1, Zhang's "Moonlit Night on the Spring River", the spring tide is there, and the bright moon on the sea is born in the tide. Su Shi is homesick for Tang Li Bai. The foot of the bed is so bright. Could it have been frosted? Looking up, I found it was moonlight, sinking again, and I suddenly remembered home. Bai Juyi in Tang Dynasty is rainy and rainy, and Kosashige, with deep mountains and rivers, is foggy. In autumn, the sound of the beach is more urgent and the canyon is overcast. Looking at the clouds, I miss home and raindrops. How can I comfort you? Thanks to this north window piano.
2, * * * * Looking at the bright moon and crying, for the red heart, five places, all sick and willing. Frost flows in the air, you can't fly, but you can't see the white sand on the pavilion. There is no dust in the sky on the river, and there is a lonely moon in the sky. Who saw the moon by the river for the first time? When did Jiang Yue take the photo at the beginning of the year? Life is endless from generation to generation, and Jiang Yue is similar year after year. I don't know who Jiang Yue is waiting for, but I see the Yangtze River delivering water.
The white clouds have gone, and Qingfeng is at a loss. Who will go boating tonight? Where do you miss Mingyue Building? The poor moon is wandering upstairs. You should leave someone to mend the mirror and write poems about the moon's homesickness. The curtain of the jade pot could not be rolled up, but it was brushed back on the anvil.
At this time, I don't know each other. I hope China will shine on you every month. Hongyan flies in the sky, and fish Long Qian jumps in the water. Last night, I dreamed that the idle pool had fallen, and the poor spring had not returned. In spring, the river flows away, and the pond falls in the moon and the west. The slanting moon hides the sea fog, and Jieshi Xiaoxiang Road is infinite.
I don't know how many people will return to the moon, the moon shakes the river tree, and the moon is homesick. In the Tang Dynasty, Zhang's Moonlit Night on a Spring River has always been regarded as a "one-step whole Tang poem". The poet painted a clear picture from the five images of "spring, river, flowers, moon and night".
The tide of the river is connected with the sea, and the tide of the moon is born from it. In this universe, poets appreciate the philosophy that life is changing and unchanging. "Life is endless, life is endless, and Jiang Yue is similar year after year." In the last few words, I turned to the idea of wandering women and two places. Under the bright moon, there is a kind of acacia, and the two places are sad and poetic.