: in the bleak autumn wind, the sea is rough and meets the sky; The mountain island is tall and straight, with lush vegetation and no fading and sentimental artistic conception. This new realm and new style embodies his "ambition" mind.
"The trip to the sun and the moon, if unexpected; Xinghan is brilliant, if it is unexpected. " The previous description is observed from the sea. These four sentences are connected with the boundless universe, and the momentum and strength of the sea are highlighted in front of readers: the vast sea is connected with the sky, empty and turbid; In front of this magnificent sea, the sun, the moon, the stars, the Han * * * and the Galaxy * * * all seem small, and their execution seems to be freely absorbed by the sea. The sea described by the poet here is not only the real scene in front of him, but also melts into his own imagination and exaggeration, showing a magnificent atmosphere that devours the universe, with the trend of "five mountains starting from the square", which is the artistic realm of the poet's "eyes" and "chest". From the heart, if the poet didn't have great political ambition, ambition to make contributions and optimism about the future, he would never have written such a magnificent poem. Some people used to say that Cao Cao's poems were "domineering" < < Shen Deqian > >, referring to such works as "looking at the sea".
"Fortunately, Lian, the song is to be sung." This is a cliche in the chorus, which has nothing to do with the content of the poem. Also pointed out that this was sung by Yuefu.