The couplets commemorating the third anniversary of my father's death
1 * * * It's a thousand years since I left my body behind
2 days ago.
3. Sacrificing my life for my country.
4. P>1 Three-path cold pine with weeping and half-window bamboo with wind sign
11 White horse plain car worrying about dreams, blue sky, blue sea and melancholy evoking souls
12 The bright moon is not round, and after the Mid-Autumn Festival, there is always a lack of high wind to be proud of. How to say goodbye again
13 live frugally, follow the legacy and work hard to report Yu En
14 The career has been recorded by the predecessors and left for future generations to see
15 After the end, the world has been preserved and the wind has benefited the future generations
16 The works and other elderly children have maintained their careers for a long time
17 They have been obliged to go through fire and water to be brave
18 Inherit the revolutionary tradition of martyrs and carry forward the patriotic spirit of their predecessors < The mountains and green waters last forever, and the magnificent flowers, pines and cypresses can comfort the spirits after their death
2. The loyal souls are full of blood, and the spring rain is righteous and ambitious, and the gods will cry for a thousand years.
21. The heroic legacy exhibition of the mountains and rivers is famous for its fame.
22. Stay frugally for a lifetime, set a good example, pass on the good wind for half a century.
23. In the third night, the cold cuckoo still cries, and the Wan Liyun empty crane flies < p On this day, Fusang rode a whale to China, and when did the crane come?
On June 26th, the night was quiet, and the bamboo yard was quiet, and the autumn crane was dreamy and cool.
27 Long Yin Haitian Cloud, Wan Li Crane returned to China, and it was the third night of the month.
28 Daya Cloud, dead beams and trees, bad old age, withered Taishan Mountain, decayed.
29 After riding a whale, the clouds were dark, and the crane returned to Ji Moon, cold
3
32 bright moon, cool breeze, dreams, residual mountains, water, reading poems
33 human beings have failed to make a dream, and the sky will become a white jade building first
34 people who have not thought about it before will become a farewell, and their smiles are all sad
35 people in the vast sea and the sky are sad, but they still hope to return now
In June, they look at the cold maple, and those who live in the empty valley and the mountains shed tears and frost to seal the grass, and the white horse in the plain car is even more hurt The flowing water in Qingxi River is a plaintive cry
38. It is a cross-flow of the sea, crossing the crane and empty mountain and returning to the upper bound. There is little surprise and seclusion. Mr. Tijuan cries in the clear night
39 drinks wine in the past, and the candle scissors in the west window still remember the graceful and upright people's piano. The plum remnant East Pavilion has only a shadow of the moon
4 teeth, which is respected by virtue, and the moon has a comment and kindness. A typical example can be regarded as a teacher for future generations
41 actress Shen Bao Wu Xian drives back to Yaochi
42 the fallen flower spring has gone, and the moonlight night is difficult to round
43 the butterfly has turned into a dream of death, and the crane is still making a virtual sound
44 Qi Ge, when the wind is empty and there is a shadow in the evening, Xuan leaves no fragrance after the rain
45 Painting Hall, province, knows the spring breeze, and the face is surrounded by air, returning to the soul of the moonlight night
46 Ci Zhu Driving back to Penglai
48 White to live in the air and relax, and all the yellow leaves are full of sadness
49 Qige is cold and sad, and the crane is blue and the moon is cold and weeping. xuan hua
5 Dreams are broken, and the spring rain and pear flowers in Beitang are hated for generations, and the leaves of Tung trees are hung on the east wall in the autumn wind for a day
51 The autumn wind destroys the ancestors overnight, and tears are shed on Sun Lan
52 Lonely and dry. For a moment, the crane's sorrow belongs to the sunset in the western mountain, and the dove's support only reflects the hatred and affection
54. Once upon a time, Ya was fond of dates and pears, and she insulted her pet by saying that she was deeply loved by her family. Since then, she has heard of silk and bamboo, remembering the past and benefiting people who depend on the door
55. Spots suddenly turned into numbness
57. The strict relatives died early, but the kindness of the mother was not reported. She hated the end of her life
58. In the end, it was useless to miss her relatives and tears. The mother spirit
59. When did the half-child cry in the east bed?
6. Who is in charge of the falling flowers and crying birds?
61. When you go, everything is difficult, you can miss the past. Ke Zhen Jia sheng
63 Bao Qin's silent string column is absolutely empty in the moon mirror
64 Most pitying children's ignorance, Youzi's pillow is accompanied by charming cries, asking when the mother will return
65 I wish the sky had eyes to make up for this human regret, and Xu Liang's fate would be in the afterlife
66 The cloud road is high in the sky, and who makes the wild geese separate into a shadow, the wind pavilion and the cold moon? From the perspective of genre, the style of couplets can be roughly divided into the following 1 types:
1. At first, the style of regular poems was mostly five or seven words, which was the mainstream of the style of couplets, and this kind of poetic couplets still accounted for the majority. For example, Su Xiaomei Lian: the breeze helps the willow, and the plum blossoms are lost in the light moon.
2. The style of Ci came to Song Dynasty, and Song Ci gradually flourished, which also enriched the art of couplets. For example, Xu Da's former residence couplet: river of no return, the hero of the ages, asked the castle peak outside the building and the white clouds outside the mountain, where is the Han que in the Tang Palace; In the spring of the small courtyard, the warbler evokes a court of beauties, watching the green trees by the pool and the red rain by the trees. It is sunny and sunny here.
3. Folk song style Some couplets are very similar to folk songs, with popular and simple language, lively form and folk songs. Jie Jin Lian: Golden willow by Jinshui River, which passes through goldfish mouth; Hosta flowers outside the jade railing, and they are inserted into the jade head.
4. The prose style is based on literati couplet. Some people say that it began with Zeng Guofan, such as the self-elegiac couplet written by Yu Yue, a scholar in the late Qing Dynasty: when life is useless, death is irrelevant, and 25 books have been painstakingly handed down to the world, which is enough; I don't care about people, I have lived for half a lifetime for 3 years, and I have a smile. What should I do?
5. Some of the styles of operas are full of the flavor of operas in terms of expressions, broken sentences and overlapping words. For example, it may not be the case in those days, but it may be the case today. Another example is: Yingying Yanyan, emerald green, harmonious everywhere; Ups and downs, flowers and plants, every year.
6. The style of Qudiao is characterized by simple and natural language, fresh and pungent, vivid and humorous image. This kind of couplets has the style of writing but not writing, vulgar but not vulgar. For example, the coffin shop: this business is so strange that everyone is afraid to take care of me. That thing is so strange that everyone can't see it and can't live without it
7. Some couplets in idiom style are embedded in idioms. For example, Lin Zexu wrote a couplet: there are hundreds of rivers, and tolerance is great; The wall stands a thousand miles, and if you have no desire, you are just.
8. The mouth-wrapping style is similar to tongue twister. Such as: the deer in the north of the house stays alone, and the chickens in the west crow together. Another example is: smoke along the eaves, Yan Yan eyes.
9. Some riddles are like a riddle. Such as: white snake crossing the river, a red sun overhead; Qinglong hangs on the wall, wearing ten thousand points of Venus. The upper part is an oil lamp, and the lower part is a scale.
1. Parallel prose style An article written in parallel style is called parallel prose. Parallel prose pays attention to neat words, duality, harmonious phonology and gorgeous rhetoric. Parallel prose became popular after the Han Dynasty and the Southern and Northern Dynasties, which later influenced the literary history of China for thousands of years. The couplets are also influenced by it, and the couplets with parallel prose style have been brought into full play in the long couplets of the Qing Dynasty. This style didn't appear much before the Qing Dynasty. At the end of the Qing Dynasty and the beginning of the Republic of China, the couplet became longer and longer. Since then, the style of parallel prose has been given full play. For example, written by Li Lianfen, Wuhan Yellow Crane Tower Couplet: Thousands of years' achievements, coming from the world, watching the lonely phoenix cave, parrot Fangzhou, yellow oriole fishing rock, Qing Chuan Jiege, what a beautiful spring and autumn moon, leaving only mountains and residual water, looking forward to today's ancient sorrow, when is Cui Hao writing a poem, and violet writing; One is the Yangtze River, how many people have scoured it out? Looking at Hankou, the sun is setting, the Dongting is rising far, the rain is raining at night in Xiaoxiang, the clouds are dreaming and the morning glow is shining, leaving only the pale smoke and the narrow world, all of which are given to the ethereal sound of flutes and the shadows of cranes. This couplet not only uses a large number of names, such as "Phoenix Alone, Parrot Fangzhou, Yellow Crane Fishing Rocky, Qing Chuan Jiege", "The sunset in Hankou, the rising of Dongting, the rainy night in Xiaoxiang, the clouds and the morning glow", etc., which brings people into a broad and stretching poetic atmosphere, but also uses a dictionary that is elegant, beautiful and extremely literary.
The origin of couplets
Couplets, also known as antithesis, door-to-door, spring stickers, Spring Festival couplets, couplets, peach symbols, couplets, etc., are a kind of dual literature, which originated from peach symbols. It is a dual sentence written on paper, cloth or engraved on bamboo, wood and columns. It is a unique art form of Chinese language, which is concise and profound, neat and even, with the same number of words and the same structure
Legend has it that couplets originated from Meng chǎng, the owner of Shu after the Five Dynasties. It is a treasure of China traditional culture. The couplets hung during the Spring Festival are called Spring Festival couplets, the couplets for funerals are called elegiac couplets, and the couplets for happy events are called Qinglian couplets. Couplets are a kind of national style written by using the characteristics of Chinese characters. Generally speaking, the antithetical sentences in rhyming rhymes are not needed.
Parallel Prose and Rhyme are two direct sources of couplets. In the process of its own development, couplets have absorbed the characteristics of ancient poetry, prose, lyrics and songs. Therefore, the sentence patterns used in couplets, in addition to regular poems and parallel prose sentences, also include ancient poems, prose sentences and parody sentences. Different sentence patterns have different metrical patterns and different widths and strictness. Among them, the sentence pattern of rhythmic poetry is the most strict, while the ancient verse pattern is not limited in other positions except for the end of the sentence.
Spring Festival couplets have a long history, which is said to have originated from Meng Chang, the master of Shu in the Five Dynasties. His inscription on the peach symbol on the door panel of the dormitory: "New Year's Eve, Qing Yu, Jiajie FestivalNo. Changchun", which means that the inscription on the peach symbol can be found in Shu Lang, which is the earliest couplet in China and the first Spring Festival couplet. The basis of this statement is that Liang Zhangju, a couplets scholar in Qing Dynasty, quoted Shu Lang Lang from Couplets Conghua. However, according to the textual research of Couplets Overview, Liang Zhangju changed "to work with its words" to "not work with its words" and "Shu Lang Lang Lang" when quoting. Different historical materials in Song Dynasty have different opinions about this, and some people classify the author as Meng Chang's son. Therefore, who is the author of this pair of Spring Festival couplets is still an unsolved case.
As a custom, couplets are an important part of China traditional culture. In 25, China the State Council listed the custom of couplets as the first batch of national intangible cultural heritage list. The custom of couplets is passed down and spread in Chinese-speaking areas and ethnic groups with cultural origins of Chinese characters, which is of great value for promoting Chinese culture.
1.217 elegiac couplet in memory of father
2. Father's tombstone couplet
3. Three-year mourning couplet
4. Third anniversary couplet
5. Various inspirational couplets on the third anniversary
6. A complete collection of elegiac couplets on the third anniversary of death.