Looking back at Chang 'an, Mount Li is like a pile of splendid scenery, and the gates of Huaqing Palace on the top of the mountain are opened in turn.
As soon as I rode on the smile of smoke and smoke, no one knew that the fresh fruit litchi was sent from the south.
Appreciate:
One of "Crossing Huaqing Palace": Chang 'an looks back at the embroidered pile, and the top of the mountain opens a thousand times. As soon as I rode on the smile of smoke and smoke, no one knew that the fresh fruit litchi was sent from the south. Different from the above two poems, this poem uses a special "litchi" image, which makes the imperial concubine proud of her love, and connects the absurdity of the emperor's doing everything he can to please her with the sweat and misery of the riding club. Through the unique perspective of seeing the big from the small, the whole poem chooses the dramatic conflict between "riding the world of mortals" and "concubine laughing" to set off the central theme of the whole poem, and its wonderful conception and layout are amazing. Of course, there are many other special writing methods that we need to savor slowly.
If we only look at the first three sentences, "Chang 'an looks back and embroiders in piles, the top of the mountain is blooming, and a princess laughs and rides the world of mortals", I'm afraid our readers will have a lot of suspense without looking at the last sentence. First, we have no idea why we should look back at Mount Li from Chang 'an. Furthermore, we don't understand why the "1000 doors on the top of the mountain" should be opened one by one; Besides, I'm afraid we don't even know what "riding the world of mortals" is for. Why does "concubines" laugh ... The poem was written by Zhang Xianzhi, so when we read the last sentence "No one knows it's litchi", we will suddenly realize that "riding a horse" is going to Huaqing Palace, and it is full of doors, from the foot of the mountain to the top of the mountain. But this is what we really don't know. A negative sentence not only solves the suspense, but also makes the finishing point and contains profound meaning.
Hope to adopt, thank you.
2. The poem about lychee is "300 lychees a day, and I will be from Lingnan" (Su Shi's "A Unique Skill in Huizhou" in Song Dynasty)
"The lotus petals fall before the wind, and the peach blossoms are charming after the rain" (Litchi Membrane by Xu in Ming Dynasty)
"Dew condenses into ice, and thick ice is more fragrant" (Fan Chengda's Four Litchi)
"Lizi is the best in the world, and Mei Fei is the people" (Cai Xiang)
"Litchi is everywhere in Licheng" (Guo Moruo)
"Jinjiang West is green with smoke, Xinyu Mountain is ripe with litchi" (Chengdu Qu)
"The history of litchi in the middle of Shu, the remaining half" (Su Shi)
"The red pearl is lovely, and the white beard satrap can be silly. Ten years later, I know who is there. I grow lychees from the imperial court. " (Bai Juyi's "Planting Litchi")
Litchi Dan in June in Zhou Nan (Litchi in Chen Hui in Ming Dynasty)
"Flying flame will make the sky red" (Guo's "Litchi")
"Red clouds weigh tens of thousands" (Looking at Litchi by Deng Su in the Northern Song Dynasty)
"Densely move to Fujian Mountain, and prohibit new planting of litchi Dan" (Song Huizong's "Xuanhetang Litchi")
"The immortal was originally a seamount, from which Jiangxiang sprouted" (Wen Zhiming's Xin Li in the Ming Dynasty)
"The world of mortals laughs when riding a princess, but no one knows that it is litchi" (the poem "Crossing Huaqing Palace" by Tang Du Mu)
And Bai Juyi said: "Chew the taste of heaven and smell the fragrance of different worlds." Du Fu praised, "Nine years later, Lushu picked lychees and fragrant maple hid stones."
Defendant: Phyllis
3. Poem about Litchi 1, "Huizhou One Must/Eat Litchi" Song Dynasty: Su Shi Luofu Mountain at four o'clock in spring, Lu Juyang Mei Erxin.
300 lychees a day, I will grow up to be a Lingnan person without hesitation. The next four seasons in Luofu Mountain are spring, and loquat and Huangmei are fresh every day.
If I eat 300 lychees every day, I would like to be a Lingnan person forever. 2. "Magnolia and Litchi" Song Dynasty: Su Shi offered to the west of Fujian.
Crossing the sea is like an arrow. Jade seat gold plate.
I haven't paid tribute to Qiqi for 400 years. Light red and white.
Known as the beauty of broken hands. Fine bones and fragrant muscles.
It happens to be eighteen. Precious tributes produced in Fujian, ships transported by sea come and go quickly.
Jade Pagoda has been paying tribute to litchi for 400 years. Litchi shell is reddish, and the meat is thick and white, which is just suitable for beautiful women's slender hands to peel.
Litchi kernels are delicious, just like the famous "Eighteen Niangs" litchi. 3. "Nanxiangzi Double Litchi" Song Dynasty: Su Yu's chemical knowledge.
Clothes are always disgusting. Every time I see you in the depths of Huatang, I feel sorry for Iraq.
Two hearts are one. Growing up.
Yee, Yan Ge won't stay. Hate that everyone screwed up.
How to pair up, just like old times. Heaven said that all the clothes he gave litchi were dark red.
Every time I look deep into the Chaohuatang, I feel sorry for you. Although there are two stones, the meat is connected. Growing up, we were inseparable, and we never separated at the banquet of singing and persuading wine.
I hate to break two nucleoli in half one by one, so how can I restore my loved ones in pairs? 4, "Chengdu Qu" Tang Dynasty: Zhang Ji Jinjiang in the west is full of smoke, and the litchi in Xinyu Shantou is ripe.
There are many restaurants near the bridge in the south of the city. Who wants to stay? At the beginning of the new rain, there are vast waves of smoke and clear water in the west of Jinjiang. Litchi is red on the bank of Shantouling, and the four fields are fragrant.
There are many restaurants near Wan Li Bridge in the south of the city. Which room do tourists like to stay in? 5. "Bodhisattva Manzi Ghosts Cry and Break the Tower Moon" Song Dynasty: Li Shizi Ghosts Cry and Break the Tower Moon, and draw a boat in the morning. Litchi red on both sides of the strait, in the misty rain.
The beautiful woman cried, and her clothes were wet with tears. Since then, the news has been sparse, and there are no geese flying in Lingnan.
In my dream, I was awakened by the crow of Zigui bird and looked out of the window. There is a crescent moon hanging on the tower, which seems to be broken by the crow of Zigui bird. I will set out on a gorgeous ship. The river is clear and the lychees on both sides of the river are very red. The drizzle enveloped thousands of families.
When leaving, I cried with the beautiful woman, and the brocade was wet with tears. Let's go, we live far apart, and we don't know when we can meet again.
Lingnan is remote, the geese are hard to fly, and letters are essential.
4. Tang Gaozu litchi Tang Dynasty poem "Three Poems Over Huaqing Palace, Part I" Du Mu Chang 'an, a poet in the late Tang Dynasty, looked back at the embroidered pile, and thousands of doors opened on the top of the mountain.
As soon as I rode on the smile of smoke and smoke, no one knew that the fresh fruit litchi was sent from the south. Appreciating the fact that this poem chose to send litchi to the imperial concubine Feitian vividly reveals that the rulers, in order to satisfy their appetite, did not hesitate to stir up the masses, wasting people and money, and effectively castigated the arrogance and extravagance of Emperor Xuanzong of Tang Dynasty and Yang Guifei.
The first two sentences of the poem pave the way for the background, and the last two sentences introduce the theme of the description and prompt the theme of the poem. The juxtaposition of the two concrete images of "galloping the world of mortals" and "princess laughing" makes people think and leaves suspense.
Although the word "unknown" is three words, it is thought-provoking and intriguing. This epic was written by Du Mulu when he arrived in Chang 'an via Huaqing Palace, feeling that Tang Xuanzong and Yang Guifei were extravagant and misunderstood their own country.
Huaqing Palace was once a playground for Emperor Xuanzong of the Tang Dynasty and Yang Guifei. According to "Biography of Yang Guifei in the New Tang Dynasty", "My concubine loves lychee, and she must be born, so she rode it for thousands of miles, and her taste has not changed, and she has arrived in the capital". As a result, many policemen were exhausted and the post horse fell dead on the way from Sichuan to Chang 'an. The quatrains crossing the Qing Palace intercepted this historical fact, attacked the arrogance, extravagance and ignorance of feudal rulers, satirized the present with history and warned the monarch.
"Chang 'an Looking Back at Embroidered Piles" describes the scenery the poet saw when he looked back at Huaqing Palace in Chang 'an. The word "looking back" is not only a true writing, but also a link between the past and the future. The poet overlooks Mount Li in the capital, where there are lush trees and flowers, and countless layered and magnificent buildings are hidden among them, just like a pile of splendid scenery.
Suddenly, a sense of responsibility for reviewing and reflecting on history arises spontaneously, and a sense of history arises spontaneously. It is the following three sentences, "A thousand doors open at the top of the mountain", which is a link between the preceding and the following and is a review of history.
The opening of Mount Li's "Thousands of Gates on the Peak" describes the luxury of Tang Xuanzong and Yang Guifei's life in those years, and sets a question for readers: Why should the "Thousands of Gates on the Peak" be opened? The last two sentences, "The world of mortals laughs when riding a princess, and no one knows it is litchi", are the answers. It turns out that this is all caused by Yang Guifei.
When she saw "riding the world of mortals" galloping past, she knew that the litchi that gave her appetite had arrived, so she "laughed" happily. Others thought it was an urgent document, but who thought it would be fresh litchi in Fuzhou immediately! The conclusion of the poem is not only the crowning touch of the whole poem, but also the bane of "An Shi Rebellion".
The purpose of reciting the anecdote of Tianbao is to warn the later monarchs not to delay the state affairs because of their pursuit of pleasure. However, the poet did not write about the tragic situation of An Shi, Xuanzong's hasty escape, Ma Youpo's performance, nor did he list Xuanzong's amusement, extravagance and luxury life. But to give litchi a thousand miles to win a smile from the imperial concubine.
Discover historical problems in nuances. "Riding a princess and laughing in the world of mortals" makes a wonderful contrast between a poor official who is galloping on horseback and a smiling princess, and expresses such a serious historical theme with a word "smile", which is highly generalized and typical.
The whole poem begins with "looking back", setting suspense at different levels, and finally uncovering the mystery with "no one knows". This not only exposes the absurdity that Emperor Tang Ming did everything he could to please his favorite concubine, but also echoes the unusual atmosphere in front of him. The whole poem is full of difficult words, beautiful and delicate, lively and natural, and profound, implicit and powerful. It is indeed a masterpiece in the quatrains of the Tang Dynasty.
One of "Crossing Huaqing Palace": Chang 'an looks back at the embroidered pile, and the top of the mountain opens a thousand times. As soon as I rode on the smile of smoke and smoke, no one knew that the fresh fruit litchi was sent from the south.
Different from the above two poems, this poem uses a special "litchi" image, which makes the imperial concubine proud of her love, and connects the absurdity of the emperor's doing everything he can to please her with the sweat and misery of the riding club. Through the unique perspective of seeing the big from the small, the whole poem chooses the dramatic conflict between "riding the world of mortals" and "concubine laughing" to set off the central theme of the whole poem, and its wonderful conception and layout are amazing.
Of course, there are many other special writing methods that we need to savor slowly. If we only look at the first three sentences, "Chang 'an looks back and embroiders in piles, the top of the mountain is blooming, and a princess laughs and rides the world of mortals", I'm afraid our readers will have a lot of suspense without looking at the last sentence.
First, we have no idea why we should look back at Mount Li from Chang 'an. Furthermore, we don't understand why the "1000 doors on the top of the mountain" should be opened one by one; Besides, I'm afraid we don't even know what "riding the world of mortals" is for. Why does "concubines" laugh ... The poem was written by Zhang Xianzhi, so when we read the last sentence "No one knows it's litchi", we will suddenly realize that "riding a horse" is going to Huaqing Palace, and it is full of doors, from the foot of the mountain to the top of the mountain. But this is what we really don't know. A negative sentence not only solves the suspense, but also makes the finishing point and contains profound meaning.
After reading the first sentence, the emperor was busy in Chang 'an, the capital at that time, and the concubine wanted to stay in the capital, so the people who flew litchi went straight to Chang 'an, while the emperor and the concubine were having fun in Lishan! This is the scene of "Chang 'an looking back and embroidering in the pile". The second sentence is "pile embroidery" to write about the building of Huaqing Palace in Lishan Mountain.
At this time, "one ride" is close to Mount Li, only to see "a thousand times at the top of the mountain"; People on the mountain have seen the "world of mortals" flying and "a ride" coming, so they heard the emperor order the opening of "thousands of doors on the peak" for the second time. As a result, there was a dramatic scene of "laughing at the world of mortals".
On the one hand, Mercedes-Benz rolled up the "world of mortals" day and night and sent "one journey" lychees, sweating like rain and suffering; On the other hand, the imperial concubine got fresh litchi. She smiled and was overjoyed. In contrast, there is a silent condemnation of luxury life, although silent condemnation may be worth a thousand words.
The first three poems didn't mention litchi. If every sentence is about litchi as analyzed above, it will be too dull. This is just as Wu Qiao's "Poetry around the Furnace" said: "Poetry has implications, especially for those who have no opinions on telling stories."
The artistic charm of Du Mu's poems lies in its implication and profundity. In the poem, I don't understand Xuanzong's dissolute lust, imperial concubine's love and arrogance. However, the sharp contrast between "Galloping the World of Red Dust" and "Laughing at the Noble Lady" has received much stronger artistic effect than directly expressing her opinions. The word "princess laughs" has a profound meaning.
People can't help but think of the "bonfire party" held by Zhou Youwang in the Spring and Autumn Period.
5. What are the poems describing litchi? No one knows it's litchi. Talking from Du Mu's Three Poems of Passing through the Qing Palace in Tang Dynasty
Commentary: As soon as I got on it, the smoke billowed and the princess smiled. No one knows that fresh litchi has been sent from the south.
300 lychees a day, I will grow up to be a Lingnan person without hesitation. From Su Shi's "Eating Litchi in Huizhou/Song Dynasty"
Interpretation: If I eat 300 lychees every day, I would like to be a Lingnan person forever.
In full of green, a large area of water west of Jinjiang, litchi on the hillside ripens after rain. Chengdu Qu by Zhang Ji in Tang Dynasty
Interpretation: In the west of Jinjiang, there are vast waves of smoke and green water, and litchi has matured on the hillside after the rain.
Litchi red on both sides of the strait, in the misty rain. Man Zi's Ghost Jumping and Breaking the Tower and the Moon Bodhisattva by Li Shizhong in the Song Dynasty
Interpretation: Litchi on both sides of the strait is delicate and red; The drizzle enveloped thousands of families.
In full of green, a large area of water west of Jinjiang, litchi on the hillside ripens after rain. Zhang Ji, a writer in the Tang Dynasty, wrote in Chengdu Qu Jinjiang that Chengdu is a city close to the west, full of smoke and water.
Interpretation: In the west of Jinjiang, there are vast waves of smoke and green water, and litchi has matured on the hillside after the rain.
Litchi is newly cooked with cockscomb color and amber fragrance of soju. Bai Juyi's "Litchi House to Wine"
Interpretation: Mature litchi is like cockscomb, and newly opened soju smells like amber.
Densely moving out of Fujian Mountain, it is forbidden for Zhao Ji to plant litchi "Xuanhetang Litchi" in Song Huizong, Song Dan.
Commentary: He transplanted litchi grown in the south to the palace to make it bear fruit.
6. Tang Gaozu litchi Tang Dynasty poem "Three Poems Over Huaqing Palace, Part I" Du Mu Chang 'an, a poet in the late Tang Dynasty, looked back at the embroidered pile, and thousands of doors opened at the top of the mountain.
As soon as I rode on the smile of smoke and smoke, no one knew that the fresh fruit litchi was sent from the south. Appreciating the fact that this poem chose to send litchi to the imperial concubine Feitian vividly reveals that the rulers, in order to satisfy their appetite, did not hesitate to stir up the masses, wasting people and money, and effectively castigated the arrogance and extravagance of Emperor Xuanzong of Tang Dynasty and Yang Guifei.
The first two sentences of the poem pave the way for the background, and the last two sentences introduce the theme of the description and prompt the theme of the poem. The juxtaposition of the two concrete images of "galloping the world of mortals" and "princess laughing" makes people think and leaves suspense.
Although the word "unknown" is three words, it is thought-provoking and intriguing. This epic was written by Du Mulu when he arrived in Chang 'an via Huaqing Palace, feeling that Tang Xuanzong and Yang Guifei were extravagant and misunderstood their own country.
Huaqing Palace was once a playground for Emperor Xuanzong of the Tang Dynasty and Yang Guifei. According to "Biography of Yang Guifei in the New Tang Dynasty", "My concubine loves lychee, and she must be born, so she rode it for thousands of miles, and her taste has not changed, and she has arrived in the capital". As a result, many policemen were exhausted and the post horse fell dead on the way from Sichuan to Chang 'an. The quatrains crossing the Qing Palace intercepted this historical fact, attacked the arrogance, extravagance and ignorance of feudal rulers, satirized the present with history and warned the monarch.
"Chang 'an Looking Back at Embroidered Piles" describes the scenery the poet saw when he looked back at Huaqing Palace in Chang 'an. The word "looking back" is not only a true writing, but also a link between the past and the future. The poet overlooks Mount Li in the capital, where there are lush trees and flowers, and countless layered and magnificent buildings are hidden among them, just like a pile of splendid scenery.
Suddenly, a sense of responsibility for reviewing and reflecting on history arises spontaneously, and a sense of history arises spontaneously. It is the following three sentences, "A thousand doors open at the top of the mountain", which is a link between the preceding and the following and is a review of history.
The opening of Mount Li's "Thousands of Gates on the Peak" describes the luxury of Tang Xuanzong and Yang Guifei's life in those years, and sets a question for readers: Why should the "Thousands of Gates on the Peak" be opened? The last two sentences, "The world of mortals laughs when riding a princess, and no one knows it is litchi", are the answers. It turns out that this is all caused by Yang Guifei.
When she saw "riding the world of mortals" galloping past, she knew that the litchi that gave her appetite had arrived, so she "laughed" happily. Others thought it was an urgent document, but who thought it would be fresh litchi in Fuzhou immediately! The conclusion of the poem is not only the crowning touch of the whole poem, but also the bane of "An Shi Rebellion".
The purpose of reciting the anecdote of Tianbao is to warn the later monarchs not to delay the state affairs because of their pursuit of pleasure. However, the poet did not write about the tragic situation of An Shi, Xuanzong's hasty escape, Ma Youpo's performance, nor did he list Xuanzong's amusement, extravagance and luxury life. But to give litchi a thousand miles to win a smile from the imperial concubine.
Discover historical problems in nuances. "Riding a princess and laughing in the world of mortals" makes a wonderful contrast between a poor official who is galloping on horseback and a smiling princess, and expresses such a serious historical theme with a word "smile", which is highly generalized and typical.
The whole poem begins with "looking back", setting suspense at different levels, and finally uncovering the mystery with "no one knows". This not only exposes the absurdity that Emperor Tang Ming did everything he could to please his favorite concubine, but also echoes the unusual atmosphere in front of him. The whole poem is full of difficult words, beautiful and delicate, lively and natural, and profound, implicit and powerful. It is indeed a masterpiece in the quatrains of the Tang Dynasty.
One of "Crossing Huaqing Palace": Chang 'an looks back at the embroidered pile, and the top of the mountain opens a thousand times. As soon as I rode on the smile of smoke and smoke, no one knew that the fresh fruit litchi was sent from the south.
Different from the above two poems, this poem uses a special "litchi" image, which makes the imperial concubine proud of her love, and connects the absurdity of the emperor's doing everything he can to please her with the sweat and misery of the riding club. Through the unique perspective of seeing the big from the small, the whole poem chooses the dramatic conflict between "riding the world of mortals" and "concubine laughing" to set off the central theme of the whole poem, and its wonderful conception and layout are amazing.
Of course, there are many other special writing methods that we need to savor slowly. If we only look at the first three sentences, "Chang 'an looks back and embroiders in piles, the top of the mountain is blooming, and a princess laughs and rides the world of mortals", I'm afraid our readers will have a lot of suspense without looking at the last sentence.
First, we have no idea why we should look back at Mount Li from Chang 'an. Furthermore, we don't understand why the "1000 doors on the top of the mountain" should be opened one by one; Besides, I'm afraid we don't even know what "riding the world of mortals" is for. Why does "concubines" laugh ... The poem was written by Zhang Xianzhi, so when we read the last sentence "No one knows it's litchi", we will suddenly realize that "riding a horse" is going to Huaqing Palace, and it is full of doors, from the foot of the mountain to the top of the mountain. But this is what we really don't know. A negative sentence not only solves the suspense, but also makes the finishing point and contains profound meaning.
After reading the first sentence, the emperor was busy in Chang 'an, the capital at that time, and the concubine wanted to stay in the capital, so the people who flew litchi went straight to Chang 'an, while the emperor and the concubine were having fun in Lishan! This is the scene of "Chang 'an looking back and embroidering in the pile". The second sentence is "pile embroidery" to write about the building of Huaqing Palace in Lishan Mountain.
At this time, "one ride" is close to Mount Li, only to see "a thousand times at the top of the mountain"; People on the mountain have seen the "world of mortals" flying and "a ride" coming, so they heard the emperor order the opening of "thousands of doors on the peak" for the second time. As a result, there was a dramatic scene of "laughing at the world of mortals".
On the one hand, Mercedes-Benz rolled up the "world of mortals" day and night and sent "one journey" lychees, sweating like rain and suffering; On the other hand, the imperial concubine got fresh litchi. She smiled and was overjoyed. In contrast, there is a silent condemnation of luxury life, although silent condemnation may be worth a thousand words.
The first three poems didn't mention litchi. If every sentence is about litchi as analyzed above, it will be too dull. This is just as Wu Qiao's "Poetry around the Furnace" said: "Poetry has implications, especially for those who have no opinions on telling stories."
The artistic charm of Du Mu's poems lies in its implication and profundity. In the poem, I don't understand Xuanzong's dissolute lust, imperial concubine's love and arrogance. However, the sharp contrast between "Galloping the World of Red Dust" and "Laughing at the Noble Lady" has received much stronger artistic effect than directly expressing her opinions. The word "princess laughs" has a profound meaning.
People can't help but think of the "bonfire party" held by Zhou Youwang in the Spring and Autumn Period.