Poetry about women in the Republic of China 1. Sentences describing girls in the Republic of China
Sentences describing girls in the Republic of China
Liu Bannong and others wrote "The Skills of the Golden Flower". This describes Sai Jinhua, a famous prostitute who was once the number one scholar in the late Qing Dynasty and the early Republic of China: "Just say me, when I took it off, I wore a big hairpin on my head and three rows of small ones, four in each row, all of which were jade. She wore five sets of hair-the most fashionable hairstyle at that time-with a gold chain around her neck and an enamel silver watch. Wear fox skin in winter for deep color. The milk bead pendant on my ear is worth thousands of taels. "
Shanghai Times: "Nowadays, a kind of dissolute clothes is popular among women, which is really indecent and unsightly. The arm of women's shirt is exposed about a foot, while women's trousers are hung more than a foot high, even in summer, wearing a pink gauze vest, and a gauze shirt with eye gauze covers almost all muscles. This demon costume, which started as a prostitute, is hard to blame. Learning from prostitutes is a popular bad habit of all ladies in Shanghai. Demon clothing is enchanting and obscene, and female education is ruined, which is extremely good. "
2. What talented women were there in the Republic of China?
The four talented women in the Republic of China were Lv Bicheng, Lu Yin, Xiao Hong, Shi Pingmei and Zhang Ailing.
Lv Bicheng (1883-1943) was born in 1884 in Jingde, Anhui. His father, Lu Fengqi, was a scholar in Guangxu for three years. In the same year as Zengxiang Fan, a famous poet in the late Qing Dynasty, he went to Shaanxi to study politics, with a distinguished family background. We have four sisters, and Lv Bicheng is the third. Lv Bicheng and her sisters Lv Huiru and Lv Sunmei are famous for their poems and are known as "Huainan Third Road, which is world-famous".
Xiao Hong (191-1942), formerly known as Zhang Naiying and pen name Xiao Hong, was born in a landlord family in Hulan County, Heilongjiang Province. In order to escape marriage, she contributed to the newspaper in distress, so she met Jun Xiao and they fell in love. Xiao Hong also embarked on the road of writing, and together they completed the prose collection "Listed Street". 1934, Xiao Hong finished the novel "The Field of Life and Death" and published it as one of the "Slave Series" with the help of Lu Xun. Xiao Hong thus established her position in the history of modern literature. Xiao Hong's left-wing realistic novels include the novel Ma Bole, but the quality is not high. Her more successful novels include the memory novel Biography of Hulan River written in Hong Kong, and a series of short stories and stories recalling her hometown, such as On the Ox Cart and March in a Small Town.
Shi Pingmei (1902 —— 1928), formerly known as Ruby, was born in Chengguan, Pingding County, Shanxi Province. Shi Ming, his father, was a juren in the late Qing Dynasty, and his family lived in the scholarly family of Pingding City.
Zhang Brief Introduction Zhang Ailing Zhang Ailing (1920.9.3-1995.9.8) was originally named Zhang Yi. I come from Feng Run, Hebei, and was born in Shanghai. He spent his childhood in Beijing and Tianjin and moved back to Shanghai in 1929. 1930 was renamed Zhang Ailing. Go to Hong Kong to study after graduating from high school. 1942 After the fall of Hong Kong, he returned to Shanghai before graduation, writing drama reviews and film reviews for The Times of England, and writing articles like "Life and Clothing in China" for the German-run English magazine Twentieth Century. 1942 The essay "My Genius Dream" written in response to the essay "My Life" of West Wind magazine won the honorary prize. 1943, her first novel Fragments of Aquilaria Resinatum (First and Second Incense Burners) was published by Zhou Shoujuan in Violet magazine. Later, he successively published masterpieces such as Love in the Whole City and The Golden Lock.
There is another saying that the four talented women in the Republic of China are Xiao Hong, Lin, Lu Xiaoman and Zhang Ailing.
3. What sentences describe women's wear in the Republic of China?
1. Light green dress with light blue peony embroidered on the cuffs, a few auspicious clouds hooked with silver silk thread, a row of blue sea clouds at the hem, and a wide light yellow brocade wrapped around the chest.
2. The body gently rotates the long skirt to unfold, and the posture is elegant like the wind blowing willows. The wind bun exposes the temples, and the eyebrows and eyes sweep with spring. The skin is as delicate as jade, the cherry mouth is not red or tender, and the two strands of hair on the cheek are gently brushed with the wind, adding a bit of attractive amorous feelings, while the flexible eyes are smart and naughty.
3. A light green tunic dress is flawless, and it is simply too beautiful. A red silk dress has a low neckline, revealing a full chest, a face like a hibiscus and eyebrows like a willow. Her eyes are more charming than peach blossoms, her skin is like snow, her black hair is tied into a tall beauty bun, her beads are dazzling in the sun, and her bright red lips are slightly raised. What a beautiful woman.
Today, she decorated herself, and the light pink carved silk cheongsam swayed like peach blossoms in winter, charming and moving. These dignitaries have seen many women and I have seen many plum blossom makeup, but this is the first time I have seen them.
It can be said that it is a very mysterious thing: it was not until Cixi listened to politics and became famous as a "mother instrument" that the secret was revealed. The "big wings pull", which was popular in the late Qing Dynasty, was recognized by the world as the official hairstyle of harem concubines, and eunuchs, ladies-in-waiting and folk women followed suit and spread to the stage of drama. In fact, the hair styles of empresses in the Qing Dynasty also experienced the same process as the social development in the Qing Dynasty, from low to high, from simplicity to complexity, from simplicity to luxury.
6. She squatted on the ground to manage the box, with a small saucer with flowers on her knees, beside a sky-blue satin dress and a red Ping Jin skirt for dressing up and dancing.
7. She is wearing a white gauze cheongsam with a narrow blue edge-dark blue and white.
8. A blue-green shirt and a pleated skirt with scattered flowers, water mist and green grass.
9. Women in the Republic of China, such as the green flowers on Qingshui Lake, the lotus is gentle, the plum blossom is aloof, the peach blossom is brilliant, and the lotus is lofty.
10. When it comes to women in the Republic of China, how can we ignore China's classic-cheongsam, especially the Shanghai style cheongsam in the Republic of China, which is a model of cheongsam? In the Republic of China, the Song sisters brought the beauty of cheongsam to the extreme and the temperament of women to the extreme. I don't know whether the cheongsam has achieved female beauty or female beauty has interpreted the soul of the cheongsam.
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12. Didn't you see those silks and satins that are full of charm, praised by all the gods and danced by the fairies? Beautiful! Fairy is the national quintessence of China's elegant and noble clothing-cheongsam.
13. It is no exaggeration to say that cheongsam is a poem. It expresses a woman's virtue, elegance and gentleness with flowing melody and rich poetry. It is the complex and dream of women in China, and the beauty carved in the bones of women in China. Where there are women in China, there is a beautiful image of beautiful cheongsam.
14. Dressed in a red cheongsam, she looks like a wild rose that leaves the corner quietly and stubbornly, like a dancing red butterfly, full of the perfect integration of the temperament of the old times and the new era.
15. Cao Yuan in The Golden Lock is the daughter of a sesame oil shop. After marrying into a large family, he followed suit in clothes in order not to be looked down upon. She is "wearing a silver-red shirt with a roll of onions and white thread on it, and her feet are black and blue." After the Revolution of 1911, the feminist movement appeared. Influenced by the idea of "equality between men and women", tops and trousers have become women's fashion dresses.