Four Poems of Yantai is a group of poems by Li Shangyin, a poet in the Tang Dynasty. This group of poems chants a period of love with a strong tragic color, expressing the yearning for the woman all year round. The poem "Spring" focuses on describing the vague search, recalling the first sight and rendering the deep thoughts. The poem "Summer" imagines that the other party is alone in the boudoir, lonely and unaccompanied, recalls the gathering and parting scenes of the past, and hopes that the other party will come. The whole poem Autumn is an imagination of women's current situation. The poem "Winter" conceives the lonely and cold state of the other person living alone in an empty city and the state of weeping for the disabled and looking haggard on a stormy winter night. The four poems are intertwined with the present and the past, memories and imagination. However, with the passage of time and the change of the scenery of the four seasons, the feelings of the lyric protagonist have changed from looking for thoughts and expecting reunion, to sadness and fragrance, and the love has passed away. Finally, the roots are broken and the tragic color is gradually strong. The group poems build a vague artistic conception with fantastic imagination, express passionate and obsessed feelings with colorful words, achieve the effect of lingering sadness and singing three sighs, and create a gorgeous and hazy style. Name of the basic introduction works: four works of Yantai alias: four poems of Yantai creation year: works of late Tang Dynasty origin: "All Poems of Tang Dynasty" Literary genre: Seven-character ancient poetry author: original works of Li Shangyin, comments on words and phrases, creation background, appreciation of works, literary appreciation, comments by famous artists, influence of later generations, author introduction, four original works of Yantai (1) spring scenery in Ran Ran, east and west (2), a few days of lost soul (3). Honey house feather guest class heart (4), Ye Ye advocates getting to know each other all the time (5). Warm, warm and bright peach trees are in the west [6], and the peaches stand tall and stand tall. What is the reason for the male dragon and the female phoenix? Flocculation and silk are numerous, and the sky is also confusing. If you are drunk, it will be like the beginning of dawn, and the dream of reflecting the curtain will be broken. I am worried about the iron net and the coral, and the sea is vast and the sky is wide. The clothes are ruthless and wide, and the spring smoke is white from the blue autumn frost. I don't know ⒂ when Yan Dan breaks Shi Tian, and I hope that I can get a lock in the prison. It's a good idea to have a good job. Today, the east wind is invincible, and it turns into a light into the west sea. In the summer, the rain curtain in front of the pavilion is not sad, but in the back hall, the trees are shaded. Shicheng scenery is yellow, and at midnight, it is empty and empty. The silk fan calls the wind to blend the sky, and the waves swirl gently. Does Shu soul have a lonely companion? After several nights, kapok blooms. It's hard to get the light from the shadows in the Guigong Palace, and Yan Xun Lan speaks softly. I taught Yinhan to fall into his arms, but I didn't send Xingfei town to come and go. What is the source of turbid water and clear waves, and the river is clear and the Yellow River is muddy. Andrew lifted his skirt in the mist, and took the cloud chariot to call Taijun. The autumn moon and the waves are wet every day, and the cold toad falls into the sky. The cloud screen does not move to hide the loneliness, and the west building is in a hurry for kites all night. I want to weave acacia flowers and send them far away, but I miss each other all day long. But when I heard the sound of Beidou ringing, I didn't see the long river clear and shallow. Goldfish lock off the red laurel spring, and in ancient times, the dust was full of Yuanyang Yin. It' s sad that the small garden is a long road, and Yushu has not pity the national subjugation. Heptachord's possession of Chu Nong is more and more cold and thin. The night-terrorizing cream of the parrot with a curtain hook evokes the dream of South Cloud circling the cloud. Double-handed Ding Dinglian's ruler element, which recorded the acquaintance of Xiangchuan. The song lips hold the rain for a lifetime, but it's a pity that the fragrance is in their hands. In winter, the sun rises in the east and sets in the west, and the female phoenix flies alone and the female dragon is widowed. Qingxi Baishi does not face each other, and the class is far away. The frost on the frozen wall is hidden, and the fragrant root is interrupted and the heart is dead. Waves take pictures of toads, while moon moths may not be beautiful. Chu tube pretty string sorrow all, empty city dance waist support. At that time, Huan was selling in the palm of his hand, and Taoye Taogen was a twin sister. Breaking the scorpion and falling into the cold, the white jade swallows the golden cicada. The windmill rains and the horse doesn't hold on, and the candle cries red and complains about the dawn. Notes to words (1) There is no fuss in the original poem, and the words "right spring", "right summer", "right autumn" and "right winter" are marked after the poem. Now, before moving each poem, the word "right" is removed. (2) Ran Ran: gradual appearance. Mo: Field path. ⑶ charming soul: refers to the heroine. (4) honey room: beehive. Hacker: Bees. The sentence is infatuation, and there are bees. 5] Leaf smelting proposal: refers to the soft and prosperous branches of willow. Acquaintance: I have searched through the acquaintance instructions. [6] Warm: a warm haze. Hui Chi: That is, late day. "The Book of Songs, National Style, Civil Style and July": "Spring is late." (7) Peach blossom: a peach blossom that flourishes like a cloud. ⑻ Male dragon and female phoenix: a metaphor for both men and women. ⑼ Flocculation is complicated: it symbolizes the confusion of thoughts. ⑽ Weiyang: the setting sun shines. ⑾ Shadow curtain: refers to the setting sun. Dream break: I wake up from my dream. Smell the residual words: I am in a trance like hearing sporadic words in my dream. ⑿: hang it. This sentence refers to the strength of search. [13] Width: the meaning is wide. "Nineteen Ancient Poems": "The day of departure is far away, and the day of clothing has slowed down. 3. "Spring smoke" sentence: Spring scenery is like autumn frost. ⒂ grinding: grinding. Break: separate. "Lu Chunqiu Cheng Lian": "Stones can be broken, but not hard; Dan can grind, but not win the red. " This is called faithful love. [14] Celestial prison: star name. "Book of Jin Tian Wen Zhi": "The six stars in the Heavenly Prison are under the Beidou Kui." This is only used literally. Heaven locks up its murders, and heaven will always know its wrongs. ⒄ Clip Luo Wei: Put Luo Yi in a bamboo box. Single silk: single silk dress. ⒅ Muscle: "The Whole Tang Poetry" school: "Sleep for a while." I can't stand it. ⒇ Entering the West Sea: It means that the east wind disappears, and it is fun to enter the summer from spring. Creation background Li Shangyin mentioned in the Preface to Five Poems of Willow Branches that his subordinate brother Jean Shan once recited his Four Poems of Yantai in front of Liu Zhi, a folk girl in Luoyang, and was praised by Liu Zhi, who had an admiration for the author. Judging from the preface, let Shan call the author "Junior Uncle", Shang Yin was still quite young at that time, and may not have reached the top. The creation time of "Four Poems of Yantai" should be earlier than that of "Five Poems of Willow Branches", and it was written in the middle and late period of Daiwa. The ability of poetry has been difficult to evaluate. Some people say that "Yantai" is a woman's name; However, some people don't agree with this statement. They think that this woman is not called Yantai. This woman is the owner of Yantai, and she is the concubines who spend our time observing the back room of the shogunate. Poetically speaking, the poet misses a prostitute or concubine who can sing and dance well in your family and has two sisters. This can be seen from the words "singing lips", "strike dance" and "peach leaves and peach roots". The poet first met her, probably somewhere in "Xiangchuan" (now Changsha, Hunan), about spring. Later, the woman went to Jinling, and the poet once visited her, but the beauty was gone. At the time of writing this group of poems, the woman had moved to Lingnan area, and it was originally reported that her official had died, leaving her alone. This can be seen from "Is the soul of Shu lonely? A few nights' blooming of kapok, arousing the dream of South Clouds around Clouds, Chu Guan is full of worries, Yushu has no pity for the people who perished in the country, and the ancient dust is full of Yuanyang Yin, and the female phoenix flies alone and the female dragon is widowed. The poem is entitled "Yantai", probably because this woman is the back room of the mansion. Li Shangyin has worked in the shogunate all his life, so he may have fallen in love with a concubine in the back room of the shogunate owner while working in the shogunate, and then wrote these four poems. There is also a saying that this group of poems may have been written by the author when he was studying Xian Yuyang. The woman he loved was a Taoist. This female Taoist priest was married away, so many fairy stories are quoted in the poem. Appreciation of Works and Literature This group of love poems named "Spring, Summer, Autumn and Winter" is the most outstanding chapter in Li Shangyin's colourful poems imitating "long auspicious style". Four poems chant a period of love with a strong tragic color. The four poems, beginning of spring, Summer, Autumn and Winter, take the meaning of "Songs of the Four Seasons at Midnight" and express the yearning for the woman all year round. The poem "Spring" looks for the charming soul from the brilliant spring scenery, but can't start, and turns into recalling the beautiful scene when we first met each other. Immediately, it depicts the feelings of the male dragon and the female phoenix, which are far apart. The following is to render the search slim and the yearning deep. Finally, imagine the other person wearing a single quilt and lining Yu Pei in the dying season of spring. The poem "Summer" first describes the rainy scenery in early summer and the bleak environment in Shicheng (Jinling), suggesting that the woman has gone. Then imagine that the other person is in the land of flowers and kapok in the south, alone in the boudoir, lonely and unaccompanied. Then he turned to recall the brief reunion and the separation that followed. Finally, I hope that the other party will come. The whole poem Autumn is an imagination of women's current situation. Imagine her sitting alone in the autumn night with sorrow, missing each other far away; Think about her husband's death, lonely and cold; Finally, I imagine her playing the piano on an autumn night, her clothes are cold and thin, she is nostalgic for old feelings, and she is alone in love with old things and tears. At the beginning of the poem "Winter", it is seasonal and the other side lives alone, and at the second time, it is said that the two sides are far apart, such as Qingxi's sister-in-law and Baishi Lang. Rethinking that he is in a lonely and cold environment, his heart is dead and his love is disillusioned; Then I recalled the beauty of a beautiful woman, far better than Chang 'e, and now I am only in an empty city, singing and dancing early, leaving only a slim waist. The joy of dancing with two sisters in those days has long since vanished. Finally, imagine a woman alone in the stormy winter night, shedding red tears until dawn; And the broken clothes are loose, leaning against the cold, and the appearance is not the same. The four poems are intertwined with the present and the past, memories and imagination. However, with the passage of time and the change of the scenery of the four seasons, the feelings of the lyric protagonist have changed from looking for thoughts and looking forward to reunion, to sadness and fragrance, and the love has passed away. Finally, the roots are broken and the heart is dead, and the tragic color is gradually strong. The heroine's image, from "The warmth of the peach tree is late in the west, and the peach tree stands tall" in "Spring" to "The silk fan calls the wind to blend the sky, and the curtain is light and the waves swirl" in "Autumn". Xu Dehong summed up the general idea of the four poems by using the words "seclusion, memory, resentment and interruption" in the Preface to Poems of Willow Branches, which truly summarized the emotional characteristics of the four poems. This group of poems sings about love with strong tragic color and expresses the dreamy feeling of love with fiery emotion, beautiful language, pure lyrical brushwork and extremely leaping structure, mainly through the rendering of emotional atmosphere and beautiful artistic conception, rather than describing tragic love stories, that is, expressing unforgettable thoughts through memories and imagination, in which unexpected changes often occur, and the poetic language is beautiful and symbolic. For example, the poem "Spring" is "warm and kind". First, I wrote the scene of seeing each other at first sight in my memory: "The warmth and splendor are behind the peach trees in the west, and the peaches stand tall and upright." Under the shadow of the warm sunshine in spring, the other party stood under the blooming peach branches with high hair clips. The next two sentences, however, skip the proper stages in life (such as meeting, combining and parting) from the past, flash back to the present situation, and sigh that "there is no place for a male dragon and a female phoenix, and it is also a mystery." Next, "I am drunk at the beginning of the sun, and the dream of the curtain is broken." I wrote that I was drunk at noon and woke up, and I was psychedelic. I mistakenly thought that the sun setting curtain was Chu Yang's window, and my dream was interrupted. However, when I woke up confused, my ears seemed to smell each other's words, which seemed unreal and true. In the four poems, it can be seen everywhere. This kind of superposition of past and present, the transformation of montage lens of reality and fantasy. This way of writing, which is constantly changing in time and space, constitutes the hazy and colorful artistic conception. Long poems are strange and strange, but they are cold in their beauty, and sometimes they even pursue strong * * *. Li Shangyin's poem, which imitates a long auspicious style, uses fantastic imagination to construct a vague artistic conception, and uses colorful words to express passionate and obsessed feelings, with lingering sadness and endless sighs. Xu Dehong, a famous critic, commented on this poem: "The difficulty of spring is close to seclusion, the discharge of summer is close to memory, the sorrow of autumn is close to resentment, and the closure of winter is close to breaking." Feng Hao thinks: "Yantai, the people of the Tang Dynasty used to make the government by words, and they will make the people in the back room of the government also." He Chao said: "Four truly wonderful works, how to reduce Changgu (Li He)?" Zhu Yizun commented on "Four Poems of Spring in Yantai": "The scenery is beautiful, but the heart is sad." Lao Gan's Comments on Li Shangyin's Yantai Poems said: "It is the original author who is crafty and has no intention of telling people the answer." Qian Liang chose the cloud: "The language is colorful and profound, and people know it. If you ask for it in a sentence, you will get it in nine times out of ten, and if you ask for it in an article, it will be difficult to know. " Ye Jiaying commented: "A poem like Li Shangyin's" Yantai "is not so simple. It is hard to say whether it is from the heart and things or from things and hearts. Its four poems have various images, not as simple as the Book of Songs." The content, mood, style, language and artistic conception of Four Poems of Yantai influenced by later generations are close to ci. The sentences in this group of poems are mentioned and used many times in Song Ci, which shows that this group of poems has a great influence on the creation of Song Ci. Author brief introduction Li Shangyin (about 813-858), a poet in the Tang Dynasty. The word Yishan,no. Yuxi Sheng, Fan Nansheng. Huaizhou Hanoi (now Qinyang, Henan) people. In 837 ad, Jinshi and. He used to be county commandant, secretary lang and judge of Dongchuan Festival. In the middle of the struggle between Niu and Li, he was squeezed out and was down and out for life. The achievements of poetry are very high, and the poems "praising history" are full of irony, and the "untitled" poems are very famous. He is good at law and unique, rich in literary talent and unique in style, but he has too many useful classics and obscure intentions. There is Li Yishan's Poems.