The last two sentences are written in the courtyard, and the water is misty, just like putting a veil on the court flowers, which is unclear; In Shan Ye, the flowing water is so crisp and pleasant; The birds hiding in the nest from the rain flew to the branches again and sang happily; A child came out of Chai Men, crying to catch birds. All this is about the scenery after the spring rain and the love for the rain. Not to mention the misty scenery and the sound of water, it's just the sound of warblers in the trees. The warbler in the tree is still so jubilant and noisy that it makes the children cry. It is even more conceivable that the farmers in the field are scrambling to plow the fields.
Late spring is a busy season for families in mountainous areas. However, the poet said nothing about farming, but wrote about peace and looked at farming from peace. Late spring is also a rainy season. After the spring rain, the happy mood is the general mood of farmers. The beauty of a poet is that he does not write about people or feelings, but only about scenery, from scenery to people and from scenery to feelings. This writing is not only closely related to the characteristics of late spring, but also short and pithy. Fang said that "short poems are profound and short chapters are borrowed" is a good poem. One of the artistic features of this poem is that it is short and pithy, simple and profound, with feelings in the scenery, people outside the scenery, beauty hidden in the "lotus" ("a gourd ladle poem"), and vitality in the quiet place.
Guan Xiu's poems make good use of reduplication in language, such as "A bottle and a bowl grow old, and Qian Shan can get all kinds of water" ("Chen Qingshu Xiandi"), so people call him "an available monk". Another example is, "Boundless and complex, the stems are sad and sinewy" ("Boundless Song"), "Horseshoe treads, wood falls and rustles" ("Thin Man"), and so on. This poem also has this artistic feature. There are three overlapping words in the four poems: "Silent", which describes that after the spring rain, the mountain family is busy with spring ploughing, and every family has no idle people: "misty", and the backyard flowers are like gauze after heavy rain, and the modality is vague: "Lingling", which describes the sound and rhyme of spring water flowing. The use of these reduplicated words is not only appropriate in creating environment, drawing shapes, making sounds and expressing feelings, but also melodious and melodious, with the musical beauty of folk songs. In the beautiful and delicate poetic style of the late Tang Dynasty, this poem gives people a sense of freshness and bodybuilding.
The second song extends from the small environment of "Shanjia" to the surrounding environment. Write the first three sentences about natural scenery. "Before the village and behind the ridge" or "everywhere" means. Although there is not a word of praise in these three sentences, the pastoral beauty, the high-yield scene and the quiet atmosphere of life are already visible, concrete and distinguishable, and worthy of nostalgia. Not to mention the economic value of mulberry zhe, it is only said that it can be eaten when it is tender, and it can be woven into mats to make straw tools when it is mature, which is of great benefit to people. Besides, Yuanyang _ _ still leads a quiet life, not to mention people. This paved the way, and also set off the fourth sentence, "neighbors do not invade each other." And the vigorous growth of plants is always inseparable from the hard work of people. The poem does not say that the villagers are hardworking and intelligent, but implicitly expresses the meaning of praise.
In the above-mentioned environment with beautiful scenery, abundant products, quiet life and hardworking villagers, the "western neighbors" naturally live in peace and live a "non-intrusive" good-neighborly life. There are no social phenomena such as bullying, public violence, intrigue and competition. Obviously, through the description of the quiet life of the farmhouse, the poet, as a Buddhist, can't help pinning his ideals and interests, which is self-evident.
In the last four sentences of the poem, four characters including the author are written in one breath, which is rare in similar Tang poems. These four sentences further show the loveliness of Shanjia from the inner peace of the characters living in this environment. In a few strokes, the objective scenery of cocoon white, water blue, melon fragrance, ripe beans and melodious flute is vividly written; The images of the silkworm mother, the shepherd boy and Shan Weng are vividly outlined. It is not difficult to imagine that mother silkworm enjoys a bumper harvest and her heart is sweet; The shepherd boy takes a bath in clothes, and his character is naughty: "Shan Weng and I are together", and their friendship is profound. Coupled with the rendering of words such as "laughing fingers", Shan Weng's actions, modality, voice, smile and his simple, kind and hospitable character are further revealed; The poet "I" is in such an environment, and his lingering mood is self-evident. Even better, at the end of the poem, the word "cooked" depicts a picture of a bumper harvest in sight, echoing the dark pu in the pond and the mulberry trees everywhere, which is really refreshing. The whole poem came to an abrupt end at this point, but it left room for lasting aftertaste.
Compared with those elegant, carved, beautiful and delicate poems in the late Tang Dynasty, Guan Xiu's works are unique in Kang Jianzhi, bright, fresh, simple and beautiful. Yang Shen in the Ming Dynasty pointed out: "There are many new sentences in Guan Xiu's poems, which surpass those in the late Tang Dynasty (Poems of Sheng 'an) and are really unique.