Alone and pitied by the secluded grass, there are orioles singing in the deep trees.
The spring tide brings rain late and comes in a hurry, and no one crosses the river in the wild.
[ Appreciation] This poem was written by Wei Yingwu when he was the secretariat of Chuzhou. The poem describes the quiet scenery of at chuzhou on the western stream: the quiet grass grows silently by the ravine, and there are deep Woods near the quiet grass, where orioles are singing. In the evening, the spring rain is sudden, and the water in the stream rushes and rushes. The ferry in the wild is peaceful, and there is no one around, only the ferry crosses the river. This poem is a combination of dynamic and static, with far-reaching style, like a quiet ink painting.
Appreciation
This is a famous landscape poem and one of Wei Yingwu's representative works. The poem was written in 781, the second year of Tang Dezong Jianzhong, when the poet became the secretariat of Chuzhou. Chuzhou was ruled by the Tang Dynasty, which is now Chuxian County, Anhui Province, and Xijian was in the western suburbs of Chuzhou City. This poem is written about a spring trip to Xijian to enjoy the scenery and a late rain trip. Poets write scenes with emotion, borrow scenes to express their feelings, write about their favorite and disliked scenes, and talk about their own agreeable and disagreeable situations, but their mind is calm and their feelings are sad, which naturally shows up. However, whether there is a sustenance in poetry and what it means have always been debated. Some people think that it is a thorn in "the gentleman is next, the villain is above"; Some people think that "there is no need to entrust this couple with the scenery of the western stream." In fact, each has its own bias.
in the first two sentences of the poem, in the prosperous scenery in spring, the poet loves the lonely grass by the ravine, but shows no intention to Huang Yinger, who sings seductively in the deep trees, and sets it off for comparison. When the secluded grass is poor and sober, and the oriole is high and flattering, its metaphor for the official world is obvious, which clearly shows the poet's calm mind. In the last two sentences, the late tide and spring rain make the water more urgent. And the country ferry, originally there were not many pedestrians, is even more deserted at the moment. Therefore, even the boatman is gone, and the empty ferry is floating freely and carefree. Because the ferry is in the countryside, no one cares. If you are in Yaojin, the tide will rise in the rain in the evening, just when the ferry is in great use, and you can't idle. Therefore, in this leisurely scene of water rushing across the boat, there is a feeling of helplessness and sadness that is not in place and can not be used. In the first two sentences and the last two sentences, the poet used contrast techniques and emphasized them with striking words such as "solitary pity", "urgency" and "horizontal", which should be said to have thought-provoking intentions.
from this point of view, this poem has a sustenance. However, why do poets have such sustenance?
In the early period of the middle Tang Dynasty, Wei Yingwu was a poet who led an honest and clean life and a good official who cared about people's livelihood. During his career as an official, he was "I am sick, and I think of my home in the country, ashamed to take pay while so many are idle" ("to my friends li dan and yuanxi"), which was often in the contradiction of entering an official position and retiring. He was worried about the political failure in the middle Tang Dynasty, and felt guilty about the poverty of the people. He was unwilling to reform, but unable to do so. He was in a dilemma, so he had to let nature take its course. Zhuangzi said: "Those who are clever and know are worried; Incompetent people want nothing, but eat and travel. If you don't tie the boat, you will travel in vain. " ("Zhuangzi. Lieyukou ") Wei Yingwu has a deep understanding of this, and once made it clear that he is" a boat is not tied with his heart "("Since Gong Luozhou entered the Yellow River, he sent a friend to the county "), saying that although he was worried about the knower, he was ashamed of his incompetence, so his official career was like wandering and doing nothing leisurely. In fact, "at chuzhou on the western stream" is to express such a contradictory and helpless situation and mood. I want to retire, so I pity the grass alone; Doing nothing is just crossing the boat with the water. Therefore, the poem reveals a calm mind and sad feelings.
It's true that there is interest, but it boils down to a mockery of "the gentleman is below and the villain is above", which is also rigid; To say that there is no sustenance for accidental scenery is to separate poems and people and become superficial, which is not in line with the poet's original intention. Therefore, it is better to appreciate the strange and analyze the doubts and learn from others.
Song and Ye Shaoweng
should feel sorry for their fangs, and
Xiao Kou Chai Fei won't leave for a long time.
The garden can't be closed in spring, and
an almond comes out of the wall.
Translation:
Perhaps the owner of the garden cherishes moss and is afraid that my wooden shoes will leave footprints on it. Knock gently on the Chai Men, and no one will open it for a long time. The spring scenery in the garden can't be caged, and one branch of the blooming apricot sticks out of the wall.
Appreciation:
This poem is a blend of scenes and stories, which will be read through the ages. The first two sentences, "You should pity the fangs and seal the moss, but Chai Fei won't open for a long time", explain that the author didn't meet friends and relatives, and the garden door was closed, so he couldn't enjoy the spring flowers in the garden. However, it is humorous, saying that it is probably because the owner of the garden cherishes the moss in the garden and is afraid that my fangs will leave traces of trampling on it, so "Chai Fei" can't be released for a long time. The host is not at home, and it is deliberately said that the host intends to refuse guests. This is to pave the way for the following poem. Because of the idea of "pitying fangs and printing moss", the last two sentences are more novel: although the owner selfishly closes the garden door, it seems that he wants to keep the spring scenery in the garden alone, but "the spring scenery can't be closed all over the garden, and an apricot comes out of the wall." These last two poems have vivid images and strange ideas. Both "Spring Scenery" and "Red Apricot" are personified, which not only contain feelings in the scenery, but also contain logic in the scenery, which can arouse readers' many associations and be inspired by philosophy: "Spring Scenery" can't be locked up, and "Red Apricot" is bound to "come out of the wall" to announce the coming of spring. Similarly, all new and beautiful things can't be blocked or imprisoned, and it will surely break through any bondage and flourish. It should be regarded as a spiritual adventure to be disappointed and excited because of the obstruction of the tour. This poem is a record of this spiritual adventure. It is a unique poem that can't travel, but it is better than traveling. It is a bit disappointing that the desire to enjoy the tour is blocked because of the lack of access to the garden gate. But when I was disappointed, I was pleasantly surprised to find adventure and wonder. An almond rose out of the wall and imagined that the all loves in the wall was dazzling, which turned the "Fang tooth garden" into a "spiritual garden". The unexpected mental compensation after disappointment is precious. Spring scenery in such a "off" and "out" between, break through the wall, overflow outside the garden, showing a vigorous, locked vitality. In the end, nature is more considerate of tourists' interests than the owner of the garden, which is not only the pity of tourists, but also the messenger of red apricots sent by spring scenery. Viewed from the poem, this poem highlights Ye Shaoweng's spiritual concentration. In the deep spiritual experience and psychological twists and turns, generate shows the vitality that spring is hard to lock, and he is happy to fall from the sky, as well as the enlightenment of interesting spiritual philosophy.
drinking
Tao Yuanming
build house is in the human territory, and there are no cars and horses. Ask you what you can do? The heart is far from self-centered. Picking chrysanthemums under the east fence, you can see Nanshan leisurely. The mountains are getting better and better, and the birds are returning. There is truth in this, and I have forgotten what I want to say.
1. About the author:
Tao Yuanming is a great poet in the Eastern Jin Dynasty. A latent, bright characters, private quiet festival. When he was young, he served as pengze county's official, and he had the integrity of "don't bend over for five buckets of rice". Later, he was extremely dissatisfied with the social reality and could not realize his political ambitions, so he had to leave his post and retire.
His works include more than 16 poems and more than 1 essays on ci and fu. Among them, the most influential is the idyllic poems depicting quiet rural life and simple rural scenery, which have been classified as "pastoral poet" and "hermit poet" by poetic theories in previous dynasties. His poems initiated the school of pastoral poetry in the history of literature. His representative works include prose "Peach Blossom Spring", ci-fu "Going Home" and poem "Drinking". There is the Collection of Tao Yuanming.
This poem is an ancient poem with five words.
2. The main idea of this poem.
This poem shows Tao Yuanming's attitude and interest in life after he abandoned his official position and returned to the fields. The author is happy to live in the fields and revel in nature, which not only reflects the mind of rejecting the secular, dissatisfied with the reality and keeping an honest and clean life, but also reveals the negative thoughts of avoiding contradictions, fighting with the world and being independent.
3. How does poetry integrate scenery, reasoning and lyricism?
The first four sentences and the last two sentences of the whole poem are mainly about reasoning, which is based on emotion, while the middle four sentences are mainly about writing pictures, which is based on emotion, thus integrating scenery, reasoning and lyricism.
4. understanding of the sentence "under the hedge of picking chrysanthemums, you can see Nanshan leisurely".
"Chrysanthemum" is a symbol of nobleness, and this life segment of "picking chrysanthemums" shows the poet's interest in transcending the world, leading an honest and clean life and loving nature. "Seeing" is an unconscious action, which shows that the poet accidentally saw Nanshan, thus integrating people and things, boring the society, and setting off an image of a poet who is carefree and intoxicated with nature.
there are many here. See for yourself if you like it:
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