Personally, I feel that the artistic conception of this poem is the same as that in A Dream of Red Mansions. "There is truth when it is false, and nothing happens when it is false." The artistic conception is similar, but it feels more like Buddhism.
He put it well in "Master Hongyi and I": I collected a poem from the Tang Dynasty: "You know, each phase is different, which can make you heartless and affectionate" and wrote a pair. I think it's appropriate to hang this couplet in the Buddhist Zheng Yang Hospital founded by Master Hongyi. Because the first part is about Buddhist scriptures and the second part is about art, we can see the significance of Master Hongyi's sublimation from art to religion. When an artist sees flowers smiling and hears birds singing, until I raise my glass, I ask Mingyue to open the door and see white clouds. He can treat nature as a person and turn ruthlessness into sensibility. This is the realm of "the unity of things and me". Furthermore, it is the true meaning of Buddhism, that is, "everything follows its heart" and "each phase is different".
So the highest point of art is associated with religion. The highest artist has a saying: "There is not a word in a silent poem, and there is not a stroke in an invisible painting." It can be seen that the description of the poem is flat, flat, red, green and green. It's just a small skill, the fur of art, and the spirit of art is religious. The above is for reference.