Category: teapot
Year: Ming
Author: Shi Dabin
Present situation of cultural relics: Shanghai museum collection
Introduction:
This teapot is extremely flat in shape, and it is the representative work of teapot in Ming Dynasty. Although it is made of coarse sand, it has no rough feeling and its shape is odd.
The virtual flat pot is 62 mm high and 98 mm in diameter.
Inscription: "Yuan Yuan Tang Cang Da Bin System"
This pot is a rare extremely flat shape in teapot modeling, full of artistic interest, and also a masterpiece of early teapot geometric modeling.
The shape, line and surface of this pot are harmonious and unified, elegant and exquisite. Although the shape is flat, it is dignified, both rigid and flexible. It's a wonderful flower in the pot. Mud is coarse mixed with sand, which is coarse but not coarse after firing, rough and full of heroism. This kind of material selection is a surprisingly excellent work of Shi Dabin's flaky stone, which embodies the unique texture effect of purple sand and is exactly the same as the mud material of another "mixed sand lifting beam pot" in Nanjing Museum. The color, temperature and manufacturing process of the mud are obviously made by one person. Small mouth and round handle, with pot body, dignified and beautiful. This simple and dignified small pot was a rare play of the scholar-bureaucrat class at that time, and it was called "divine product". The bottom of the pot is engraved with the seven-character regular script of "Yuan Yuan Tang Cang Da Bin Zhi", and the engraved iron has a silver hook scratch, which is one of the bases for identifying the authenticity of the pot.
Name: Virtual Flat Pot for Sand Regulation
Category: teapot
Year: Qingganlong
Author: Chen Mingyuan
Present situation of cultural relics: Yixing ceramics museum collection
Introduction:
The virtual flat pot for sand adjustment is 49 mm high and 85 mm in diameter.
Back cover: "Ming Yuan"
This is one of Chen Mingyuan's works, with the most perfect modeling features and extraordinary skills. This pot is extremely flat, so it is suitable for drinking green tea. Form, line and surface are in harmony, flat and lofty, simple and generous. Mud is prepared with coarse sand in a proper proportion. The texture and shape are very harmonious. It looks rough, but the workmanship is fine. There is a tendency to pull steeply in the mud, and the sand-adjusting particles give people a feeling of silver.
Name: Black Iron Sand Virtual Flat Pot
Year: Qing Dynasty
Author: Chen Jinhou
Present situation of cultural relics: Yixing ceramics museum collection
Introduction:
The black iron sand virtual flat pot is 85 mm high and 72 mm long.
Back cover: "Chen Jinhou system"
This pot is extremely flat and full of artistic interest, and it is also a masterpiece of early purple sand modeling. The shape, line and surface are in harmony, and the weaving is unique. The shape is flat and arrogant, both rigid and flexible. The flat shape gives people an open-minded and carefree feeling. It has a distinctive personality, beautiful shape and intriguing.
Name: Big Virtual Flat Pot
Year: Qing Dynasty
Author: Jing Xilin Ruo
Introduction:
The big virtual flat pot is 85mm high and 28 1mm wide.
Hukou flat lip, meandering, round handle, whole circle. Flat cover, round button. The three characters "Jingxi Homeland" are engraved in the foot, and the word "Lin Ruo" is engraved in the back, forming a unique style in India and China. Purple sand is red and contains fine yellow sand, which is like silver light flashing. The pot body is delicate and round, the handle and water flow are curved, and the lid is tight. This kind of pot is large and flat, and it is difficult to form, so it is rare.
Name: High Virtual Flat Pot
Author: Gu Jingzhou
Introduction:
Stamp: "Gu Jingzhou was born in Mao Yi"
Back cover: History of Pots and Pots
The pot body is like a flat gourd, with a straight circumference. The turning point of the long flow echoes the ring handle with a slightly upward center of gravity, so that the flat abdomen extends to the left and right, while the cover button is cleverly raised, so that the center of gravity of the pot moves up, making the abdomen look realistic and making the pot look exquisite and beautiful without collapsing. These three points are the most ingenious combination.