First, concubine Yu stayed at the vacant room, fearing that she would forget to worry about you, and she burst into tears and didn't feel her clothes. -Cao Pi's Ge Yanxing
Second, the moonlight enters the tall building, and you are homesick.
Thirdly, if I thought the tide was so regular, I might choose a boy by the river. -Li Yi's "Jiangnan Qu"
Fourth, the poor bone by the river is still a dream girl. -Chen Tao's "Longxi"
5. Couples in the village don't want to cry more than in the Hall of Eternal Life. -Ma Wei of Yuan Mei
Sixth, I once said goodbye to Beauty Bridge, but I wish I could never hear from you again. -Liu Yuxi's Yang Liuzhi
Seven, the night is eager for fickle knowledge, and it is dyed by acacia in early spring. -Jiang Kui, "Walking to the Sand, Coming from the East"
Shen Yan traveled around the world and began to believe in the separation of human beings. -Dai Shulun's Acacia
Today, they paid me 100,000 yuan, and all I can bring you is a temple sacrifice. -Yuan Zhen's "Send Three Sad Hearts"
Ten, live up to me, regret your pity, and tell me every day. -Niu Qiao "More Leaky Spring Night"
Eleven, affectionate only spring court month, still leave people as fallen flowers. -Zhang Mi "The Sender"
Recalling the meeting between flowers in the past, I only threw red beans with my hands. -Ouyang Jiong, "He Ming Dynasty, Recalling the Past Flowers after Meeting"
Thirteen, you can't see it in the shadow, you follow the will of the light. -Fu Xuan's "Car in the Distance"
Fourteen, Jingzhou wheat is ripe into a moth, and there are many clues. -Li Bai's Song of Jingzhou
Fifteen, if the two love for a long time, not in court. -Qin Guan's "Magpie Bridge"
Sixteen, bloom, always want to see the Oriental monarch. -Yan Rui's "Bu Operator, Not Love Sex"
Seventeen, hibiscus is not as beautiful as beauty makeup, and the water temple is fragrant. -Wang Changling's "Autumn Hate in Nishimura"
Eighteen years old, married, no doubt about love. -Su Wu's "Divorce from Wife"
Nineteen, an inch of acacia. -Li Guan's "Dead Hua Lian Chun Mu"
Twenty, looking for it, cold and bright, sad and sad. -Li Qingzhao's Slow Voice
Twenty-one, the tiller loves the boat, and the spring grass is green and boundless. -Zhang Ji "Lumen is a thing"
Twenty-two, tearful eyes ask flowers silently, and red flies over the swing. -Ouyang Xiu's "The Last Two Flowers"
Twenty-three, old acacia, idle days are partial. -Wu Wenying's "Night Tour Palace, Spring Warbler Fan Liu Cui"
Twenty-four, why not acacia, bamboo on the river. -Wu Jun's "Deng Feier Temple"
Twenty-five, everlasting, everlasting; One day both will end, and this endless sadness will last forever. -Bai Juyi's Song of Eternal Sorrow
Twenty-six, the fate has its own grievances, so the painting is far away. -Ouyang Xiu's "Hating Love and Eyebrows"
27. If the road dust is raised and the cement is muddy, when can we meet in harmony? -Cao Zhi's "Tall Buildings and Bright Moon"
Twenty-eight, don't come to a half-year-old music book, stay an inch away from your intestines. -Wei Zhuang's "Ying Tianchang"
Twenty-nine, I miss you very much in the spring and autumn night, and I am worried about seeing the embroidered screen alone pillow. -Wei Chengban's "Full Palace Flowers and Snow Rain"