The flat forest is misty, and the cold mountain area is compassionate. When the color enters a tall building, someone upstairs is sad.
The jade steps stand empty, and the birds fly quickly. Where is the return trip? Long pavilion with short pavilion.
Translation:
On a flat forest, smoke fills the air, and the mountains in autumn leave a sad blue. Twilight has been reflected in the high-rise building, and someone is upstairs alone, with a burst of worries. She stood there staring at the jade ladder in vain for a long time, and how anxious the flocks of birds were to fly back to their homes. Where is your way back? A long pavilion is followed by a short pavilion.
Extended data
The upper part and the lower part of the word adopt different techniques. The first half focuses on the rendering of objective scenery, while the second half focuses on the description of subjective psychology. However, the rendering of the scenery has a strong subjective color, and the description of subjective psychology is mixed with the objective scenery. So generally speaking, emotion and scenery, subjective and objective are integrated.
"The smoke in the flat forest is vast" is a description of the scenery in the eyes of wanderers. "Lin Ping" is not a "forest on the flat land"; But the Woods on the mountain. Trees are born on the mountain, and the height is scattered. Instead of using the word "flat", the word "flat" not only accurately writes the scene seen by the wanderer from top to bottom, but also shows the breadth and loftiness of the artistic conception. The word "Ruzhi" means that the density of smoke is high. First, set off the sadness of tourists.
If this sentence is just a blend of scenes, then the next sentence will smear his subjective color on the scenery as much as possible, which seems to have personified nature. The "sad blue" here is a semantic pun. One is that Hanshan is extremely beautiful, and the other is that Hanshan is beautiful because of sadness. With the mountains like this, why can people be inferior?
Autumn, originally a sad season for literati, coupled with the cold mountains and dusk, was sealed by smoke, and the wanderer's homesickness reached the extreme. Therefore, the word "worry" in the next sentence "color goes into a tall building, and some people worry about going upstairs" is naturally forced out. "Twilight" means dusk. The color does not move, but it is called "entering a tall building", which not only vividly describes the process of approaching the night, but also seems to imply that with the arrival of the night, sadness also broke into the hearts of wanderers.
The above is the last film, mainly about the scenery, but there is love in the scenery. It takes seconds to write about the natural scenery first, then the artificial buildings, and finally the people in the buildings, from far to near.
This word expresses the lovesickness between Lin Ping and Hanshan by describing the late autumn scenery and imagining the image of family homesickness. The word is hierarchical and orderly. Empathy for the scene, the scene was born. There are not only vivid image descriptions, but also detailed psychological descriptions. The sentences are simple but not obscure, and the words are simple but not plain, which is a masterpiece of literati ci in Tang Dynasty.
The next movie is based on subjective feelings. In the twilight, the hero stood in front of the stone steps for a long time, feeling only emptiness. "Empty" is also the inevitable result of the infection of the scenery outlined in the last movie. Subjective emotions do not exist in isolation, but are immediately integrated into the scenery-"I am in a hurry at home." This sentence is cleverly inserted.
The author uses fast-flying boarding birds to form a strong contrast with people who stand for a long time. On the one hand, the urgent return of birds in southern Jiangsu reflects the decline of people; On the other hand, the sudden return of lodging birds undoubtedly makes the inner turmoil of the lyric hero more intense. As a result, the whole mood fluctuated. If the word "worry" in the last film is only in a general psychological feeling state, then this vague and general consciousness is gradually becoming clear.
It is guided by the emergency return of overnight birds. So the following is a natural story: "Where is the return journey?" The hero is also eager to find his own home at the moment to get rid of infinite sadness. But where is the return trip? It's just a "long pavilion and short pavilion", and there is no real answer. Some are endless, melancholy and empty, between those miles and roadside kiosks.
Numerous roadside kiosks on the journey not only show that the return journey is far away, but also shows that the return journey is hopeless, which corresponds to the word "empty" in the movie "Empty City Plan". Such a day is empty, and the sorrow of thinking about women will be endless. I don't blame pedestrians for forgetting to go home. I only worry about a thousand roads and don't look sad. Han Yuanji's "Nian Nujiao" says, "Who sings new words in front of you, Lin Ping really hates it." short
In a short poem, dense forests, foggy mountains, cold mountains, dark colors, tall buildings, birds, long pavilions and short pavilions are taken to empathize and express feelings. The technique is extremely skillful, which shows the rich and complicated inner world activities and reflects the infinite decline of the poet in the objective reality.
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