"Tang" Tang Yi: lǐQiao?
Feng Tang: Li Qiao
jiluòsān qiyè，néng kāi èr yuè huā？
It can blow off the golden leaves in autumn and bloom beautiful flowers in spring.
In ancient times it existed
Scraping the river surface can set off several huge waves in thousands of feet, and blowing bamboo can make tens of thousands of poles tilt.
Explanation:
It can blow off golden leaves in autumn and produce beautiful flowers in spring.
Blowing across the river can set off huge waves in thousands of feet, and blowing into bamboo forests can make ten thousand poles tilt.
Precautions:
Blow away, spread out. Solution: untie, here refers to blowing. Sanqiu: Autumn. One refers to the ninth month of the lunar calendar.
Yes: yes. February: February in the lunar calendar refers to spring.
F: Yes.
Oblique: Oblique.
Extended data:
Wind is a poem written by Li Qiao, a poet in the Tang Dynasty. This poem indirectly expresses the various forms, charm and strength of the wind by grasping the variability of four natural images of leaves, flowers, waves and bamboo under the action of the wind. It can make leaves fall in late autumn, push flowers in early spring and February, set off huge waves in thousands of feet when crossing the river, and blow ten thousand bamboos when blowing into the bamboo forest.
The whole poem consists of four sentences in pairs, and the numbers of "three", "two", "thousand" and "ten thousand" are arranged in pairs to show the power of the wind and express the poet's awe of nature.
This poem describes the power of the wind. As far as the seasonal function of "wind" is concerned, autumn wind can make all trees wither, but spring wind can teach all flowers to bloom; The last two sentences describe where the "wind" goes in different scenes: when the wind crosses the river, the water surface is rough; When I entered the bamboo forest, I saw the bamboo poles close together.
Wind, as an image of nature, is invisible and intangible, and can only be felt in the individual's heart or known through the changes of external objects. Therefore, there is no word "wind" in the whole poem, nor does it directly describe the external form and explicit characteristics of the wind, but it shows the gentleness and tenacity of the wind through the changes of the original or original state of foreign objects under the action of the wind.
It can be seen that the poet is familiar with and clear about material common sense. Supported by this common sense of life, the poet skillfully expresses the characteristics of the wind through the deformation of foreign objects, indirectly describes various modes of the wind, and makes people really feel the gentleness and charm of the wind.