In Wan Li, the river is foggy and a village is full of smoke trees.
I only owe a lonely tent to listen to the rain, as if I were in Xiaoxiang.
Secondly,
The mountains are foggy and horizontal, and the sand is horizontal in the distance.
Andrew is green and green. He floats around the house!
-What are you?
You Mao's two six-character poems were inscribed after Mi Youren's Xiaoxiang Baiyun. This ink painting is Mi Youren's masterpiece. After the volume, there are more than a dozen famous people in Southern Song Dynasty, such as Xie Ji, You Mao, Hong Mai, Zhu, etc. Many of them were recorded in the past dynasties and are now in the Shanghai Museum. You Mao has a postscript and a poem. After the poem, I wrote, "I cherish the ugliness of spring in the middle of the eighteenth spring, and Liangxi looks forward to Qiupu." Cherish spring and be ugly, that is, Song Xiaozong cherish spring for eight years (1 18 1). At this time, you Mao is 55 years old and is being promoted to Changping, Jiangdong. Qiupu is now Guichi, Anhui.
Although the two poems can be relatively independent, they are actually a closely integrated whole. When a poet conceives, he first has an idea and then tries to write an article in two. The structure of the two songs is the same, the first two sentences are objective descriptions of the scenery in the painting, and the last two sentences are the poet's subjective feelings when looking at the painting, but the order of the two songs cannot be reversed.
"Hometown of thousands of smoke trees" showed the whole picture from the beginning. In the distance is Jiangtian, Wan Li, and near it is a smoky village. Only these twelve words have absorbed the landscape characteristics of Xiaomi. The vast mountains and rivers in the middle and lower reaches of the Yangtze River are the prototype of Yunshan in his paintings. The techniques of light ink stains and thick ink clusters show the endless changes in summer. "I only owe a lonely tent to listen to the rain, as if I were in Xiaoxiang", two sentences hung upside down, praising the millet brush as if I saw the real landscape, as if I had been on Xiaoxiang, but I didn't really sit on the boat to listen to the rain. People often feel picturesque when they look at real scenery, and poets feel picturesque when they look at paintings. Huang Gugu's "Picture Clip": "Misty rain returns to geese, sit in my Xiaoxiang Dongting. I want to call the boat home, so the old man said it was Dan Qing. " In the sense of praising painting like a mountain, it is especially the same as Huang, but as far as the whole poem is concerned, the description of painting is more specific and distinctive.
Generally speaking, you Mao's rice painting, with the first song, can be regarded as completing the task. However, he has not finished thinking, and needs to be supplemented and deepened. "There is a faint fog, and the sand is far away." This is not a repetition of the first two sentences of the first song, but the exquisiteness and wonder of the Xiaomi painting written after deep thinking. It is a vivid and rare artistic achievement that the mountain and the water are centralized. Li Tang, a great painter, said in a poem: "In a Xue Cun with a rainy beach, it is easier to see than to do." Generally speaking, it is easy to draw statically but difficult to draw dynamically; Obviously it's easy, ethereal and super difficult; Writing is easy, but expressing is difficult. It is not difficult to draw mountains, fog and sand; Then it is not so easy to express the state and potential of a specific time and space; Then "faint" and "boundless" convey the charm of mountains and rivers, which is enough to impress the feelings of the viewer and make the realm higher. In this way, the magical power of Xiaomi Moxi is revealed. When the poet entered this painting scene, he returned to his natural reverie, which came into being-"live in peace and travel from house to house!" " The first song "As if I were in Xiaoxiang" is still temporarily in the middle. These two sentences go deep into the ideal pursuit of life from artistic aesthetic activities. The realm in the painting is really fascinating, but if you want to wear a green hat, you have to give up the official costume of the gauze hat; Growing up in rivers and lakes and floating at home, I also got rid of the worldly troubles and the honor and disgrace of my official career. This is indeed the contradiction of the poet, and the word "Andrew" is a heartfelt feeling. Ending the whole article in this way is also a higher evaluation of Xiaomi's painting: it goes without saying that a painter can draw such a realm.
The two poems are inseparable, the first one is more profound than the second one, and the second one must be integrated with the first one. This is indeed the best choice for Song people to paint poems, and readers can also learn how to write a topic in chapters.
Six-character quatrains are rare. Firstly, the use of monosyllabic words is quite restricted, and monosyllabic words are often the eyes of poets in modern poetry; Second, compared with five-character poems and seven-character poems, the tone is monotonous and insipid. This style began in the Tang Dynasty, but there are not many writers. There are less than 100 of Hong Mai's Ten Thousand Tang Poems. There were far more people in the Song Dynasty than in the Tang Dynasty. Wang Anshi, Su Shi and Huang Tingjian all have excellent works. Each poem of six words and four sentences is composed of two couplets, in which even level is required, such as "Wan Li is hazy in the sky and a village is full of smoke", which means even level. The difference between it and the five wonders and the seven wonders is that it is not attached, because it is not a disease attached, such as "the village is full of smoke trees" and "only the eaves are left to listen to the rain" ("Ping Ping"). However, there are some non-sticky, such as "stay in spring for one day and plant trees for ten years." The grass is heartbroken and the flowers fall, and the green window carries the warbler "(Liu Chenweng's Spring Return). In a word, it is usually read into three paragraphs and two words, such as "light-Xiaoshan-horizontal fog, boundless-far water-flat sand" Occasionally read into two paragraphs in three words, such as "Guangping Zuo-Fu Meihua, Shaoling Wu-Haitang Poetry" (Lu You's Miscellaneous Xing). In the two couplets of four sentences, it is generally the neat antithesis in the first couplet, such as the first couplet of two poems by You Mao. There are also two couplets before and after the confrontation, such as "why buy land near Guo, but build a house by the mountain?" "Song Qing * * * I finally set off, and Bai Niao came back with people." (Peng's Quasi-pastoral Song) There are also two antithetical couplets, such as the second poem of Wang Anshi's Palace Wall after the Western Empress. There are many excellent six-character quatrains, which are also the new contributions of Song people in the history of China's poetry.