Lipper
Old friends frequently waved to me, bid farewell to the Yellow Crane Tower, and traveled to Yangzhou in this beautiful spring filled with catkins and flowers.
My friend's sail shadow faded away and disappeared at the end of the blue sky, only seeing the first line of the Yangtze River and heading for the distant horizon.
Literally, the last two sentences are full of feelings of farewell to friends. Expressing vague emotions through real scenery is one of the common forms of combining reality with reality.
2. When is the young woman's spring flowers and autumn moon?
Yu Li
When is the moon in spring and autumn? How much do you know about the past? The small building was easterly again last night, and the old country could not bear to look back on the bright moon.
Carved fences and jade bricks should still exist, but Zhu Yan changed them. How much sadness can you have? Like a river flowing eastward.
Between the lines, "how much sorrow can there be, just like a river flowing eastward." Use concrete things (reality)-endless rivers to compare the depth of national subjugation.
3. Jade case, Ling Bo, but Hengtang Road.
He Zhu
Ling Bo didn't cross the pond road, just watching and letting the dust settle. Who is the golden flower? There are flower pavilions and windows on the platform, only in spring.
Blue clouds, dusk in Ran Ran, crayons, new topics, heartbreaking sentences. How much leisure do you have? Yichuan tobacco, city wind, plum yellow rain.
Borrowing the three tangible images of "Yichuan Tobacco", "Mancheng Flour" and "Plum Yellow Rain", I wrote the infinite sadness in my heart and the anguish that I can't get rid of. The scenery is real, the lyricism is virtual, turning virtual into reality, turning intangible into tangible, and it is very infectious to read. The word "carefree sorrow" means neither leaving sorrow nor being poor. It is precisely because of "leisure" that it is aimless, rambling, ethereal and unpredictable, but it is everywhere and ever-present. This seemingly unreal image can only be compared with "a puff of smoke, a storm in the city, and yellow rain on plums". The author skillfully turns the intangible into the tangible, the abstract into the image, and the intangible into the tangible, which shows Superman's artistic talent and superb artistic expression. Luo Song's "The Great Classic Cloud": "The three are more worrying and particularly novel, and the comparison between prosperity and China is more meaningful."
4. Yangzhou Man Huai Zuo Du Ming
Jiangkui
Huaizuomingdu, Zhuxi is a good place with few saddles on the initial journey. Ten miles after the spring breeze. All the wheat is green. Since Huma went to see the river, he abandoned the trees by the pool and still hated talking about soldiers. Gradually dusk, clear the angle and blow the cold. All in the empty city.
It is not surprising that Du's reward is too heavy now. Vertically speaking, although the dream of a brothel is good, it is difficult to be affectionate. The 24th Bridge is still there, the waves are swaying, and Leng Yue is silent. After reading the red medicine by the bridge, you will know who you should live for every year.
The 24 th Bridge, a famous scenic spot in Yangzhou, still exists. The waves rippled and there was silence all around in the cold moonlight. Alas, imagine that although the peony flowers by the bridge bloom as scheduled every year, it is difficult for anyone to appreciate their splendor. The poet ends his poem with suspense, and naturally feels the same. The contrast between the past and the present makes people cry.
Scenery blending is the most striking feature of this word in the expression of words. Empathy into the scene, happiness in the scene and sadness in writing are all common techniques used by poets. In particular, the poetess wrote many musical scenes in her articles: famous names, beautiful places and twenty-four bridges ... But the purpose of writing musical scenes is to set off the sadness and compare the sadness of "now": the fading of famous houses, the unfavorable beauty and the cold silence of the twenty bridges ... As Wang Fuzhi said, "Write a lament with a happy scene and mourn Syaraku to take advantage of its sorrow."
The artistic description of "vacillating Leng Yue is silent" is a very fine close-up. The 24 th Bridge is still there, and the moonlit night is still there, but the romantic prosperity of "Jade Man Blowing the Flute" no longer exists. The poet set off the silence of "Leng Yue" with the movement of "wave heart swinging" under the bridge. "Wandering in my heart" is a top view, and "Leng Yue is silent" was originally a top view, but it was reflected in the water and became a top view, which combined with the rippling water waves under the bridge to form a picture. From this picture, it seems that we can see the image of the poet bowing his head in meditation. In short, writing about the prosperity of the past is precisely to show the depression of today.
5. The Book of Songs Xiaoya Cai Wei
Recalling the original exploration, the wind in Yang Liuyi was blowing in the wind; Now back on the road, snowflakes are flying everywhere.
The road is muddy and difficult to walk, and people are thirsty and hungry.
"I left yesterday, willow, a.. I think about it today, it's raining. " This is a famous sentence in the Book of Songs, which, like a painting, expresses the feelings of a traveler who is away from home to the fullest. These four sentences are both scenery writing and lyrical. It was spring when I went out, and the willows were dancing. When I came back, it was already rainy and snowy in winter. A lingering, deep and erratic emotion naturally flows out of the landscape, implicit and endless. In art, "I used to be absent, and the willows were reluctant." I think it's raining today ",which is called one of the best poems in" Three Hundred Poems ". The Southern Dynasties' Selected Works of Kasper? has been evaluated for more than 500 years. Wang Fuzhi's poems in Jiangzhai have become the poet's mantra, that is, "To write mourning with joy, to mourn for Syaraku, to double his sorrow and joy" and Liu Xizai's "artistic program" have become the poet's favorite words.