After a long time, I finally came out, but I covered half my face with a pipa in my arms, which meant I didn't want to see anyone. Used to describe things that are unclear or ambiguous and secretive.
One of the famous lines in Bai Juyi's Pipa Trip is: "We shouted a thousand times before she started coming towards us, and she still hid half of her face behind her guitar." . Literally means: after calling her for a long time, she walked out of the cabin, and when she came out, she was shy and covered her face with a pipa. Still holding the pipa shyly and timidly, half covering his face. When I came out, I was still shy, holding the pipa over my face. Still holding the pipa shyly and timidly, half covering his face. Nowadays, people like to describe a thing that people have been concerned about and concerned about for a long time by using "we called for it a thousand times and urged it a thousand times before she started work", and describe a woman's shyness by using "still hiding half of her face behind her guitar so that we can't see it", or describe a thing that has just appeared in public, which has not been fully understood. Fail to fully understand the truth of the matter. How to understand Bai Juyi's original poem, what is it used to describe and what role does it play in the whole poem? The author tries to explain one or two things:
1, "However, we called it a thousand times and urged it a thousand times before she began to walk towards us, still hiding half of her face behind her guitar from us", this poem is closely related to the last article. Through the modal description, it highlights the extraordinary of this pipa girl, suggesting that this pipa girl has an extraordinary past and superb acting skills, which sets a suspense for the following. This is a grass-ash snake line drawing commonly used in China traditional literature.
On a cold autumn night, the poet saw off his guests and was drunk and unhappy because he had no orchestral strings. The sudden pipa sound made "the host forgot to go home and the guests forgot to go on the road". At this point, the acting skills of the pipa girl have been fully revealed. Then, the poet secretly asked, moving the boat to invite him, but the pipa girl "but we called and urged a thousand times before she started coming towards us", and then "still hid behind her guitar from our half face". Why is pipa girl like this?
As we know, pipa girls at this time are businessmen's women, not women-worshippers. Playing pipa should be self-pity and masturbation, not to receive customers to make money. So, whether she wants to meet strangers or play the pipa for strangers, she can make her own decision. In addition, the luxurious life of "Wuling nobles competed fiercely, and there were countless songs of HongLing" formed her aloof character in her bones, which made her feel ashamed of being reduced to such a level. Therefore, there is a pipa talented woman who "we called her a thousand times before she came to us, and she still hid half of her face behind her guitar". She is full of unspeakable hatred. Both "Holding the Pipa Half Covering the Face" and "Pipa Half Covering the Face" reveal the complicated inner activities of Pipa girls in a tortuous and delicate way. The voice was interrupted ... and then she reluctantly answered "and" stop "to show that the player heard the caller's call; The word "late" shows the hesitation of the pipa girl, which seems to have hidden worries and implies anxiety. Pipa girl "yet we called and urged a thousand times before she started toward us" refused to come out, reluctantly came out and covered her face with a pipa. This abnormal behavior clearly shows that this unfortunate artist has been through a lot of hardships and hardships. She was ashamed of her depravity and embarrassed to show her face again. This has caused suspense, paving the way for the following description of the unfortunate life experience of the pipa girl.
What effect would it have if we changed "we shouted a thousand times, but she still hid behind the guitar and didn't let us see half of her face" to "give the order and come out to see the pipa"? Therefore, the sentence "Before she started walking towards us, we called for a thousand times and urged her for a thousand times, but she still hid half of her face behind her guitar and didn't let us see it" seems normal, but it is very strange. With the above description, it shows that the performers are disheartened, hiding something and ashamed of their depravity. This laid the foundation for the theme of "doomsday reduction".
2. The description of "But we called her a thousand times before she came to us, and she hid half of her face behind her guitar so that we wouldn't see it" highlighted the charm and modality of the pipa girl, and highlighted her lovely behavior and charming temperament, which made an external visual rendering and foreshadowing for the following description of her superb acting skills from the sense and perception.
"However, before she came to us, we shouted for a thousand times and urged her for a thousand times, but she still hid half of her face behind her guitar and didn't let us see it." This sentence vividly and skillfully describes the shyness of women. Although the language is simple, the modality of wanting to show and hide is already very profound. This stiff, shy and steady appearance is exactly what a woman who meets by chance should look like. Playing "We called her a thousand times before she came to us", the pipa girl still hides half of her face behind her guitar to show her shyness to readers. Because of the "broken voice" ... then she reluctantly replied, "As mentioned above, we don't think she is artificial. On the contrary, she looks natural and lovely, which makes people feel infinite love and pity. The river is boundless, the autumn moon hangs high, the quiet night, the sad heart, the poet who has no confidant and the shy pipa girl, how can this situation not fascinate people? However, this is just a prelude to igniting readers' emotions, and the thrilling plot is yet to come!
3. It should be pointed out that this poem, "We called her a thousand times before she started coming to us, and she still hid half her face behind the guitar so that we wouldn't see it", contains the complicated psychological activities of the pipa girl, and does not rule out the following possibilities:
(1) Afraid of meeting acquaintances, but ashamed to become vain. In the past, it was "the daughter of Beijing" and "her name was at the top of the list of musicians", while "Qu Ba" often taught outstanding talents, and her beauty was the envy of all major dancers. How did the aristocratic youths in Wuling compete generously? Countless red silks were given to a song ... The autumn moon and spring breeze had passed, but she didn't notice. Beautiful as a flower, loved by rich children, living a luxurious and happy life, she is now a "businesswoman", old and shabby, inseparable, left out by her husband: "Who, who stole money first, accidentally left her, went to Fuliang to buy tea a month ago. She has been taking care of an empty boat in the estuary, and there is no companion except the bright moon and cold water. " This huge contrast in life makes her face-saving and vain ashamed to meet people, and even more ashamed to meet acquaintances and "officials."
(2) Adding charm and attracting customers' professional habits, actions and modality can even be understood as a deliberate appearance "modeling" design with "show" elements. This is determined by her previous Shang Yan nature. Look at singers, movie stars and even stars now. They deliberately flaunt their personalities in their hair styles, clothes and intonation, and even deliberately arrive late for the meeting to create news and hype themselves. They use some maverick "tricks" to let the audience pay attention to themselves through the media. It is conceivable that in the prosperous Tang Dynasty when the song and dance industry was developed, geisha probably had their own professional habits, actions and patterns to attract customers.
In addition, "However, before she started to walk towards us, we called and urged her for a thousand times, but she still hid half of her face behind her guitar, so that we wouldn't see it" can also be understood as: This is a reflection of the author's mood at that time. In Xunyang, a secluded place where there is no music, the poet, "It's a whole year without strings", has strong expectations for suddenly hearing the pipa play "The Voice of Kyoto", and he has hallucinations and illusions because of his eagerness. After eagerly calling for several times, he imagined it for thousands of times. When he picked up the pipa and tuned it, he naturally covered part of his face and mistakenly thought that the pipa girl was embarrassed to cover her face intentionally. Because the poet is eager, the pipa girl takes her time. Therefore, "We called for a thousand times before she began to walk towards us and still hid half of her face behind her guitar", which can be understood as an exaggerated description of the pipa girl's lateness and shyness, and expressed the poet's desire for pipa music through exaggeration.
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