What should I pay attention to when writing a composition in classical Chinese?

One: Scenery

Poetry precedes words, and writing precedes poetry; Prose precedes parallel prose and scripture precedes historical prose. Down the river, sweeping; Upstream, the pattern has improved. For example, people nowadays learn ancient poetry and prose more out of their love for Song poetry. However, when I came, I learned the words and eventually became delicate; Learning poetry when you are sick is often for girls. If you don't study literature, it is not enough to write poetry. There are many ancient and modern poets, but how many great writers are there? Through history and collection, literature, poetry and writing are almost methodical and immersed in something.

Heyun: "On the preface, the Book of Changes is the first policy chapter, and the book originated;" Praise, then "poetry" stands on its own feet; Ming, then "Li" will end; Ji Chuanming, the Spring and Autumn Annals is the root. "Advocating Jing Zong is right. It is not enough for adults not to read classics; If you don't follow the classics, it's not enough. Today, people learn literature, all kinds of grammar and dictionaries well. Why do they read them in the exhibition? Gavin has no spirit. Meaning, textual research and ci chapter are the roots of meaning. What is righteousness? Mentally. What is spirit? From the classics. The national spirit of a country is really enriched by the classics of a country. Guan Guan pheasant dove, naturally excited; The wind is dancing and sighing, so why choose words and sentences? If there is, you can get it. It's like reading a thick grammar book before learning English, but it's boring to get rid of it.

Learning literature means following the Tao, because literature is no different from others. Success can only be considered if the literary mind is connected with people's hearts. First, move your heart and see why the ancients did this; Try to impress people again and see how I succeed. There is no other reason than reading the Bible. In detail, there are priorities. Zhou Wen's classic The Book of Poetry is the most quaint and the source of all China people, so it is necessary to read it. Although, career is the peak of poetry, after that, it is not difficult to write in the world. The Book of Rites is clear-cut, while Zuo Zhuan is narrative, which opens up the theoretical history of later generations. Those who are extremely refined should be deeply sarcastic. "Yi" is profound, but it doesn't seem to matter to the text. However, its "classical Chinese" and "cohesion" are biographies with profound implications and wonderful words, which are both win-win and indispensable. The Analects of Confucius and Mencius are also simple and profound. It's easier to read, harder to know and harder to do. Born in China, we should not learn Chinese in the way of China people. Learn from it, follow its path and become a person. It is impossible to get an article without giving up Tao. Wen and Tao must be inseparable. If the husband is classics, the text conforms to the ears of the Tao. The Taoist must do things first, and the scholar is slow or slow. It's the rest of the classics of Yili, Zhou Li, Ram, Gu Liang and Erya, and I don't care much about them.

Most importantly, scripture is the most profound, and it exists in the Bible. Learning literature is not a sect, but it is empty into the treasure forest. If the law is right, we must study our own hearts. The various bodies are gradually shaped and the Tao is new.

Second: history

The eternal historical origin of Spring and Autumn Annals. The rest of the history of Zhou and Qin dynasties is excellent in mandarin and national policy. Twenty-five histories were written in the Han dynasty, and the first four histories were all successful in words, deeds and examples, which were accepted as required reading by the former dynasties. Historical Records, History of Han, History of Later Han and History of the Three Kingdoms are also useful for writing. However, after reading the classics, these six histories are still suitable for readers. If you want to say it more briefly, the historical records will be clear at last.

Three: Zi

A hundred schools of thought contend, and those who seek Tao constantly expound. It's just for the article, but it's enough to take Zhuangzi Lao Tzu. Zhuangzi is the most interesting. "Lao Zi" has been accidentally reported. It is common sense to disperse first and then decide. Covering the pre-Qin Confucian classics, the historical theory of the Han Dynasty, simple spirit, natural one-way, I didn't know what 46 was at first. "Left" and "history" are familiar, and the ancient prose is sufficient. At this point, it has the atmosphere of Zhou Han.

Four: Settings

1, prose

The so-called "prose" in the name of poetry actually lies in the writings of literati, and there is no conclusive history. It doesn't matter if you cover three generations. Studying literature but reading the history of classics can be regarded as Gao Hua's master; John became a great poet only by studying the Tang and Song Dynasties. If you admire Tang poetry and learn from the Tang people, your achievements will be inferior to those of the Tang Dynasty. Good Song Ci, copying Song scholars, and outstanding achievements, comparable to the Song Dynasty. It is necessary to trace back to the source, the law is almost the same, and you have gained something. Therefore, the effect is too white to know the anthology, and I am eager to read Zuo and Shi, which is Li Xin's dream, not to mention transcendence. In other words, even if you are ashamed to drop your schoolbag, you can't drop it. If my husband can't recite more than Liu Han, his heart will only stop in the Tang and Song Dynasties, and he will be embarrassed. Suitable for Tang and Song Dynasties, no one in eight families has ever taken it. To put it bluntly: learning prose is a matter of learning Zhou Han. Tang, Song, Ming and Qing Dynasties can be friends, not teachers. (Qian Zhongshu also explained the eight masters of the Qing Dynasty: Liu Ji, Gui Youguang, Wang Shizhen, Gu, Yao Nai, Gong Zizhen and Zeng Guofan)

2. Parallel prose

Zhou Han studied classics and history, and his articles were rooted in Yu Dacheng. Then you can go downstream and do whatever you want. Chu Ci and Han Fu are tributaries of poetry, but the sources of literature are also different. The words of parallel prose and the sentences of husband and wife are not prepared. On the basis of four words, words, sentences and sounds are opposite, and parallel prose is successful. Farewell to poetry and give it to prose, which is different from prose. The style of ci and fu is narrow, mainly American literature, emphasizing color; Parallel prose has a wide range of meanings, is applied at the same time, and is good at antithesis and rhyme. Fu concurrent, sound simple; Parallel, body clock. As for Xu Yan (Zhang Shuo, Su Xiang), there is no difference between them.

In Yu Wen's poems, Chu Ci should be read. Learning parallel prose is also far away from bidding farewell to the sea with Han Fu as the Hanlin. If the drama is performed with big fu, the lyric small fu is elegant and easy to recite since the Han and Wei Dynasties. Although prose has rhyme, but the pen has no rhyme, Wei and Jin dynasties have been integrated with parallel prose, and their differences are gradually different from those of prose writers. A few examples are magnificent, elegant, masterpieces and masterpieces that scholars should read. At the end of the Tang Dynasty, Wen Li was called a poem. Its four or six is also considerable. From ancient Qin and Han Fu to Nuo Fu in the Six Dynasties, as for the law fu in the Tang Dynasty, as for the prose fu in the Song Dynasty, it is changing with each passing day. Ouyang Wenzhong and Wu Lvzhai have a saying. In Qing Dynasty, Li Yu was called Zhongxing, and he was as famous as eight writers (Yuan Mei, Shao, Liu Xingwei, Wu Xiqi, Zeng Gui, Hong, Kong Guangsen). If you pursue the best, you won't have a king. Six volumes of Shu studies are vast. People think that Qing Pian is the first one. Here is an article entitled "Inscription of Qin Tai in Han Dynasty" to talk about:

From Hanyang North to Erli, it is Qiu Yan. It is 10 mu wide, with a big gap in the east, Hanshui River in the left, a stone dike in front and Moon Lake around it. Fang Zhi thinks Boya Qintai, listening to it at noon, is covered in this cloud. The houses built a pavilion on it, called Qintai. Go straight on the road until you stop in the suburbs, where you will find a pavilion and a dust platform. The land is vast and flat, the trees are lush and the water is shallow, so you can look out and swim. There is no tendency to seek seclusion and travel far, and there is no fear of climbing high and welcoming deep. Walking along a mountain is really beautiful. Peach blossom and water, autumn moon and spring breeze, all people are swimming, they don't have a day. My husband, with his ability to play the pipa, has forged a warm friendship with Xue, and played five strings with a wave of his hand, so he is good at it through the ages. Deep mountains and valleys, above the boutique building, send spirits, carve stories, and write resorts with your heart. I hope you will be rewarded. I am a good Ya Qin. I am familiar with this program. I gave you a simple book, but I have forgotten it for a long time. On the Summer Festival, the fake pavilion was Gao Han, and the first one felt the same way. Mulberry was love. In order to beat the surging waves, let the trees rest, listen to the fishermen's drums and think of the wandering women. It is enough to thank the dust, and I hope the wind will go to philosophy. Why fiddle with the strings and pluck the music? It's to touch my feelings. Yue Ming:

Wan Pei Bai Qiu is in the Han Dynasty. The second son came to swim, so far. Guang Chuan is quiet and lonely. The breeze stayed all night, and the sound of the air made Lin Chang. Flowing water, the lingering sound. Three sighs should be a festival, such as a reward. Zhu Xian is dead, who caresses Kongsang? The sea remembers to take a boat, and the rocks want to shelter from the rain. I am on the high platform, I am old Chu. For example, I am still pregnant with my soil. White clouds don't sing, Xiang Ling doesn't drum. Running water and mountains are always opposite.

Step 3 be poetic

The source of the poem is 300, and the rhyme is four words. The weather is ancient and the mind is naive. The world has changed and words have spread. Five or seven generations, elegant clouds are absolutely. Three hundred years later, since the Han and Jin dynasties, the four characters are authentic. Cao Mengde's tragic, solemn and clean night, Ruan Sizong's distant, Tao's natural and colorful. In particular, Mr. Jing Jie put down the worldly dust, which made him interested in nature and caught up with elegance.

It was overcast and rainy in spring. He raised his eyes and looked around blankly. The road blocked the water. Dong Xuan was sitting alone, having a glass of spring wine. Distant friends and good friends, long-awaited heart failure.

What's wrong with taking pictures of willow in the snow and feeling for life and death? But there was no sound, and the day passed. So far, scholars are rare, and there are four words. Twenty-four sentences expressing the sage's "poem" have changed their tone and the sound is still in my ears. Chasing the elegance of the wind, chatting for bosom friends.

Although there were Yuefu in the Han Dynasty, in fact, the Nineteen Poems wrote five words. A word is worth a thousand dollars, and the start is absolutely high. "Life between heaven and earth, suddenly like a passer-by" "Look around, the east wind shakes a hundred herbs". Sigh unreasonably and hate too much. Tears overflow my chest and I want to cry without tears. If you are waiting for a poem, it doesn't matter whether the word or the aphorism. What touches people's hearts is the core of poetry. People's hearts are poems, poems are touching and touching, and people's hearts remain unchanged for thousands of years. Ji Jun Ruan Jia, Cao Li Tao Mu, all the same. At the beginning of Gaimin, there was no distinction between good and evil in chaos; The first song, I don't know the rhythm. Replacing it with barbarians is to know propriety and righteousness; Waiting for it is to identify the text. Rites and music make people worship and epigrams become muddy and cracked. It is awkward for later generations to talk about the strangeness of the word, the work of the word, and the nameless poem is dead. Isn't that ridiculous? Man cannot be a tool, nor can poetry be a skill. Don't let people say that this poem has only one sentence. Ruofu's Tao Jingjie poem is like a whole poem, forgetting the custom of swimming. I don't know how to choose his sentence. But under the pottery, naturally, it is reduced and the labor is increased. There are many sentences without articles. Although I thank Le Kang and Yan Yannian, I can't avoid it. From then on, the so-called famous artists are just the muddy ears that the police never forget to say. Xie Xuanhui, Yu Lancheng, famous soldiers of the Six Dynasties. Wang Han, the voice of Tang Gaozong. Clean school, followed by Meng (Haoran), Wei () and Liu (Zihou). Meng (Dongye), Jia (Langxian) and Li (Changji) were in danger. Yuxi's straightness is beautiful, and Fei Qing's words are beautiful. The rest is with Liu.

Tang poetry entered the Song Dynasty, and changed from emotion to interest. Dongpo Xiao Li, Tian Zi's unique skill; Gu Fadu sent Jiangxi. The rest of the celebrities are too busy to elaborate. I was unique in Koulaigong and Jiang Baishi in the Southern and Northern Song Dynasties, and spared Tang Yunfeng. Kou's disappointment that "the trees are far away from the forest, and the autumn mountains are half sunset" and Jiang Ruo's exclamation that "it will be half autumn by then, and Xifengmen Lane will be rustling" are fascinating and charming. They are all their own masterpieces. Gai Shi is the essence of literature, but it is absolutely condensed in the law and is the most difficult to make. Poetry is the highest form of literature, that is, it achieves the richest meaning with the simplest words. Therefore, quatrains are the most difficult in poetry, and poetry is the most difficult in poetry. Learning poetry begins with the five ancient and five laws, and as for the seven-character law, it is attended by the seven ancient Yuefu; Depending on the sound, the long tune involves Tianjin. As for the monotonous melody, Bo uses the astringent sound as a dangerous rhyme.