After reading eight lessons of poetry, I feel that reading poetry is a bit far away for me in my thirties. If you want to go back, what comes to mind is that the foot of my bed is so bright. When he was young, he was reading with a textbook. Therefore, before I opened the book "Eight Poems" recently, I thought to myself: I haven't been exposed to poetry for many years, can I understand this book?
However, when I opened this simple book, the first sentence made me feel relieved: this is the first time I have spoken, but it is about playing chess. What does poetry have to do with it? What does it have to do with playing chess? Poetry and chess still have something to do? With doubts and incomprehension, I read the words of Jiang Weak Water, a professor at Zhejiang University, and inadvertently stepped into the fertile soil of dusty poetry.
Professor Jiang Weak Water tells us poems, which is a new way. He directly divided seemingly difficult poetry writing into two categories: and playing chess. Gamblers write poems, not because poets express themselves in words, but because language expresses itself through poets. When the rabbit begins to fall, language will flock to the poet to find an exit, just as Li Bai shouted, "I can't see how the water of the Yellow River can move out of heaven and enter the ocean, never to return." Chess players write poems, weigh every word and try to delete them repeatedly, just like Fu, who turned his new poems from long poems into masterpieces. This novel metaphor made my eyes shine.
Professor Jiang Ruoshui is also good at quoting classics when he talks about poetry, so the theory of writing and tasting poetry in the book is not empty at all, but is particularly vivid and convincing with a large number of examples. I remember the taste of his poems and explain how poems echo our past. Firstly, explain the ancient meaning of Chinese characters in Shuo Wen Jie Zi, and then explain it with the authoritative voice in Bourdieu's Social Criticism of Distinguishing Interest Judgment, plus his own analysis. In Proust's Memories of Time Past and Lu Xun's Miscellanies of a Sword's Life, there are words about the relationship between taste and memory. The author lists them in order to arouse readers' association, and then explains them with Gong Zizhen's words and roland barthes's narration, which draws a satisfactory end to the topic of the relationship between taste and memory.
In the book, the author let the famous books of ancient and modern times, Chinese and foreign countries take turns to go into battle, but it didn't give people the feeling of stale books piling up, just made people sigh in front of his extensive knowledge. Even if you don't read this book for the purpose of studying poetry, you can get a lot of knowledge about poetry creation and appreciation. If you read this book to learn poetry writing and appreciation, you will certainly gain professional knowledge from it and enjoy the vivid beauty that professional books lack. This may be the success of this book.
Professor Jiang Ruoshui talks about poetry, regardless of ancient poems, new poems and foreign poems, and puts all kinds of poems together. This wonderful mixture makes this book highly plastic and can make people associate and integrate poetry. After reading this book, I understand how Lu Ji's Wen Fu and Eliot's works have similarities, and how the poems of modern poet Zhang Zao have the same aesthetic tradition as Wang Anshi's famous sentences thousands of years ago. After reading this little book, I feel like listening to eight unique poetry creation and appreciation classes with my classmates in Professor Jiang Weak Water's class, and I get both intellectual and emotional satisfaction.
Once upon a time, I felt that appreciating a poem required profound knowledge, and it was even more difficult to create a poem than ordinary people. But after reading Eight Poems, I realized the essence of poetry. Poetry exists in life, just like the chapters in this book, in games, tastes, sounds and essays, homesickness and mystery. Under the guidance of this book, I think I have taken a small but solid step towards the once unreachable country of poetry.
Comments on the Eight Poems 2 The Eight Poems written by Jiang Weak Water, which I bought on Friday, arrived today. Open the courier, it is a small and thin book. I bought this book because I heard it mentioned by teacher Yu Renfeng at the new curriculum standard training meeting last Friday. I immediately searched it, hoping to increase my reserves and learn more nutrition.
This book is divided into volumes one to eight. After opening it, I found that the introduction of this book is very simple, so simple that there is no introduction by the author, not to mention the various sequences before and after many books.
I'm afraid I can't stand it (after all, my self-restraint is limited), so I just turn to a place and start reading. I didn't expect to feel the momentum of the weak river when I came up. Sixth, talk about "eroticism". This gave me my first impression of the author: he dared to speak.
Recently, I have seen or heard many psychological books or articles such as Freud and Adler, and my psychology can accept such topics. But the author also said that eroticism is not pornography, but an artistic realm with a richer mind.
I like such a sentence in it. Hippias answered Socrates what beauty is and said that beauty is a beautiful woman. This made me immediately interested in Cui Cui in Border Town. Simplicity, truthfulness, simplicity and pure beauty are the themes that Shen Congwen wants to describe.