1. Verses about marriage in the Book of Songs
2. Verses about marriage in the Book of Songs
Verses about marriage in the Book of Songs 1. Poems about marriage and love in the Book of Songs
The Book of Songs is a great work in the five thousand years of Chinese culture. The Book of Songs has harmonious rhythm, graceful simplicity, and rich content. It has a profound reflection on all aspects of society at that time. For example, the irrationality of society, the widespread suffering among the people, the people's ridicule of the tyranny, etc. Among them, marriage and love poems account for a certain proportion. Zhu Xi wrote in the "Collected Poems": "The so-called wind in poetry mostly comes from the ballads in the alleys. The so-called men and women sing together and express their feelings. Romance between men and women occupies a large part in the "Book of Songs" 1/3. ”
Why did the ancients regard love and marriage as top priorities? Because during the Spring and Autumn Period and the Warring States Period, the level of productivity was very low, and the family was the basic unit of society. Every family relied on husband and wife to overcome disasters and hope for family harmony. Marrying a wife is a top priority, and the inner quality of the wife determines the future of the family.
The love poems describing first love in the early "Book of Songs" are simple and simple in style. Most of them describe the story of men and women from admiration to tryst and the exchange of tokens. The feelings at this time were pure, full of fantasy, and even unrestrained. This also reflected the freedom of the social system at that time and people's simple view of love.
Guan Guan Suijiu, in the river island,
A graceful lady, a gentleman likes to fight.
Scattered waterlilies flow left and right;
Fair and graceful ladies, I long for them.
I can’t get what I want, so I sleep hard and think about it.
Leisurely, leisurely, tossing and turning.
Pick the waterlilies from left and right;
The fair lady, play the piano and play the harp.
The water-lilies are scattered, and the awns are growing on the left and right.
The graceful ladies are playing with bells and drums.
This is the first chapter of "The Book of Songs", "Zhou Nan·Guan Sui". It depicts a beautiful and kind-hearted girl picking herbs by the river, which arouses the deep admiration of a man. The author uses Bixing's technique: on the clear and shallow river, he sees male and female waterbirds cuddling together, hoping to find a good match. The desire for a lady arises from a water bird. The so-called Bixing is not what the poet directly heard or saw with his own eyes. Instead, a poetic scene is used as a medium for homesickness, thereby generating associations, matching the theme, and typifying it. The poem imagines that a man has found the ideal partner of his dreams, uses harp and harp to connect with her emotionally, and uses bells and drums to make her happy. It reflects the simple and noble sentiment.
Another song "Bei Feng·Jing Nu" also has the same purpose.
The quiet girl and her concubine are waiting for me in the corner of the city.
Love without seeing, scratching one’s head and hesitating.
The quiet girl is promiscuous, which makes me troublesome.
Tong Guan Youwei, said that the girl is beautiful.
Returning from herding to weeding, it is both beautiful and unique.
The gangster girl is beautiful, and the beautiful woman is spoiled.
There are three chapters in 1***, four sentences in each chapter, using the "straightforward" writing method to describe the vivid scene of a young couple's tryst. The entire article is written by a man. It describes a love poem in which Jingnu meets her lover and gives her lover a token. The first chapter writes about the young man's eagerness when he goes to an appointment and waits for the other party. The second chapter writes about lovers giving tokens after meeting each other to deepen their relationship. The third one writes about the quiet woman giving young grass and the inner joy of the young man. Although the poem "Jing Nu" is short, its style is bright and cheerful. Jing Nu's naughty and lively nature, the young man's loyalty and simplicity, and his passionate feelings for Jing Nu are all vividly expressed in this beautiful poem.
There is also a song "Qin Feng Jian Jia" which is also a love song about a man admiring a woman.
The jianjia is green and the white dew is frost.
The so-called beauty is on the water side.
If you follow it to trace the path, the road is long and blocked;
If you follow it to trace the path, it will be in the middle of the water.
Jianjia is miserable, and the white dew is not coming soon.
The so-called Yiren is on the water.
Follow it back and forth, but the road is blocked and you can advance.
Travel back and forth, just like swimming in the water
2. What are the marriage and love poems in the Book of Songs
A description of love and admiration
< p> Zhou Nan: Guan Ju, Han Guang;Zhao Nan: There is a dead deer in the wild;
Wei Feng: Perianthrum, papaya;
Wang Feng: Picking kudzu, cart;
Wei Feng: Fen Juhuan;
Tang Feng: Preparation;
Qin Feng: Jianjia;
Chen Feng: Zepi;
Huifeng: Lamb Qiu;
Wanfeng: Sangzhong, Qianyan;
Beifeng: Yanyan, Gao There are bitter leaves, simple flowers, and quiet girls;
Zheng Feng: Follow the main road, and the girl says the rooster crows. There are Fusu, cunning boy, Tongshang, wind and rain, Zijin, out of the east gate, wild There are vines;
Qi Feng: cock crow, the sun in the east;
Chen Feng: Wanqiu, Dongmen Zhiyan, Hengmen, Dongmen Zhichi, Dongmen Zhiyang , moonrise;
Xiaoya·Yizao Zhishi: Ximulberry.
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Description of the Second Marriage Scene
Zhou Nan: Ge Tan, Tao Yao, Lin Zhi Zhi;
Zhao Nan: Magpie Nest, He Bi Zhi;
Qi Feng: Author;
Xiaoya·Futian's Shi: Yuanyang, Che Ju.
88 Marriage and Love Poems
Zhou Nan 1 Guan Ju 2 Juan Er 3 Hu Mu 4 Tao Yao 5 Han Guang 6 Ru Feng Zhao Nan 7 Magpie Nest 8 Cao Chong 9 Xing Lu 10 Yin Qilei 11 There are plums in the sky 12 There are rivers in the river 13 There are dead stags in the wild 14 Where is the farm? Beifeng 15 Cypress boat 16 Green clothes 17 Swallow swallows 18 Sun and moon 19 Final wind 20 Male pheasant 21 There are bitter leaves in the crocodile 22 Valley wind 23 Jane 24 Jingnu 25 New Taiyuan wind 26 Cypress boats 27 Walls with ridges 28 Gentlemen grow old together 29 Sangzhong 30 Hao Wei Feng 31 Meng 32 Bo Xi 33 There are foxes 34 Papaya King Feng 35 Gentlemen in service 36 Yangzhi water 37 There are geese in the middle valley 38 Picking geese 39 Cart 40 There is hemp in the hill Zheng Feng 41 General Zhongzi 42 Follow the road 43 A woman says cock crow 44 There is a female chariot 45 There is Fusu in the mountain 46 Chuxi 47 A cunning boy 48 Couple clothes 49 Feng 50 East Gate 51 Wind and rain 52 sons 53 The rising water 54 comes out of its east gate 55 There are vines in the wild 56 Qin Wei Qi wind 57 Rooster crows 58 Zhu 59 The sun in the east 60 The east is not clear 61 Nanshan 62 The wind of the Tang Dynasty 63 The wind of the Tang Dynasty 64 Preparation 65 There is the Dudu 66 Gesheng Qin Feng 67 Xiao Rong 68 Jian Jia 69 Chen Feng Chen Feng 70 Wan Qiu 71 East Gate's Fang 72 East Gate's Pond 73 East Gate's Yang 74 Guarding against the Magpie's Nest 75 Moon Out 76 Zhu Lin 77 Zepi Huifeng 78 Su Guanbin Wind 79 Fake Xiaoya 80 Du Du 81 I go to the wild 82 Valley wind 83 Mandarin duck 84 Car jurisdiction 85 People in the city 86 Picking green 87 Ximulberry 88 Baihua
What are the marriage and love poems in the Book of Songs_Baidu Know
3. What are the words in the Book of Songs that are suitable for marriage?
1. A graceful lady and a gentleman are good at fighting. -Anonymous-"Guan Ju"
Definition: That beautiful and virtuous woman is a good spouse for a gentleman.
2. I would like to be a winged bird in the sky, and a twig on the ground. -Bai Juyi-"Song of Everlasting Sorrow"
Interpretation: In the sky, I wish to be like two birds flying together, and on the ground, I wish to be like branches growing side by side.
3. The agreement between life and death is broad, as explained by Zicheng. Hold your hand and grow old together. -Anonymous-"The Book of Songs·Beifeng·Drumming"
Explanation: No matter life or death, I have decided with you that I will hold your hand and grow old with you.
4. I wish to have the person of my heart and stay together forever. ——Zhuo Wenjun's "White Head Song"
Translation: If you marry a man who is devoted and devoted to your heart, you can love each other till you grow old and be happy forever.
5. There is no colorful phoenix flying wings in the body, but there is a clear understanding in the heart. ——Li Shangyin "Untitled·Last Night's Stars and Last Night's Wind"
Although I don't have the wings like a colorful phoenix that can allow two people to fly together, I feel connected in my heart and understand each other's psychology a little bit.
6. Hold your hand and grow old together. ——Anonymous "Drumming"
Translation: Hold your hand, and I will grow old forever.
7. We are married as husband and wife, and there is no doubt about their love. ——Anonymous "Leaving a Farewell Wife"
Translation: Once I become husband and wife with you, I will never doubt that I will be in love with you until we grow old.
8. How do river tides and sea water resemble the love of a king and the heart of a concubine? ——Bai Juyi's "Lang Tao Sha·Asking about the River Tide and the Sea Water"
Translation: I asked the river tide and the sea water, how do they resemble the deep affection of a man and the heart of a woman? When men and women complain to each other, they think that the other person is not as punctual and trustworthy as the tide. When they miss each other, they realize that the sea is not very deep.
9. Acacia is only on the lilac branches and the cardamom tips. ——Wang Yu's "Meeting Eyes·Tender Willow Silks"
Translation: The profound lovesickness now only exists on the fragrant lilac branches and the beautiful cardamom tips.
10. The king is a female carrot, and the concubine is a dodder flower. ——Li Bai's "Ancient Meanings"
Translation: For newlyweds, the husband is like a female rosette, and the wives and concubines are like dodder flowers.
4. What are the marriage and love poems in the Book of Songs
88 marriage and love poems Zhou Nan 1 Guan Ju 2 Juan Er 3 Hu Mu 4 Tao Yao 5 Han Guang 6 Ru Fen Zhao Nan 7 Que Nest 8 grass and insects 9 rows of dew 10 Yin Qilei 11 There are plums in the river 12 There is a river in the river 13 There is a dead stag in the wild 14 Where is the farm? Beifeng 15 Cypress boat 16 Green clothes 17 Yanyan 18 Sun and moon 19 Final wind 20 Male pheasant 21 There is bitterness Ye 22 Gu Feng 23 Jian Xi 24 Jing Nu 25 Xintai Wan Feng 26 Cypress Boat 27 Walls with Patches 28 Gentlemen grow old together 29 Sang Zhong 30 Hao Wei Feng 31 Meng 32 Bo Xi 33 You Fox 34 Papaya King Feng 35 Gentleman in service 36 Yangzhi Water 37 There are weeds in the valley 38 Picking kudzu 39 Carts 40 There is hemp in the hills Zheng Feng 41 General Zhongzi 42 Follow the road 43 The woman said cock crow 44 There are women riding in the same carriage 45 There are Fusu in the mountains 46 Juxi 47 Cunning boy 48 Wedding clothes 49 Feng 50 The east gate of the ridge 51 The wind and rain 52 Zijin 53 The rising water 54 Out of its east gate 55 There are vines in the wild 56 Qin Wei Qi wind 57 Rooster crows 58 59 The sun in the east 60 The unknown in the east 61 Nanshan 62 The wind of the Tang Dynasty 63 64 Preparation 65 There are Du Zhizhi 66 Ge Sheng Qin Feng 67 Xiao Rong 68 Jian Jia 69 Chen Feng Chen Feng 70 Wan Qiu 71 Dongmen Zhizi 72 Dongmen Pond 73 Dongmen Yang 74 Guard against the magpie's nest 75 Moon comes out 76 trees 77 Zepi Huifeng 78 Suguan Binfeng 79 Fake Xiaoya 80 Jin Du 81 I go to the wild 82 Valley wind 83 Yuanyang 84 Car jurisdiction 85 Capital people 86 Picking green 87 Ximulberry 88 Baihua.
5. Poems about weddings
Original publisher: Li Pengya
Verses about marriage in the Book of Songs 1. Poems about marriage and love in the Book of Songs
The Book of Songs is a great work in the five thousand years of Chinese culture.
"The Book of Songs" has harmonious rhythm, beautiful simplicity, and rich and colorful content. It has a very profound reflection on all aspects of society at that time. For example, the irrationality of society, the widespread suffering among the people, the people's ridicule of the tyranny, etc.
Among them, marriage and love poems account for a certain proportion. Zhu Xi wrote in the "Collected Poems": "The so-called wind in poetry mostly comes from the compositions of ballads in alleys. The so-called men and women sing to each other and express their feelings.
Romance between men and women, It accounts for 1/3 in the Book of Songs. "Why did the ancients regard love and marriage as top priorities? Because during the Spring and Autumn Period and the Warring States Period, the level of productivity was very low, and the family was the basic unit of society. Every family relied on husband and wife to overcome disasters and hope for family harmony.
Marrying a wife is a top priority, and the wife’s inner qualities determine the future of the family. The love poems describing first love in the early "Book of Songs" are simple and simple in style. Most of them describe the story of men and women from admiration to tryst and the exchange of tokens.
The feelings at this time were pure, full of fantasy, and even unrestrained. This also reflected the freedom of the social system at that time and people's simple view of love. Guan Guan Suijiu, in the river island, a graceful lady, a gentleman likes to fight.
The jagged water plants flow from left to right; the graceful ladies are coveted. If you don't get what you want, you will sleep hard and think about it.
Leisurely, leisurely, tossing and turning. There are various water-lilies in the garden, and you can pick them from left and right; you can play the fair lady with the harp and harp.
The water-lilies are scattered, and the awns are growing on the left and right. The graceful ladies are playing with bells and drums. This is the first chapter of "The Book of Songs", "Zhou Nan Guan Sui". It depicts a beautiful and kind-hearted girl picking herbs by the river, which arouses the deep admiration of a man.
The author adopts Bixing's technique: on the clear and shallow river, he sees male and female waterbirds cuddling together, hoping for a good match. The desire for a lady arises from a water bird.
The so-called Bixing is not what the poet directly heard or saw with his own eyes. Instead, a poetic scene is used as a medium for homesickness, thereby generating associations, matching the theme, and typifying it.
In the poem, it is imagined that a man has found the ideal partner of his dreams, uses harp and harp to connect with her emotionally, and uses bells and drums to make her happy. It reflects the simple and noble sentiment.
Another song "Beifeng·Jingnu" also has the same purpose. The quiet girl and her sister are waiting for me in the corner of the city.
Love without seeing, scratching one’s head and hesitating. The quiet girl is promiscuous, which makes me troublesome.
Tong Guan Youwei, said that the girl is beautiful. Since shepherding and returning to grassland, it is beautiful and unique.
The gangster girl is beautiful, and the beautiful woman is affected by it. Chapters 1 to 3, with four sentences in each chapter, use the "straightforward" writing method to describe the vivid scene of a young couple's tryst.
The entire article is written by a man. It describes a love poem in which Jingnu meets her lover and gives her lover a token.
The first chapter writes about the young man’s eagerness when he goes to an appointment and waits for the other party. The second chapter writes about lovers giving tokens after meeting each other to deepen their relationship.
The third part is about the quiet woman giving young grass and the inner joy of the young man. Although the poem "Jing Nu" is short, its style is bright and cheerful. Jing Nu's naughty and lively nature, the young man's loyalty and simplicity, and his passionate feelings for Jing Nu are all vividly expressed in this beautiful poem.
There is also a song "Qin Feng Jian Jia" which is also a love song about a man admiring a woman. The jianjia is green and the white dew is frost.
The so-called beauty is on the water side. If you follow it back, the road is blocked and long; if you follow it, you will wander in the middle of the water.
Jianjia is miserable, and the white dew is not coming soon. The so-called beauty is on the water.
Follow it back and forth, but the road is blocked and you can advance. If you trace the journey back, you will feel like you are swimming in the water? .
This poem is different in content from the previous two. In the first two poems, the emotions between the hero and heroine are passionate and unrestrained.
But in this song, we are presented with the image of a pair of passionate and reserved lovers. "Catch it with your hands, blend it with your body," and "melancholy distance" create a spiritual realm that is elusive but yet longing for, making the poetic mood bright, quiet, hazy, and filled with a touch of Feeling sad.
It is conceivable that the place where Yiren is is a clear river. On the other side, a man "travels back to him", goes upstream and down the river in pursuit, hoping to reach him.
However, the road is too long and surrounded by water on three sides. The beautiful woman is standing in the middle of the water, facing each other across the water, and cannot sit down and talk. This creates an illusion, a picture of beauty on the water.
On the surface of the water, which is as flat as a mirror, the beauty seems to be covered with a layer of gauze of mirror flowers and moonlight in the illusion of the longing lover, and it is also like a slim new lotus in bud. Facing such a picture, you have no other thoughts. You are only moved by the sentimental, reserved, persistent and steadfast view of love in the poem, and express your heartfelt admiration. Yao Jiheng said in "The Book of Songs": "In "Water of the Mae", this sentence has been combined with "travel back to the river".
So, adding the word "Wan" in front of it is a finishing touch. It can be said that this article is the most interesting and profound. The structure is also very distinctive. Fang Yurun wrote in "The Original Book of Songs": "In fact, the first chapter has become a swan song. The ancients often composed poems with one intention and turned it into three layers. The so-called one song and three obediences, the best ones often have lingering sounds."
Of course, ancient marriage and love also had its own flaws and shortcomings (such as in terms of marital ethics), and the direct result was the emergence of a large number of poems about abandoned wives. Such as "Ye Feng·Cai Zhou", "Ye Feng·Sun and Moon", "Ye Feng·Gu Feng", "Wei Feng·Meng", "Xiaoya·I Walk in the Wild", "Xiaoya·Baihua", etc. They are all poems about abandoned wives in the Book of Songs.
Let's take a look at the poem "Meng": The Chi Chi of the Mang embraces cloth and silk. Bandits come to trade silk, and when they come, they come to plot against me.
Send the son to Sheqi, and then to Dunqiu. "The bandits are guilty of me, and the son has no good matchmaker.
The general is not angry, and the autumn will come." Take advantage of the dangerous wall in the hope of returning to the pass.
If you don’t see the return pass, you will cry. When you see the return pass, you will laugh and talk. Erbu Erzhen, the body has no blame words.
Come with your car and move with my bribe. Before the mulberry leaves fall, their leaves are as bright as silk.
The dove is whining, and there is no mulberry to eat! I am a moaning girl, and I have no time to hang out with scholars! It is possible to explain the delay of a scholar; it is indescribable to say that a woman is delayed. The mulberry trees have fallen, and they have turned yellow and fallen. I have been poor since I was three years old, and my clothes are gradually changing.
Women are also unhappy, and scholars behave differently. Scholars are also extremely ignorant, but only have two or three virtues.
I am a married woman at the age of three, and I have to work hard at home. Work hard and sleep well at night, and the day will come.
Once the words are fulfilled, it becomes violent. My brother didn't know it, so he laughed.
Think about it quietly and bow to yourself in mourning. "We will grow old together", old age makes me resentful.
Qi has a bank, and Xi has a bank. At the banquet of the general manager, he talked and laughed, and made vows without thinking about the opposite.
If you don’t think about it, that’s enough! This is a narrative poem full of sorrow and indignation, the confession of an abandoned wife. The level of poetry all depends on the situation.
2. What are the words in the Book of Songs that are suitable for marriage?
1. A graceful lady, a gentleman likes to fight. -Anonymous-"Guan Ju"
Definition: That beautiful and virtuous woman is a good spouse for a gentleman.
2. I would like to be a winged bird in the sky, and a twig on the ground. -Bai Juyi-"Song of Everlasting Sorrow"
Interpretation: In the sky, I wish to be like two birds flying together, and on the ground, I wish to be like branches growing side by side.
3. The agreement between life and death is broad, as explained by Zicheng. Hold your hand and grow old together. -Anonymous-"The Book of Songs·Beifeng·Drumming"
Explanation: No matter life or death, I have decided with you that I will hold your hand and grow old with you.
4. I wish to have the person of my heart and stay together forever. ——Zhuo Wenjun's "White Head Song"
Translation: If you marry a man who is devoted and devoted to your heart, you can love each other till you grow old and be happy forever.
5. There is no colorful phoenix flying wings in the body, but there is a clear understanding in the heart. ——Li Shangyin "Untitled·Last Night's Stars and Last Night's Wind"
Although I don't have the wings like a colorful phoenix that can allow two people to fly together, I feel connected in my heart and understand each other's psychology a little bit.
6. Hold your hand and grow old together. ——Anonymous "Drumming"
Translation: Hold your hand, and I will grow old forever.
7. We are married as husband and wife, and there is no doubt about their love. ——Anonymous "Leaving a Farewell Wife"
Translation: Once I become husband and wife with you, I will never doubt that I will be in love with you until we grow old.
8. How do river tides and sea water resemble the love of a king and the heart of a concubine? ——Bai Juyi's "Lang Tao Sha·Asking about the River Tide and the Sea Water"
Translation: I asked the river tide and the sea water, how do they resemble the deep affection of a man and the heart of a woman? When men and women complain to each other, they think that the other person is not as punctual and trustworthy as the tide. When they miss each other, they realize that the sea is not very deep.
9. Acacia is only on the lilac branches and the cardamom tips. ——Wang Yu's "Meeting Eyes·Tender Willow Silks"
Translation: The profound lovesickness now only exists on the fragrant lilac branches and the beautiful cardamom tips.
10. The king is a female carrot, and the concubine is a dodder flower. ——Li Bai's "Ancient Meanings"
Translation: For newlyweds, the husband is like a female rosette, and the wives and concubines are like dodder flowers.
3. What are the marriage and love poems in the Book of Songs
Hello, my answer is divided into two parts: love and marriage. I hope it can help you.
A description of love and admiration
Zhou Nan: Guan Ju, Han Guang;
Zhao Nan: There is a dead man in the wild;
Wei Feng: Orchid, papaya;
Wang Feng: Picking kudzu, cart;
Wei Feng: Fenjuhu;
Tang Feng: Preparation;
Qin Feng: Jianjia;
Chen Feng: Zepi;
Huifeng: Lamb Qiu;
Juan Feng: Sangzhong , Qian Yan;
Beifeng: Yan Yan, Guo has bitter leaves, Jianxi, Jingnu;
Zheng Feng: Zunda Road, the woman said that the cock crows, the mountain has Fusu , cunning boy, 褰裳, wind and rain, Zijin, out of the east gate, there are vines in the wild;
Qifeng: cock crow, the sun in the east;
Chen Feng: Wanqiu , the east gate's tart, Hengmen, the east gate's pool, the east gate's rise, the moonrise;
Xiaoya · Fish and Algae: Ximulberry. ?
Description of the Second Marriage Scene
Zhou Nan: Ge Tan, Tao Yao, Lin Zhi Zhi;
Zhao Nan: Magpie Nest, He Bi Zhi;
Qi Feng: Author;
Xiaoya·Futian's Shi: Yuanyang, Che Ju.
4. Poems about getting married
Guan Ju "The Book of Songs" Guan Guan Ju Jiu, in the river island.
A graceful lady, a gentleman likes to fight. There are various water plants flowing left and right.
A graceful lady, I long for her. If you don't get what you want, you will sleep hard and think about it.
Leisurely leisurely. Tossing and turning.
Pick the waterlilies from left and right. A graceful lady, she is a friend of the piano and the harp.
There are different kinds of water plants, hairy on the left and right. My Fair Lady.
Music with bells and drums. This is a famous ancient Chinese poem about the journey from love to marriage, in which "Gu Le Zhi" describes the grand wedding scene.
Tao Yao's "The Book of Songs" Tao Yao's peach blossoms shine brightly. His son Yu Return, it is suitable for the family.
If the peach is young, it will be the son of Ye Zhenzhen. It is a good time for his family to return home.
"Taoyao" is a poem to celebrate the wedding that has been passed down since ancient times. Recently, Zhu Qingyu of the Tang Dynasty in Zhangshui lit up the red candles in the bridal chamber to pay homage to his uncle at dawn.
< p> After putting on makeup, I asked my husband in a low voice, the color of my eyebrows has changed.5. What are the marriage and love poems in "The Book of Songs"?
First, the "Book of Songs" is based on . Lyric poetry is the mainstream.
Except for the epic poems in "Daya" and individual chapters in "Xiaoya" and "Guofeng", the "Book of Songs" is almost entirely lyric poetry. In terms of artistic maturity, the level reached by lyric poetry is obviously higher than that of narrative poetry.
However, Homer's epic poem, which is roughly the same period as the Book of Songs, is entirely a narrative poem. Homer's epic laid the foundation for the development direction of Western literature with the narrative tradition as the mainstay, and the Book of Songs also established the development direction of Chinese literature with the lyrical tradition as the mainstay.
Most of the Chinese poems in the future are lyric poems; Moreover, poetry, mainly lyric poetry, has become the main style of Chinese literature. Second, except for a few poems in the Book of Songs, they completely reflect the real world, daily life, and daily experience. p>
Here, there is almost no mythical world created by fantasy that transcends the human world, and there are no special images and special experiences of gods and heroes (this is the basic material of Homer’s epics). ), some are about the joys and sorrows of political turmoil, spring plowing and autumn harvest, and the love between men and women. The content of later Chinese poetry and even other literary styles also has daily life and reality as its basic characteristics; daily life, daily events, and daily characters are all. It is the central material of literature.
Thirdly, related to the second item above, the Book of Songs has a significant political and moral color in general, whether it is mainly produced by the upper class or the small. Both "Ya" and "Guofeng", which were mainly produced among the people, contain a considerable number of poems, which are closely related to current affairs and politics, and criticize the inappropriate actions and moral corruption of the rulers.
Although its significance mainly lies in requiring the maintenance of reasonable and reasonable rule and providing the people with relatively loose conditions that can sustain their survival, it is of course valuable for the development of society. Concerning social politics and morality, and daring to criticize corruption in the ruling class should be said to be the excellence of The Book of Songs.
But this issue should be viewed from two aspects. As we analyzed with examples in the previous section, this kind of criticism is entirely based on socially recognized principles and fundamentally plays a role in maintaining the stability of the existing order, but cannot but suppress personal desires. and freedom.
Take the poem "Xiang Mouse" as an example. It may be a criticism of the ruler's extravagant life, or it may be a criticism of the progressive destruction of "etiquette". Regardless of the author's original intention, poetry is applicable to both phenomena.
To talk about the impact of this feature of the Book of Songs on later generations, we must first explain: the political and moral nature of the Book of Songs were distorted and strengthened in later generations. Poems that do not directly reflect political and moral issues, including many love poems, are all interpreted as "beauty" (praise) or "praise" (criticism) on politics, morality, or "beauty" (praise) in the "Preface to Mao's Poems" of the Han Dynasty. works.
Therefore, the Book of Songs became a Confucian moral textbook. Later generations of poets inherited the "Book of Songs"'s focus on social politics and morality, and should also be analyzed from two aspects.
On the one hand, promoting this feature can correct the excessive tendency of literature to play and aesthetics, and promote the social function of literature; on the other hand, if this point is not overemphasized appropriately, it will inevitably hinder the diversity of literature. development and inhibit the free expression of emotions. Fourth, the lyric poems in the Book of Songs are generally relatively restrained and peaceful when expressing personal feelings.
It seems that "Xiang Bo" criticizes "slanderers" and "Xiang Mouse" criticizes those who have no etiquette, and their attitude is very fierce. But such examples are not only rare, but also cannot be said to be purely "personal feelings", because the author is safeguarding social principles and relying on collective strength to rebuke a few "bad people".
For example, "The Rain Is Unfair", "The Turn of October", "The First Month", etc., already appear to be fearful and uneasy because the objects of criticism are mostly people. As for expressing personal frustration, war-weariness and homesickness in the army, and even love between men and women, there is generally no strong grief and anger or strong joy.
The inevitable result of this is that the most common lyrical expressions in "The Book of Songs" are sad feelings. It is worth noting that the poetry of later generations in China is also more common in expressing emotions - expressing sadness.
Restrained emotions, especially sad emotions, are very subtle. It is not like strong grief and anger and strong joy that burst out in one go, but are gentle and tortuous, with ups and downs.
As a result, the "Book of Songs" is characterized by its meticulous and meaningful lyrical expression. This characteristic also profoundly influenced later Chinese poetry.
In addition, it needs to be mentioned that although the lyricism of "The Book of Songs" is generally relatively peaceful, it is still sincere and touching, and it is not without some bright, cheerful and natural works. Later generations of Confucianists described all the works in the Book of Songs as being written for political and moral purposes, which could not erase the appeal of those lyrical works - especially love poems - to people.
Therefore, in the feudal autocratic era, when the moralizing and preaching tendencies of literature became too serious, poets would also use the authoritative banner of the "Book of Songs" to demand that emotions be given their due, at least Modest recognition. The Ming Dynasty poet He Jingming's "Preface to the Bright Moon" is an example.
In Tang Xianzu's "The Peony Pavilion", the boudoir Du Liniang's recitation of "Guanyong" and her desire for love is another example. The above mainly discusses several important features of "The Book of Songs" from the aspects of content, ideological tendency, lyrical characteristics and other aspects.
These characteristics have a profound impact on the literature of later generations of China. Next, we will briefly introduce the characteristics of "The Book of Songs" in terms of language form, expression techniques, etc. The influence of these aspects varies.
The basic sentence structure of "The Book of Songs" is four characters, sometimes mixed with various sentence patterns from two to nine characters. But the proportion of miscellaneous sentences is very low.
Only a few poems are mainly composed of miscellaneous words, such as "Fa Tan". With the four-character sentence as the backbone, it can be inferred that the musical melody used to sing the Book of Songs at that time was relatively stable and simple.
After the Han Dynasty, although four-character poems were written intermittently, they were no longer an important poetic type. On the contrary, it is widely used in special verse styles such as poems, odes, praises, poems, proverbs, and inscriptions.
The Book of Songs often adopts the form of overlapping chapters, that is, between repeated chapters, there are only a few changes in meaning and words, creating the effect of three sighs in one song. This is a characteristic of ballads, which can be used to strengthen the expression of emotions, so in ".
6. Poems about marriage
Guan Ju's "The Book of Songs"
Guan Guan Jujiu, in the river island. A graceful lady, a gentleman is fond of quarrels.
The waterlilies are mixed and flowing from left to right. A graceful lady, I long for her.
I can’t get what I want, so I sleep hard and think about it. Leisurely leisurely. Tossing and turning.
Pick the waterlilies from left and right. A graceful lady, she is a friend of the piano and the harp.
There are different kinds of water plants, hairy on the left and right. My Fair Lady. Music with bells and drums.
This is a famous ancient Chinese poem from love to marriage, in which
"Drumming Music" describes the grand wedding scene.
Taoyao "The Book of Songs"
When a peach is young, its flowers will shine, and it is suitable for its family. Family.
When the peach is born, it will be a blessing to the family. >
A recent interview with Zhu Qingyu of the Tang Dynasty in Zhangshui Department
The red candles were stopped in the bridal chamber last night, waiting to pay homage to my uncle in front of the Xiaotang Hall.
After putting on makeup, I asked my husband in a low voice, "How dark is my eyebrows?"