The poem about flowers and willows is 1. What are the poems about residual flowers?
Cherish peony flowers. Bai Juyi is melancholy. There are only two red peonies left in front of the stage.
I think all the flowers should be blown away when the wind blows tomorrow morning. At night, I pity these weak but red flowers and take a torch to see the peony. In the blooming flower season, the peony flower, known as the national beauty and fragrance, always blooms very late. By the time she occupies the spring scenery, the spring flowers have come to an end.
Sentimental poets of past dynasties never tire of the theme of hurting spring and cherishing flowers. Bai Juyi's poem "Cherish Peony Flowers" is unique among countless poems that cherish flowers.
People don't know how to cherish until the flowers fall. Although this poem is abnormal, when the flowers are in full bloom, it reminds me of the day when the red flowers wither and the fragrance disappears. With the fresh idea of sparks, it shows infinite pity for the peony and expresses the deep affection that the years have passed and the youth is hard to stay. Although the whole poem is only four short sentences, it is full of ups and downs in style and profound in meaning.
The first sentence comes straight to the point and points out the meaning of the problem: "The red peony in front of the melancholy stage", a faint stroke, the poet's melancholy, the elegance of the courtyard and the fiery red peony are all vivid. The word "melancholy" suddenly rises, causing the illusion that peony flowers seem to fail, and immediately introducing people into the melancholy atmosphere of loving flowers.
In the second sentence, the meaning changed: "There are only two branches left at home late", emphasizing that there are only two branches left at home late, only to know that the peony flowers in the yard are still in full bloom! The tone of "only" and "two branches" is affirmative, and the figures are exact, which shows that the poet appreciates flowers carefully. Only by counting all the branches carefully can he draw such an accurate conclusion, and only by being so meticulous can he see the poet's deep affection for flowers. These two sentences are natural and simple, without carving, and only ups and downs are used to create a freehand effect. Through the psychological description of cherishing flowers, the poet's lingering under the dusk flowers can be described as affectionate and profound.
Since there are only two peonies in the yard, there seems to be no need to be so disappointed. However, quite crucially, not to mention the two branches? The poet saw the news that spring would return from two residual flowers, and his worry was not unnecessary. "The wind of the Ming Dynasty should be blown out", and the tone changed, further writing the imaginary feelings of loving flowers.
It may not be windy in the Ming dynasty, and the word "should" also shows that this is just the poet's worry. However, the weather is unpredictable, and the flowers that have been in full bloom will be destroyed by wind and rain at any time.
Once the wind blows, "loneliness turns to red rain and the clothes are scattered with the wind" (2), that kind of desolation and cold really makes people can't help it. But even if the poet loves flowers in every way, he can't stop the return of spring, let alone stop the sudden wind and rain. what should he do ？ The ancients said, "The days are short and the nights are long. Why not travel by candlelight? " ("Nineteen Ancient Poems") Then, before the flowers are blown away by the wind, isn't it equal to prolonging the life of the flowers by getting up in the fire at night? More importantly, under the flickering fire, the dying peony becomes more and more red and charming. The beautiful and sad scene has its own taste that you can't appreciate during the day.
After several twists and turns, the whole poem vividly shows the poet's fascination with flowers, and it is not difficult to understand the mood after the flowers are broken. As soon as Bai Juyi's poem came out, it aroused the imitation of later generations. Li Shangyin's Drunk under the Flowers: "When guests wake up in the middle of the night, they will light red candles to enjoy the residual flowers."
The sadness of putting a banquet in the withered flowers is more beautiful and subtle than white poetry, and the mood is more sad and confused. In Su Dongpo's works, the flowers opposite the high candle are as charming and lazy as the beauty with heavy makeup: "I am afraid of falling asleep at night, so I burn the high candle and wear red makeup."
The sadness of cherishing flowers has been dissolved in the poet's elegant and funny feelings. Admittedly, Li Shangyin and Su Dongpo have always been highly respected by people, but the artistic success of later generations is due to the absorption of the elites conceived by predecessors. Therefore, when people are intoxicated with the beautiful artistic conception created by Li Shangyin and Su Dongpo, don't forget Bai Juyi's contribution to illuminating future generations' thoughts by candlelight.
Ju, Hua, Yuan Zhen and Qiu Si, like Taoist priests, tend to fence more and more. It's not that chrysanthemums are favored among flowers, but that this flower is even more flowerless.
Chrysanthemum is not as rich as peony, nor as precious as orchid, but as the flower of Ao Shuang, it has always been favored by people. Some people praise its strong character, while others appreciate its noble temperament. Yuan Zhen's poems about chrysanthemums show his reasons for loving chrysanthemums in a new way.
In general, I want to talk about the loveliness of chrysanthemums. However, the poet did not list adjectives such as "hanging the moon with a golden hook", nor did he describe the scene of striving for beauty.
Instead, a metaphor is used-"Autumn silk is like a Potter." Clusters of chrysanthemums open around the house, as if they were in Tao Yuanming's home.
Autumn bushes are clumps of autumn chrysanthemums. Tao Yuanming of the Eastern Jin Dynasty loved chrysanthemums most, and chrysanthemums were planted everywhere in his home.
"Picking chrysanthemums under the east fence and seeing Nanshan leisurely" ("Drinking") is his famous sentence. Comparing the place where chrysanthemums are planted here to "Tao Jia", it is not difficult to imagine that autumn chrysanthemums are in full bloom in the courtyard.
How can such a beautiful chrysanthemum scene not be intoxicating? As a result, the poet "gradually inclined to fence", completely attracted by the chrysanthemum in front of him, absorbed in watching the fence, and did not even know that the sun was setting in the west. "Wandering" and "Sunset" truly show the poet's fascination with chrysanthemum appreciation and linger, and render the atmosphere of loving chrysanthemum.
Why are poets so obsessed with chrysanthemums? Three or four sentences explain why I like chrysanthemums: "It's not that chrysanthemums are favored among flowers, but that this flower has no flowers." Chrysanthemum is the latest flower to wither. Once chrysanthemums are exhausted, there will be no flowers to enjoy, and people's love for flowers will naturally focus on chrysanthemums.
Therefore, as a post-withered person, it is uniquely cherished by people. The poet draws a profound truth from the natural phenomenon that chrysanthemums wither at the latest in the four seasons, answers the reasons for loving chrysanthemums and expresses the poet's special love for chrysanthemums.
This, of course, also includes the praise of the steadfast character of chrysanthemum after weathering and withering. This poem excavates unusual poetry from the common theme of chanting chrysanthemums, gives people new inspiration, and appears novel and natural, unconventional.
In writing, the brushwork is also very clever. The first two sentences write the real scene of enjoying chrysanthemums and render the atmosphere of loving chrysanthemums as a foreshadowing; The third sentence is a transition with sharp brushwork, and the last sentence is a beautiful sentence, which further opens up the realm of beauty and enhances the artistic appeal of this little poem.