The poem describing spring in the north is as follows:
1. The flowers are not flowers, and the fog is not fog. Come at midnight and leave at dawn. How long does it take for you to feel like a spring dream? Going like a cloud in the morning, nowhere to be found.
Interpretation:
Like a flower but not a flower, like a mist but not a fog. Arrive at midnight and leave at dawn. How long can the erotic dream that seems to come as a beautiful one last? When he left, he was like the clouds in the early morning that dispersed and were nowhere to be found.
Appreciation:
"Flowers Are Not Flowers" is an ancient miscellaneous poem written by Bai Juyi, a poet in the Tang Dynasty. This poem expresses the emotion that life is like a dream, like fog or lightning, and expresses a kind of remembrance and regret for the beautiful people and things that have existed in life but have disappeared. The whole poem is composed of a series of metaphors, the description is obscure but true, and there is rhythmic order and intricate beauty in the hazyness. It is an excellent work of love poetry. Later generations once composed it into a piece of music, which was widely circulated.
2. The flowers are blooming, and the branches are as red as the clouds. Luo Xiu paints the curtain with broken heart, Zhuo Xiang makes the car. Looking back at the Japanese people chatting, the golden phoenix on the war grate is tilted. Only Ruan Lang is gone and will not return home.
Interpretation:
Thousands of flowers are rushing up the branches, covering them with red clouds. The beauty stood on the incense car, the sleeves rolled up the curtains swaying with the concern of lovesickness in her heart. When he turned around to chat with someone, he saw the phoenix hairpin and the golden hairpin slantingly holding his thick hair. Could it be that her lover also became Ruan Lang, and his youth has passed but he still hasn't returned home.
Appreciation:
This poem is inspired by the spring scene and describes a woman's attachment to her husband. The first two sentences of "Hua Hua" at the beginning exaggerate the spring scene of blooming flowers: the spring is brilliant and the flowers are in full bloom, paving the way for the heroine's appearance. The two sentences "Luo Xiu" describe the appearance of the heroine. She is wearing Luo Yi, facing the painting curtain, missing her lover with heartache. From the beautiful scenery of spring to the description of lovesickness, the word "broken heart" breaks the harmonious atmosphere of scenery and emotion. The joy, scenery and sadness complement each other, making the emotion even sadder. "Zhuoxiang Cha" means that the woman inside the painting curtain was extremely sad, so she set up a chariot to relieve her sorrow.
3. The golden core of the jade house should be in the delicate hands of a beautiful woman. The light moon is hazy, and there is a slight wind in the sleeves. Warm, fragrant and ripe, the servant girl droops her ears slowly when she is drunk. Thank you Chun Gong, it’s not a red flower but a red jade.
Interpretation:
Thousands of flowers are rushing up the branches, covering them with red clouds. The beauty stood on the incense car, the sleeves rolled up the curtains swaying with the concern of lovesickness in her heart. When he turned around to chat with someone, he saw the phoenix hairpin and the golden hairpin slantingly holding his thick hair. Could it be that her lover also became Ruan Lang, and his youth has passed but he still hasn't returned home.
Appreciation:
In just forty-four words, flowers are people and people are flowers. The human face is blended with flowers, graceful and soft, and the spring breeze fills the paper. The eyes are filled with flowers, the human face is blurred, and the facial expressions are in the scene. This is originally done in imitation of Li Bai's "Qing Ping Tiao Ci", but the skill of characterization is no worse than Li Bai's. The first chant is about people, and the second is about flowers. The borrowed beauty sets off the people's faces. beauty.