(Xin Qiji's "Xijiang Moon") Translation: Under the bright moon, in the breeze, there are magpies and cicadas singing. 2, the general died in battle, and the strong man returned in ten years.
The general has been in the army for ten years, and has experienced thousands of cruel battles. Some of them died in battle, and some returned home in triumph. 3. When the window is cloudy, the mirror column is yellow.
Translation: Facing the window, facing the mirror, combing your hair like a cloud and sticking yellow flowers on your face. 4, the male rabbit's feet are chaotic, and the female rabbit's eyes are blurred.
The feet of male rabbits and female rabbits are confused. Here, birds live in the mountain light, and people's hearts feel quiet in the pond.
(Chang Jian's "A Meditation Behind the Broken Mountain Temple") Translation: Lakes and mountains make birds happy and people get rid of other thoughts. 6. Our house is very ordinary. Cui He has heard it several times before.
(Du Fu's "On Meeting Downstream") We often meet Cui in front of the residence of the King of Qi. (1) Intertextuality of phrases means that the words in the front and back parts of a phrase constitute intertextuality, and the words in the front and back parts must be put together when understanding.
For example: 1, go to the countryside to miss home. (Fan Zhongyan's Yueyang Tower) 2. Spring fragrance is astringent.
(Ouyang Xiu's Zuiweng Pavilion) Example 1 "Homesickness for the Old Country" is a condensed form of "Homesickness for the Old Country", which can be translated as "Leaving the hometown of the capital and missing my hometown"; Example 2 "Spring fragrance tastes bitter" is a condensed form of "Spring fragrance tastes bitter", which can be translated as "Spring fragrance tastes good". (2) Single-sentence intertextuality refers to the intertextuality formed by two parts before and after a sentence.
The so-called single-sentence intertextuality means that two words in the same sentence are intertwined and complementary in meaning. For example: 3, smoke cage cold water moon cage sand.
(Du Mu's "Bo Qinhuai") 4. The moon in the Qin Dynasty was broken in the Han Dynasty. (Wang Changling's "Out of the Plug") Example 3 We must understand that cigarettes cover cold water and sand; Moonlight is covered with sand and cold water.
If you understand this sentence as "smoke blocks cold water and moonlight blocks sand", it is all wet and doesn't make sense. Example 4 consists of "Bright Moon in Qin Dynasty" and "Pass in Han Dynasty". The former holds Han and Guan, while the latter holds Qin and Mingyue, which can be understood as "the bright moon in Qin and Han Dynasties".
(3) Even sentence intertextuality refers to intertextuality composed of two sentences, which is characterized by mutual echo, mutual complement and mutual suggestion. When understanding, two sentences must be put together. For example: 5, clamoring for things, rushing north and south.
(Liu Zongyuan's Snake Catcher) 6. Thousands of miles of ice, Wan Li snow. (Mao Zedong "Qinyuanchun? Snow 7, my road is covered with petals-I haven't cleaned it for others, and my thatched cottage door has been closed-but it is open for you now.
(Du Fu's "Guest Arrives") These two sentences are intertextual and cannot be said to be "calling from east to west and disturbing from north to south". East, west, north and south are called harassment, and east, west, north and south harassment is called understanding.
Here, "yelling" and "sudden death", "things" and "north and south" penetrate each other and explain each other, giving consideration to both in a sense. Example 6 is a condensed form of "thousands of miles frozen, Wan Li snowing".
Example 7 should be understood as "my road is full of petals-I sweep for others, which is the beginning of the monarch sweep;" My thatched cottage door has been closed-but it's opened for you now and has never been opened by a guest. " (4) Multi-sentence intertextuality consists of three or more words, which are combined to see the meaning.
For example: 8. Buy war horses in the East, saddles in the West, reins in the South and whips in the North. The intertextuality of "East Market", "West Market", "South Market" and "North Market" can be understood as "buying horses, saddles, chewing, reins and whips in the cities of east, west, north and south", which shows Mulan's nervousness and busyness before the war.
2. Poetry using intertextuality often takes the following form: 1. Phrase intertextuality means that the words in the front and back parts of a phrase constitute intertextuality, and the words in the front and back parts must be put together when understanding.
Go to the countryside and miss home. (Fan Zhongyan's The Story of Yueyang Tower) "Homesickness" is a compressed form of "homesickness", which can be translated as "the feeling of missing Guo Du's hometown".
② Spring fragrance tastes bitter. (Ouyang Xiu's Zuiwengting Ji) "Spring fragrance tastes bitter" is a compressed form of "Spring fragrance tastes bitter", which can be translated as "Spring fragrance tastes good".
(3) The blue waves pass through the green pool and return to the clear reflection (Three Gorges by Li Daoyuan, "Hui" and "Xia", "Qing" and "Shadow" are synonymous. The river is pure and blue, reflecting beautiful colors and clear shadows.
2. Intertextuality of a single sentence The two words before and after the same sentence are intertwined and complementary in meaning. For example: ① When the moon was bright in Qin Dynasty, it was closed in Han Dynasty, but people didn't return it on the Long March.
The intertextuality of "Qin" and "Han" in the sentence (Wang Changling's Out of the Great Wall) is the bright moon in Qin and Han Dynasties. (2) I, the host, have dismounted, and my guest has boarded his boat, raising a glass and drinking strings without orchestral music.
"Host" and "guest" in Bai Juyi's Pipa Trip are intertextual. The word "master" contains "guest", and the word "guest" also contains "master". The two sentences complement each other and take care of each other, which should be understood as: the subject and the guest disembark and board the ship together.
(3) Smoke cage cold water moon cage sand. (Du Mu's Bo Qinhuai) This sentence should be understood as: smoke hangs cold water and sand; Moonlight is covered with sand and cold water.
(4) From morning till night, the weather is myriad. (Fan Zhongyan's "Yueyang Tower") Hui, meaning "sunny"; "Yin" means "the sky is gloomy".
In fact, it should be understood as "sunny in the morning and gloomy at night", that is, "(sometimes) sunny in the morning and gloomy at night; (Sometimes) the sky is gloomy in the morning and the clouds are bright in the evening. " 3. In terms of intertextuality, the author uses intertextuality to see the meaning. The first sentence of the poem implies the next sentence, and the next sentence implies the previous sentence, which is concise and clear.
But in this sense they are a whole. For example, the bow becomes stiff and can hardly be pulled out, making it difficult to protect the iron clothes.
(Cen Can's "Bai Xuege Farewell Tian Shuji Wu Home") "Control" and "Pull"; "All guards", "official name, responsible for conquering and appeasing border towns". "General" in the previous sentence and "Duhu" in the next sentence are intertextual, and the frontier is blocked by cold weather. The general and Du Hu can't even open the bow, and even the armor is difficult to wear because of the cold weather.
(2) Spring grass dyes the steps, and the oriole is empty and soundproof. (Du Fu's "Shu Xiang") These two poems mean that the green grass reflects the order and the spring is beautiful; The oriole is separated by leaves, and its call is ethereal and pleasant.
The two words "Zi" and "Kong" have different meanings, and write a feeling of emptiness and coldness: although the ancestral hall is full of spring, times have changed, the sages have gone, and now in troubled times, there is no talent like Zhuge Liang to help. (3) I would like to make the emissary present a pair of white jade, then a pair of jade barrels for the king's step, and then a general's step.
(Sima Qian's The Hongmen Banquet) "Offer a pair of white jade", "offer" and "hold"; "The first step to serve a general", "serve" and "offer" are all the same as "offer".
3. Poetry uses intertextuality rhetoric, which is intertextuality. Intertextuality is two words that should have been said together (such as "Qin and Han Dynasties"), such as "Bright Moon in Qin and Han Dynasties". However, due to the limitation of syllables and words, one word should be omitted, so the word "Han" is omitted in front and the word "Qin" is omitted behind. Combine these two words when explaining.
For example, Wang Changling's Bright Moon in Qin Dynasty and Local Customs in Han Dynasty is a special structure in the poem. In fact, that is to say, the moon is an ancient moon, and customs are ancient customs. It is an intertextuality to refer to the ancient times by Qin and Han dynasties, that is, the moon of Qin and Han dynasties and the customs of Qin and Han dynasties. This usage is found in this poem.
Such as "Nineteen Ancient Poems": "Far away, Altair, Hehan girl." It is also intertextual to say that the Cowherd is far away and Vega is bright, that is, the Cowherd is far away and the Hehan girl is far away.
Another example is "Mulan Ci": "The male rabbit's feet are confused, and the female rabbit's eyes are blurred." The way of jumping is very complicated, and the way of blinking is very vague and intertextual, that is, the feet of the male rabbit are very chaotic, and the eyes of the female rabbit are very chaotic, so it is difficult for the two rabbits to distinguish between males and females when they run on the ground.
Intertextuality exists not only in poems, but also in texts. Such as "Wen Xin Diao Shen Long Si": "Zi Kennosuke (picking up paper) is like chanting, and Zhong Xuan's pen is like structure."
Cao Zhi picked up a piece of paper to write as if he were familiar with it, and RoyceWong picked up a pen to write as if he had already done it. You can't write with a pen or paper, so "Zi Jian raises a pen" and "Zhong Xuan raises a pen" are actually intertextual.
1. The bright moon breaks in Qin and Han Dynasties —— Wang Changling's "Out of the fortress" Part II. The male rabbit's feet are complicated, but the female rabbit's eyes are blurred-Mulan Ci 3. A general dies in battle, but a strong man returns in ten years-Mulan Ci 4. The host got off the horse and the guest got on the boat-Bai Juyi's Pipa Trip 5. Don't rejoice in things, don't grieve for yourself. Li Tao Luo tang qian-Tao Yuanming Guiyuan Building 8. Distant Altair, Hehan Female-Distant Altair 9. Worry about the world first, and enjoy the world later-Yueyang Tower of Fan Zhongyan 10, General's white hair and tears-Qiu Si of Fan Zhongyan sat on my bed in Xiting-Mulan Poetry 12, spring fragrance and bitter wine-Zuiweng Pavilion of Ouyang Xiu 13, making a noise.
-Cen Can's "Farewell to Tian Shuji Wu's Home" 19 shocked Lin Gao. -Li Bai's "Climbing Mount Tianmu in a Dream" reference:
/z/q87263626 1.htm .
4. Intertextuality of intertextual poems.
In ancient Chinese, the meaning belonging to a sentence (or phrase) was divided into two sentences (or phrases), and the meanings of the upper and lower sentences should be complementary in interpretation, which is intertextuality.
Example (1):
It's sunny in the morning and cloudy at night. "Yueyang Tower" Fan Zhongyan
(meaning "the morning light shines on the darkness", "the morning light shines on the darkness".
"Chao" and "Xi", "Hui" and "Yin" are intertextual. )
Example (2):
Don't rejoice in things, don't grieve for yourself. "Yueyang Tower" Fan Zhongyan
Don't be happy because of "things" [environment] or "yourself" [personal experience],
I am not sad because of "things" or "myself". )
Intertextuality, also known as intertextuality, is a rhetoric method commonly used in ancient poetry. The old saying goes like this: "It refers to writing in the other party, but it refers to writing in the text." Specifically, it is a form: the upper and lower sentences or two parts of a sentence seem to say the same thing, but in fact they echo, explain and complement each other and say the same thing. Intertextuality is characterized by "keeping the text but expressing the meaning", which is mainly manifested in two aspects: first, the structural characteristics: mutual province. For example, "A general dies after hundreds of battles, but a strong man returns after ten years" (Mulan's poem), and the word "strong man" is omitted at the beginning of the sentence, which separates the word "general" from the word "strong man" and complements them alternately. Second, semantic features: complementarity. For example, "the window is lined with clouds and the mirror is painted yellow" (Mulan's poem), and Mulan faces the window, including the mirror. The two actions of "arranging" and "pasting" are carried out in the same situation and should be put together when translating. Intertextuality has many forms: 1. Intertextuality in the same sentence. That is, intertextuality that appears in the same sentence. For example, Qin and Han dynasties complement each other. Another example is "My master dismounts and my guests board", "The east boat is quiet, the west boat is quiet" and "the east dog is called the west". Second, the intertextuality of adjacent sentences. Is the intertextuality of adjacent sentences!
5. What are the intertextual rhetoric poems? This rhetoric is intertextuality, and intertextuality means two words that were supposed to be combined (such as "Qin Han"), such as "Qin Han and the Moon". However, due to the limitation of syllables and words, one word was omitted, so the word "Han" was omitted in front and the word "Qin" was omitted behind. These two words should be combined when explaining.
For example, Wang Changling's Bright Moon in Qin Dynasty and Local Customs in Han Dynasty is a special structure in the poem. In fact, that is to say, the moon is an ancient moon, and customs are ancient customs. It is an intertextuality to refer to the ancient times by Qin and Han dynasties, that is, the moon of Qin and Han dynasties and the customs of Qin and Han dynasties. This usage is found in this poem.
Such as "Nineteen Ancient Poems": "Far away, Altair, Hehan girl." It is also intertextual to say that the Cowherd is far away and Vega is bright, that is, the Cowherd is far away and the Hehan girl is far away.
Another example is "Mulan Ci": "The male rabbit's feet are confused, and the female rabbit's eyes are blurred." The way of jumping is very complicated, and the way of blinking is very vague and intertextual, that is, the feet of the male rabbit are very chaotic, and the eyes of the female rabbit are very chaotic, so it is difficult for the two rabbits to distinguish between males and females when they run on the ground.
Intertextuality exists not only in poems, but also in texts. Such as "Wen Xin Diao Shen Long Si": "Zi Kennosuke (picking up paper) is like chanting, and Zhong Xuan's pen is like structure."
Cao Zhi picked up a piece of paper to write as if he were familiar with it, and RoyceWong picked up a pen to write as if he had already done it. You can't write with a pen or paper, so "Zi Jian raises a pen" and "Zhong Xuan raises a pen" are actually intertextual.
1. The bright moon breaks in Qin and Han Dynasties —— Wang Changling's "Out of the fortress" Part II. The male rabbit's feet are complicated, but the female rabbit's eyes are blurred-Mulan Ci 3. A general dies in battle, but a strong man returns in ten years-Mulan Ci 4. The host got off the horse and the guest got on the boat-Bai Juyi's Pipa Trip 5. Don't rejoice in things, don't grieve for yourself. Li Tao Luo tang qian-Tao Yuanming Guiyuan Building 8. Distant Altair, Hehan Female-Distant Altair 9. Worry about the world first, and enjoy the world later-Yueyang Tower of Fan Zhongyan 10, General's white hair and tears-Qiu Si of Fan Zhongyan sat on my bed in Xiting-Mulan Poetry 12, spring fragrance and bitter wine-Zuiweng Pavilion of Ouyang Xiu 13, making a noise.
-Cen Can's "Farewell to Tian Shuji Wu's Home" 19 shocked Lin Gao. -Li Bai's "Climbing Mount Tianmu in a Dream" reference:
/z/q87263626 1.htm .
6. The lowest sentence about intertextuality is 0.27 yuan. Open a librarian to view the full content > Original Publisher: The immortal pointing intertextuality, also called intertextuality, is a rhetoric method commonly used in ancient poetry.
The ancient Chinese interpretation of it is: "See each other with words, see words with words." Specifically, it is a form of mutual use of words: the upper and lower sentences or two parts of a sentence seem to say two things, but in fact they echo, explain and complement each other and say the same thing.
A rhetorical method to express the meaning of a complete sentence through the entanglement, infiltration and supplement of contextual meaning. This kind of sentence has a special classification, which only explains one side in words and sees the other side in meaning.
When understanding, we should look ahead and look back, and we should not be partial to one side or separate. Only in this way can we grasp the true meaning of such sentences correctly, completely and comprehensively.
Generally speaking, there are four types of intertextuality (there are two common types). A single sentence (that is, intertextuality within a sentence) is called a single sentence intertextuality, that is, the two words before and after the same sentence are intertwined, infiltrated and supplemented in meaning.
For example: (1) smoke cage cold water moon cage sand. (Du Mu's "Bo Qinhuai") We should understand it this way: smoke covers cold water and sand; Moonlight is covered with sand and cold water.
If you translate this sentence into: "Smoke blocks cold water and moonlight blocks sand", it is all wet and doesn't make sense. (2) The bright moon in Qin Dynasty and the bright moon in Han Dynasty.
(Wang Changling's "The Embankment") Literally, "Qin Mingyue Hanguan" means "Qin Ming Moonlit Hamburg". However, it can't be understood as "the bright moon is still in Qin dynasty, and the border is still in Han dynasty", but it should be translated as: the bright moon in Qin and Han dynasties, and the border in Qin and Han dynasties.
The words "Qin", "Han", "Guan" and "Yue" in the sentence are used alternately. When the moon shines in Qin and Han Dynasties, these two sentences are also intertextual. The window is bright and clean, and when you look in the mirror, it is Guan Yun 'an, and the yellow flower is the same condition, which means "the window is bright and clean, and the mirror is Guan Yun 'an."
7. Ancient Poetry 1 Using intertextual rhetoric, the bright moon surprises magpies, and the breeze crows at midnight.
(Xin Qiji's "Xijiang Moon") Translation: Under the bright moon, in the breeze, there are magpies and cicadas singing. 2, the general died in battle, and the strong man returned in ten years.
The general has been in the army for ten years, and has experienced thousands of cruel battles. Some of them died in battle, and some returned home in triumph. 3. When the window is cloudy, the mirror column is yellow.
Translation: Facing the window, facing the mirror, combing your hair like a cloud and sticking yellow flowers on your face. 4, the male rabbit's feet are chaotic, and the female rabbit's eyes are blurred.
The feet of male rabbits and female rabbits are confused. Here, birds live in the mountain light, and people's hearts feel quiet in the pond.
(Chang Jian's "A Meditation Behind the Broken Mountain Temple") Translation: Lakes and mountains make birds happy and people get rid of other thoughts. 6. Our house is very ordinary. Cui He has heard it several times before.
(Du Fu's "On Meeting Downstream") We often meet Cui in front of the residence of the King of Qi. (1) Intertextuality of phrases means that the words in the front and back parts of a phrase constitute intertextuality, and the words in the front and back parts must be put together when understanding.
For example: 1, go to the countryside to miss home. (Fan Zhongyan's Yueyang Tower) 2. Spring fragrance is astringent.
(Ouyang Xiu's Zuiweng Pavilion) Example 1 "Homesickness for the Old Country" is a condensed form of "Homesickness for the Old Country", which can be translated as "Leaving the hometown of the capital and missing my hometown"; Example 2 "Spring fragrance tastes bitter" is a condensed form of "Spring fragrance tastes bitter", which can be translated as "Spring fragrance tastes good". (2) Single-sentence intertextuality refers to the intertextuality formed by two parts before and after a sentence.
The so-called single-sentence intertextuality means that two words in the same sentence are intertwined and complementary in meaning. For example: 3, smoke cage cold water moon cage sand.
(Du Mu's "Bo Qinhuai") 4. The moon in the Qin Dynasty was broken in the Han Dynasty. (Wang Changling's "Out of the Plug") Example 3 We must understand that cigarettes cover cold water and sand; Moonlight is covered with sand and cold water.
If you understand this sentence as "smoke blocks cold water and moonlight blocks sand", it is all wet and doesn't make sense. Example 4 consists of "Bright Moon in Qin Dynasty" and "Pass in Han Dynasty". The former holds Han and Guan, while the latter holds Qin and Mingyue, which can be understood as "the bright moon in Qin and Han Dynasties".
(3) Even sentence intertextuality refers to intertextuality composed of two sentences, which is characterized by mutual echo, mutual complement and mutual suggestion. When understanding, two sentences must be put together. For example: 5, clamoring for things, rushing north and south.
(Liu Zongyuan's Snake Catcher) 6. Thousands of miles of ice, Wan Li snow. (Mao Zedong "Qinyuanchun? Snow 7, my road is covered with petals-I haven't cleaned it for others, and my thatched cottage door has been closed-but it is open for you now.
(Du Fu's "Guest Arrives") These two sentences are intertextual and cannot be said to be "calling from east to west and disturbing from north to south". East, west, north and south are called harassment, and east, west, north and south harassment is called understanding.
Here, "yelling" and "sudden death", "things" and "north and south" penetrate each other and explain each other, giving consideration to both in a sense. Example 6 is a condensed form of "thousands of miles frozen, Wan Li snowing".
Example 7 should be understood as "my road is full of petals-I sweep for others, which is the beginning of the monarch sweep;" My thatched cottage door has been closed-but it's opened for you now and has never been opened by a guest. " (4) Multi-sentence intertextuality consists of three or more words, which are combined to see the meaning.
For example: 8. Buy war horses in the East, saddles in the West, reins in the South and whips in the North. The intertextuality of "East Market", "West Market", "South Market" and "North Market" can be understood as "buying horses, saddles, chewing, reins and whips in the cities of east, west, north and south", which shows Mulan's nervousness and busyness before the war.
8. Classical and representative poems with intertextual rhetoric require familiarity. 1 clamoring for something sudden, Liu Zongyuan's Snake Catcher in the Southern and Northern Dynasties.
Buy horses in the east, saddles in the west, reins in the south and whip in the north. Mulan Poem
3 Hundreds of mountains have no birds, thousands of paths have no footprints, and Liu Tang Zongyuan's Jiang Xue
The bright moon surprises magpies, and the breeze cries at midnight. Song Xin Qi Ji's Xijiang Moon
In the place of tears, lonely birds sang the sad song "Spring Hope" by Tang Du Fu.
6 Plant pine and cypress in the east and phoenix trees in the left and right. Southeast Fly the Peacocks; The Peacock Flies Southeast
7 the appearance of sinking fish and falling geese is a shame to spend the moon.
8. The trip to the sun and the moon, if unexpected; Han is a talented star, if you take him by surprise. Cao Cao's ocean view