I've been in Dongshan for almost a year, and I can cultivate spring fields when I come back. The rain washes the dust, the grass is green, the clothes can be dyed, and the peach blossoms at the water's edge are as red as fire. There is a Taoist priest who is engaged in Confucian classics, and he is an old-fashioned and detached national sage. Come out to see me and stand in front of the firewood with a smile.
Note 1 industry: villa. Preface to Shi Chong's Homesickness in Jin Dynasty: "Evening Festival is more relaxing and good at forests, so he fled to other industries in Heyang. Dongshan: refers to Lantian Mountain where other industries in Wangchuan are located. 3 Springfield: A field in spring. Song Zhou Shu Lang Chuan: "Spring fields are three hectares, and autumn gardens have five beds. 4 Kan: Right, right. 5 desire: one is "also". Nature is the same as burning. 6 You Lou: disciple of Sakyamuni. Bhikkhu: Also called Bhikkhu. Buddhist language. Transliteration of Sanskrit. The free translation of "beggar" is named after buddhas begging for dharma and laity begging for food, and it is one of the "five monks" in Buddhism. Refers to a man who has been given sufficient precepts, commonly known as a monk. Confucian classics: Buddhism refers to Confucian classics and Confucian classics in Sanzang. Liang Shu Xie Ju Biography: "When I was in Jinling County, I often gave lectures to righteous monks." 7 Yi () rolls for grain (lǐ) Zhang: Outside Zhuangzi, Volume 7 on Sheng Da: "It's not too late to get out of the forest and see the rolls for grain. Zhong Ni said, "What a coincidence? Is there evil? "I have an idea. Tired pills in May and June, if you don't fall, you will lose; If you are tired of three, you will lose eleven; It's a pity to be tired. If I live in a secluded place, my arms are like branches of a tree. Although the world is big and there are many things, I only know by wings. I don't take sides, I don't take the wings of everything, why not! Confucius pointed to his disciples and said, "I don't care about using ambition, but concentrate on God. How embarrassing! 〉〉〉〉〉〉〉〉〉〉〉〉〉〉〉〉12 Grandfather: a title of respect for the elderly. Dressing: Put clothes on your body and don't put your arms into your sleeves. One of the three kingdoms Cao pi's miscellaneous poems: "I can't sleep around, and I am confused when I put on my clothes." "\ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ U \ U \ U \ U \ U \ U \ He is an outstanding scholar and a valuable one. Smell the charm at the door and welcome it. When I arrived, I was young, weak and short-looking, and I was startled as soon as I sat down. Yong said, "Our king, Gongsun, is different in talent, so I might as well. After that, I described the warm welcome. 9. Laugh: Laugh. "Biography of the History of the Southern Yuan Dynasty": "There are many bamboo stones in the south of the county. I don't know their owners, so I am proud of building bamboo houses directly. He smiled when the host came out. Crossbar: The crossbar is the door. Refers to a humble house. The Book of Songs Chenmen: "Under Hengmen, you can stay overnight." Han Shi Mao biography: "Constant door, crossbar for the door, shallow words also. Stay late and have a rest by swimming. 」
Wang Chuan's other career creation background: This poem was written during the Tianbao period of Emperor Xuanzong of the Tang Dynasty in Li Nian. In the third year of Tianbao (744), Wang Wei bought it in the Song Dynasty (now southwest of Lantian County, Shaanxi Province 10 km) and built a garden villa on it as a secluded place for his mother to practice Buddhism. According to the poems written by Wang Wei and his friend Peidi in Wangchuan Collection handed down from ancient times, and compared with Wangchuan Villa copied by later generations, we can infer the general structure of other trades in Wangchuan. There are 20 scenic spots in Wangchuan. One by one, Wang Wei and Pei Di wrote poems and compiled them into Collection of Wangchuan Other Industries, and Wangchuan Other Industries is one of them.
Comment on the value-added content of other industries in Wangchuan
Biewangchuan is a seven-character poem describing landscape and romance, describing Wang Wei's pastoral life during his seclusion in Wangchuan. The first author of this poem has not been to Wangchuan for nearly a year, and came back just in time for the busy farming season of spring ploughing. The thick green grass color I saw in the rain all the way was enough to dye things; The red peach blossoms on the water seem to be burning, which is very charming. The author gets along well with people in the countryside, whether monks or elderly people living in seclusion in the countryside. When they heard that the author was back, they all came to meet each other in rags and talked enthusiastically about things in front of the firewood door. This, like Tao Yuanming's Love for Dressing and Laughing Endlessly, shows the simple and intimate interpersonal relationship between villages, which is in sharp contrast with officialdom and shows the author's love for rural life.
In the first four poems, the author used exaggerated coloring methods. In the spring sowing season, spring grass and peach blossoms are the most noticeable in Shan Ye. Most people have personal feelings about what spring grass is like and what peach blossoms are like. Therefore, it is not easy to make people feel immersive. However, Wang Wei has his own opinions. He used "dyeable" to highlight a "green" word and "want to be" to highlight a "red" word. This is the painter's vision, but also the painter's way of using color. Give high emphasis to red and green-red seems to be burning; Green, as if it can be used as a dye. As a result, abundant spring comes to life through the prominence and exaggeration of red and green colors.
Couplets are famous sentences handed down from ancient times, describing the spring scenery in Wangchuan. Write the static scenery full of motion, so that the already beautiful green grass safflower is described as greener and redder. This colorful picture reflects the poet's happy mood of "talking and laughing", with beautiful artistic conception, freshness and liveliness. These two sentences, which describe beautiful spring scenery in an exaggerated way, have the same effect as "peach blossoms contain continuous drizzle, willow green with morning smoke" (Wang Wei's Seven Pastoral Music).
Metric analysis
From the metrical point of view, there are four contradictions in this poem, and the first two can certainly be saved. In the second half of the poem, there is a lot of confusion and rules. The first place is the third sentence "the grass is green in the rain (flat and flat)", and the fifth word is flat. The sound here is flat, and the second place is the third word of the sixth sentence, "All are bent and all are flat". It's all flat here, and the third word in the sentence is changed to flat. The third place is that the fifth word of the seventh sentence, "Dress upside down and meet each other (flat)", uses a flat voice, and here it is a flat voice. The fourth place is the eighth sentence, "Laughing at the door of the scale (flat)". First of all, the eighth sentence and the seventh sentence are not aligned; Secondly, the fifth character book should be single-hole, and the flat tone is used here. Sanpingwei is almost a wrong sentence pattern in metrical poetry, but in the special circumstances of this poem, it may be understood as an alternative remedy for the seventh sentence. There is another "mismatch" in this poem. In the sixth sentence, according to the situation in the fifth sentence, the meter should be "flat and flat", but the word "sticky" is used here, which is wrong. According to the level of the seventh sentence, the meter should be "flat, flat, flat, flat", but the word "sticky" is used here, which is wrong again. In the second half of this poem, the phenomena of continuous dislocation, failure to save and three flat tails are very rare in metrical poems.
Poetry: Wang Chuan's Poems: Wang Wei's Poetry Classification in Tang Dynasty: Hermit and Pastoral