Weave it. Chunjiang River leads to the sea, the sea leads to the bright moon, and the bright moon leads to the flower forest, leading to people, changing feelings and echoing back and forth. If it is intermittent, the poem will be perfect and rigorous, with repeated artistic effects. The first half is mainly about scenery and is realistic, but the sentences such as "Where there is no moon by the river" and "The frost in the air is not like flying" also reflect the imagination and feelings of the characters. The second half is mainly lyrical, mainly scenery, such as the flowing water of the Yangtze River, green maple and white clouds, the curtains can't be rolled up, and the anvil is still coming. There are also feelings in the scenery, and the ending sentence is a famous sentence, which is a blend of scenes. The whole article is full of emotion and scenery, and the scenes are intertwined into an organic whole. Poetry has written many vivid images, such as bright moon, white sand, white clouds and green maple. These landscapes together create a soft and quiet poetic environment, which is very harmonious and unified with the profound feelings expressed. Poetry changes a rhyme every four sentences, with even tone and melodious rhythm. In order to adapt to the lingering feelings, the language adopts some thimble serial sentences, such as "The spring tide is even with the sea, the sea ……" "When did the moon shine on people?" . Life ... ""Where is the lovesick moon tower, poor upstairs ... ""The moon falls on the pond, and the moon is slanting in the west ... ""Singing three sighs, I have endless feelings. Use antithetical sentences, such as "Who is boating tonight? Where do you miss Yue Ming Building? " "Hongyan flies too far, ichthyosaurs dive into the water to write" and so on. The emphasis in the sentence is as follows: "I drift with the tide for thousands of miles, where is there no moon river?" "The river bypasses Fangdian, and the moonlight shines on the flowers and trees like cymbals." Changes in levels and levels, like metrical poetry, make the language of poetry both cadence and freshness. "In the twilight, Jiang Ping is motionless, and spring flowers are in full bloom. The waves will go to the moon and the tides will come to the stars. " Yang guang's first poem, which was played by the topic, swept away the charm. Looking at the banks of the Yangtze River at dusk, the twilight is heavy and the river is boundless. "Flat and motionless" means that water waves are still. The river is flat and quiet, and the river is full of spring flowers. He wrote that the spring night was full of tides and the river was raging. "Landing on the moon" and "taking the stars" will stir up water waves. The meeting between the moon and the stars is extremely grand, and the passage of time is written in the splendor of the scenery. Several four-sentence poems, such as "Moonlit Night on the Spring River", outline a landscape of the river and the moon. "The waves will go to the moon and the tides will come to the stars." When reading slowly, if you appreciate the painting "Moonlight in Clear Autumn", you will be graceful. Fortunately, this sentence is very plain. A word "Jiang" and a word "Dai" are relatively empty verbs, which will not break the stable aesthetic feeling of the moon and stars. In a word, the poet praised the beautiful scenery of nature, eulogized the pure love between people, expanded the wanderer's sympathy for homesick women, and combined it with the pursuit of life philosophy and the exploration of the mysteries of the universe, thus merging into a beautiful and far-reaching artistic conception of emotion, scenery and reason.