In poetry appreciation, we need to distinguish two similar techniques: sketch and meticulous painting. Unlike "sketch", which often depicts vivid images with the most concise pen and ink, meticulous brushwork pays attention to the description of local details, which is very attentive and colorful. For example, Wang Wei's "Waiting for Chu and Guangxi": "The heavy door has been opened, sit up and listen to the sound of cars. If you want to smell Qingpei, go out and see him. In the evening, bells will ring in the garden and rain will pass through the spring city. I don't care about myself and feel empty in the clinic. " The poet closely followed the word "waiting" in the title and described various scenes in which the poet waited for the arrival of guests: he opened the door early in the morning to welcome guests, but he fidgeted and sat up again. Then he described the illusion of hearing, and then through the description of the scenery (going to the garden at night and crossing the spring city to shelter from the rain), friends still didn't come from morning till night, but they were affectionate (empty). In the poem, the poet expresses his longing for the arrival of his friends and his disappointment that his friends didn't come through a series of meticulous descriptions (movements, demeanor, psychology and scenery).
The general answer format of line drawing technique is: firstly, explain which lines in the poems that need to be analyzed use line drawing technique, and combine the meaning of lines to explain what scenes or images are depicted and what thoughts and feelings are expressed. For example, analyzing Ma Zhiyuan's "Tianjingsha Qiu Si" in Yuan Dynasty, the author juxtaposes all kinds of scenery with extremely concise line drawing techniques, and draws a bleak and moving picture of wandering travelers in autumn suburbs. The first three sentences and eighteen words are all composed of noun phrases, from bottom to top, from vines and crows on trees, to bridges far and near, running water under bridges, homes by the water, and then to ancient post roads and thin horses on the road. A * * * lists nine kinds of scenery, without verbs, which is concise and meaningful, and depicts the bleak picture of autumn suburbs at dusk, revealing a sad mood. The whole poem depicts the image of a wanderer riding a thin horse trudging on the ancient road where the west wind still shines, and expresses the bitterness and sadness of travelers wandering around the world who miss their hometown in autumn.