Li Qingzhao is a talented woman. What do you think is her best sentence? Why?

Li Qingzhao was one of the greatest women in Song Dynasty. She is the embodiment of beauty and talent, and belongs to a woman who merged with a talented enterprise. All along, everyone's love for Li Qingzhao can be said to be beyond words. Both her poems and her poems have touched readers from generation to generation, which is why every time I talk about strange girls, the first thing that comes to mind is Li Qingzhao, so Li Qingzhao is synonymous with strange girls. Her poems are mainly implicit and naturally full of enthusiasm of "being a hero and dying a ghost".

"Like a dream, the rain suddenly dispersed the wind last night." "Last night, the rain suddenly dispersed the wind, and a deep sleep did not consume wine. Ask the shutter man, just say that Haitang is still there. Really? Really? It should be green, fat and thin. " This is also the masterpiece of Li Qingzhao's Cosmic Girl. Scenery, things, people and wine are connected together, which embodies the elegance and freedom of Li Qingzhao's The Year of Broken Melon. This word, although only six short sentences and thirty-three words, is a word that has laid the foundation for Li Qingzhao's "strange girl" influence. I heard that this word was once widely circulated and shocked the ruling and opposition parties. The whole writing is concave and convex, euphemistic and layered. It is unique, ups and downs and very vivid to promote the development trend of the meaning of this word through dialogue with the characters shaped by their mentality.

"Drunken Flower Yin" is foggy, the clouds will be sad forever, the spirits will be refreshed, and the golden beast will disappear. The festival is also a double ninth festival, and the jade dish gauze kitchen is half cold at night. After the wine is red in Dongli, the sleeves are dark. Don't say clear autumn is not a person, the west wind rolls the flag and beads curtain, and the person in the curtain is thinner than that Huang Ju. The temperature is gloomy, the clouds are thick and foggy, and the fragrance in the copper incense burner lingers. It's the Double Ninth Festival again, and the common bedspread feels chilly in the middle of the night. Before coming to the fence in the courtyard, at dusk, the wine will be drunk with the wind and the flowers will float. At this time, the most charming, west wind blowing, rolling curtains, friends should be thinner than Huang Juhua. The poem depicts drinking and enjoying chrysanthemums on the Double Ninth Festival and expresses the feelings of missing relatives.

Yong Yule: The sunset melts the gold, and the twilight clouds meet the wall. Where are people? Dye willow smoke, play plum flute, and know a little about spring. Lantern Festival, with the integration of temperature, there will be no wind and rain? Come and meet each other, enjoy the BMW and thank the wine friends for their poems. The central plains is in full bloom, and the boudoir is more leisurely. Remember points three to five. Pave the green crown, twist the golden snow willow, cluster and fight for Chu. Now I am old, windy and frosty, so I dare not come out at night. It is better to listen to people singing and laughing under the curtains. In contrast, the first poem describes two scenes of Bianjing in Kyoto and Lantern Festival in Lin 'an in Song Dynasty, namely, Kyoto, Hangzhou and Lin 'an. It sets the past and the present against each other, portrays the lonely and painful heart of a widowed woman, so as to express her yearning for the motherland and implicitly express her dissatisfaction with the rulers of the Song Dynasty who are bent on progress in the whole Jiangnan area.