One sentence describes a dynamic scene, and the other describes a static scene, often combined with contrast. It is called dynamic-static combination or dynamic-static contrast. As a combination of dynamic and static scenery, it often depicts dynamic and static with an artistic conception, and often focuses on static, forming a harmonious unity of artistic conception and image by dynamic contrast.
For example, in Lu You's "Living in a secluded place in early summer", "When the water is full, sometimes you can see herons, and when the grass is deep, frogs are everywhere." When the moon comes out, the birds are startled, and the sound enters the spring stream. In the scenery described by the poet, there is movement in stillness, stillness in stillness, and the combination of movement and stillness constitutes a moving artistic conception.
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3. The combination of sound and melody
The description of scenery in ancient poetry often involves sound and color, which is the poet's use of senses to describe the scenery from multiple angles, making readers feel as if they were there, and receiving high artistic effects. It is also a kind of foil, which can be said to be quiet with sound, that is, there are descriptions of sound in the poem, such as "Late Autumn in Chang 'an" and "The stars are broken and the flute leans against the building". Sometimes it can be seen in combination with action.
It snows at night
Bai Juyi
This night, the pillow was ice, which surprised me. I saw the light snow outside the window.
It's late at night until it snows heavily, because you can hear the sound of bamboo branches breaking from time to time.
The object of description is snow, and every sentence in the poem is about snow, but the author writes it in turn from his own sense of touch, vision and hearing, highlighting the magnitude of snow.
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4. Angle combination
Visual, auditory, tactile, olfactory and other angles describe the scenery. For example, 20 1 1 Shandong Volume Appreciation of China's Poems Chu Guangxi's "Yongshan Spring" describes the mountain spring from the visual and auditory perspectives.
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5. Point-surface combination
Poets write landscapes, not in isolation, but also around the related objects of the main objects, combining points and surfaces to make the main images fuller and more distinctive.
Xue Jiang
liu zongyuan
There are no birds flying over those mountains, and there are no traces of people in those paths.
A boat on the river, a fisherman wearing his webworm moth; Fishing alone is not afraid of snow and ice.
"A boat, a bamboo cloak" belongs to description; The first two sentences are superficial, and the poems from "birds fly away" to "people disappear" describe the bitterness and loneliness of the characters' situation. Point-to-face combination, point-to-point, implicit and comprehensive, highlighting the perseverance and outstanding personality of the characters.