The sentimental verses are as follows:
1. "How long will the green poplars and fragrant grass stop? The tears in my eyes and my heart have already stopped" - "Magnolia: Scenery in the City" by Qian Wei in the Song Dynasty chaos".
Appreciation: Time passes like water, things change and things change. I think that the green poplars and fragrant grass will decay before I know it. Seeing this annoying spring scenery in front of me, I have already been filled with tears and my heart has broken. This word expresses the author's feeling of twilight and sadness in an extremely sad way.
Here the author expresses his emotions through the scenery, rather than creating emotions due to the scenery. Therefore, using thick lines to outline the spring scenery is beneficial to the later emotional expressions, because it avoids the possible problem of overshadowing the scene.
2. "The spring river is full of tears, endless flow, and a lot of sorrow" - Qin Guan of the Song Dynasty's "Jiangchengzi·Xicheng Willows Make Spring Soft".
Appreciation: Qin Guan was ashamed of copying, so he came up with new ideas. Empress Li said that sadness is like a river of spring water flowing eastward, but Qin Guan said that the spring water of the river is full of tears, which cannot drain away his current sorrow, making his feelings even more painful.
3. "The flying flowers are as light as dreams, and the boundless raindrops are as thin as sorrow." - Qin Guan of the Song Dynasty's "Huanxisha·Momo Qinghan Goes Up to the Small Building".
Appreciation: Seeing the mistiness of flying flowers, the poet couldn't help but recall the futility of the residual dream. What suddenly arose in his heart was the boundless melancholy like drizzle. He wrote a kind of poem with a soft and tortuous pen. A touch of leisurely sadness.
4. "Alone in the desolation, I still relieve myself, and control the sadness of separation" - Gong Zizhen of the Qing Dynasty, "Writing Dreams on Langtaosha".
Appreciation: The good dream has gone far away, leaving the poet alone and lonely. After waking up from the dream, the double desolation made the poet feel heavy pressure, revealing the theme of separation. This feeling of desolation is actually the feeling of separation. The main theme of revealing the sorrow of separation has come naturally.
"Self-control Lichou" inherits the meaning of the above word and clearly describes Lichou, but prefers to use "self-control" to deny its reality, saying that it is different from ordinary Lichou and is just a phantom created by one's own mind. It’s a beautiful situation that you created yourself. It comes down to dream writing again. Just as the real clues were revealed, they were covered up in time. In fact, writing about separation and sorrow is the main purpose of this poem.
5. "The plantains do not show their lilac knots, but they face the same spring breeze and have their own sorrows." - Li Shangyin of the Tang Dynasty, "One of Two Gifts for Generations".
Appreciation: This is not only a true depiction of the real scene in front of the missing woman, but also a description of people using objects, using bananas as a metaphor for her lover and lilacs as a metaphor for the woman herself. The artistic conception is beautiful and the meaning is endless. This is not only a description of the real scene in front of the protagonist, but also a description of people through objects. The banana is used as a metaphor for the lover, and the lilac is used as a metaphor for the woman herself. It is a metaphor that the two people are in the same place in a different place, and they are both worried about not being able to meet each other.