Song sushi
Flowers wither and red apricots are small. Swallows fly, green water people go around. There are few willows blowing on the branches, but there are many herbs in the sea.
Swing inside and outside the wall. The layman in the wall, the beauty in the wall laughs. Laughter dies in silence, but passion is mercilessly annoyed.
To annotate ...
Butterfly Love Flowers in Spring: Originally untitled, Fu Bencun lacked words.
Flowers fade and remain red: fade, take off, and be small: hair should be a "child".
Zi: Mao Ben was mistaken for "small". Fei, Er Miao Ji and Mao Ben's annotation "Coming Soon".
Around: Benyuan's note "Making a Dawn"
Willow ":catkin. "
"Where there is no fragrant grass" sentence: Spring comes late, and fragrant grass grows all over the world.
Affectionate: here refers to the layman on the wall. Ruthless: This refers to the beauty in the wall.
translate
The residual red of the flowers faded, and small green apricots grew on the treetops. Swallows fly in the sky, and clear rivers surround the villagers. The catkins on the willow branches have been blown less and less, but don't worry, lush grass can be seen everywhere.
Inside the fence, there is a girl playing on the swing. The girl gave a beautiful laugh, which could be heard by pedestrians outside the wall. Slowly, the laughter in the fence stopped, and pedestrians were at a loss, as if they were deeply hurt by a heartless girl.
Make an appreciative comment
This word is the work of Shang Chun.
This word expresses the feeling of hurting spring, which is both affectionate and ethereal, blending scenes and touching. In the Qing Dynasty, Wang Shizan praised "flowers and plants are all picked up": "Liu Mian is on the branch". I am afraid that the love of wasteland (Liu Yong) may not spread. What do you mean by the river of no return? "This evaluation is pertinent. Besides being bold and unconstrained, Su Shi also wrote many graceful and restrained words. But always annoyed by "ruthlessness". This just shows his attitude towards life: never forget the real world. His sadness in this poem is based on his love for real life.
As soon as the word started, it showed a scene of late spring. The author's sight begins with an apricot tree: the flowers have withered, the little red is fading little by little, and the green apricots are beginning to bear fruit on the branches. In Residual Red, he pays special attention to the newborn "green apricot", showing pity and love in his tone, and consciously diluting the previous strong sadness.
Then, the author looked away from a flower and a branch. Some people think that the word "around" in the sentence "green water around others" should be "small" Reading through the whole word, there is no outstanding scene to show that it is an early morning scene, so it is uncertain. Swallows fly around the house, green water flows around the house, pedestrians walk around the house, and the word "around" is very real.
There are few willows blowing on the branches, but there are many herbs in the sea.
These are the two most praised sentences. There are fewer and fewer catkins in blowing in the wind; All over the world, where is there no green grass?
"Liumian" is catkin. Catkin flying, spring will be exhausted, although sad; And the grass is green, which is a realm. Su Shi's broad-mindedness can be seen. Qu Yuan's "Tianya" sentence in Li Sao, "Why don't you care about the past?" It was Bu Zheling who inspired Qu Yuan. His thoughts were consistent with what Su Shi said in Ding Feng, "This peaceful place is my hometown", and he was finally banished to Lingnan, far away from Wan Li. At this time, he has reached an old age. Looking around, his hometown is almost far away. How similar this situation is to catkins flying in the wind! .
"Swing in the wall outside the wall. The layman in the wall, the beauty in the wall laughs. " There is a road outside the wall. Pedestrians crossing the road can only hear the sound of swinging in the wall. There was a sweet laugh from time to time. It turned out to be a woman on the swing. This scene is full of youthful and cheerful melody, so that pedestrians can't stop to enjoy it and concentrate on listening to this charming laughter. The author pays great attention to the relationship between concealment and manifestation in artistic treatment. Here, he only writes about the swing that shows the wall and the laughter of beautiful women, and the others are hidden for "pedestrians" to imagine, which has produced infinite significance in imagination. Small words are the most taboo to repeat words, but these three sentences are always sixteen characters, and "inside the wall" and "outside the wall" are repeated respectively, which actually accounts for half. The reading materials are fragmentary and intriguing. The home is inside the wall, and the road is outside the wall; There is a cheerful life in the wall, a young and energetic life; Outside the wall are pedestrians on the road. The author left a blank about the mood and way of pedestrians. However, in this silence, there is a feeling of coldness and loneliness.
"Laughter disappeared in silence, but passion was mercilessly annoyed." Perhaps pedestrians have been standing for a long time, and the beautiful woman in the wall has returned to her room; Maybe the beauty is still having fun, but the pedestrians have gradually gone away. In a word, the beauty's laughter gradually disappeared, and it seemed quiet all around. But the hearts of pedestrians can't calm down. The laughter of the women in the courtyard wall gradually disappeared, but the pedestrians outside the wall were in a bad mood after hearing the laughter. He heard the sweet laughter of women, but he couldn't see the appearance of women; The mood is fluctuating, and the woman doesn't know that there is a man outside the wall who is distressed for her. Men are affectionate and women are heartless. "Sentimentality" and "heartlessness" here are often interpreted as love, with feelings such as life experience, homesickness, yearning for young life and patriotism. And they can indeed be described as "affectionate" people; Beauty is young, simple and carefree. She has neither the feeling of hurting spring nor the worry about her life experience. It can be said that she is "heartless". The author is so affectionate. What kind of thoughts will "heartless" people arouse him? Perhaps it evokes his yearning for a better life, perhaps it is a kind of comparison and association of the relationship between monarch and minister, perhaps it doubles the feeling that the New Year is no longer there, or it is a reflection and understanding of the philosophy of life. The author didn't make it clear, but left a rich blank, which made people aftertaste and imagine.
The next part describes the layman's concern and indifference to the beautiful scenery inside the wall, which makes pedestrians more melancholy. Here, "beauty" represents the "fragrant grass" pursued by the author Shang Kun, and "pedestrian" is the embodiment of the poet. Through the description of such a group of images, the poet showed his depressed mood.
Judging from the whole poem, the poet wrote about spring scenery and spring people, and the latter can also be regarded as a special scenery. The poet tried to work hard, but he failed in the end. The whole poem truly reflects a psychological process of the poet, and its artistic conception is hazy and memorable.
-the text comes from the internet.