Cao Jianguo
(start)
Abstract: The song "Jiao Jiao Ming" in Chu Jianyi's poem "Jiao Jiao Ming" is a loanword of "owl" and a kind of bird similar to the phoenix. The poem takes "owl" as a metaphor, and it is a metaphor for a gentleman, which is related to the phoenix worship of Chu people. Jiao Jiao Ming is a poem written by Chu people, but it is influenced by the Book of Songs, especially the poem Ya.
Keywords: Chu Jianyi's poems; Phoenix worship; Chuci; Elegance poem
China library classification number: I206.2 document identification number: a.
Cao Jianguo (1969-), a native of Huoqiu, Anhui Province, is a lecturer in the College of Literature of Wuhan University, mainly engaged in the study of literature and literary theory in the pre-Qin and Han Dynasties.
There are two fugitive poems in Four Poems of Shang Bo, namely Ming and Duoqian, and scholars pay more attention to Ming. Scholars usually interpret "Wu" as "Wu", but they don't understand why poetry rises with "Wu" and why "Wu" is concentrated in water bamboo. In my opinion, the word "owl" in bamboo slips belongs to birds such as phoenix. Poetry begins with "owl", which is related to the custom of worshipping phoenix in Chu people, so "the sound of horns (owl)" is a poem of Chu people.
one
First look at Yi Shi, essays are quite incomplete:
□□□□□□□□□□□□□□□ Crossbeam. Kaizhuo gentleman, if jade is like English. A gentleman's lover is self-centered Yu Kaihao, China people are all British.
Jiao Ming, gather in the column. A gentleman is like a leopard or a tiger. A gentleman, a gentleman. It's good to be open and prepared, but it's embarrassing inside. Between customs and customs, everything goes up and down.
Crosstalk, gather in the middle. Kay, Bay. A gentleman loves himself in self-defense. Yu Kai is fine, but the heart is the most important thing. Between relationships, they are all small and big.
Depending on the context, the missing text can be supplemented:
Crosstalk, gathering the beams. Kaizhuo gentleman, if jade is like English. A gentleman's lover is self-centered Yu Kai is good, but the heart is □. Between customs, all of China and all of Britain.
Jiao Ming, gather in the column. A gentleman is like a leopard or a tiger. A gentleman loves himself. It's good to be open and prepared, but it's embarrassing inside. Between customs and customs, everything goes up and down.
Crosstalk, gather in the middle. Mr. Kaizhuo, if □ if Bay. A gentleman loves himself in self-defense. Yu Kai is fine, but the heart is the most important thing. Between relationships, they are all small and big.
After the publication of Bos Shanghai, Liao Mingchun and Ji made supplementary explanations [1], and added words to other articles. In the last article, "Only the mind is □", Liao Mingchun supplemented "Xiang", quarterly "Kuang" and Qin "Yang". However, I think referring to the second section, "Ideality is frivolous", frivolous and beautiful is an adjective, so the residual article here should also be supplemented with an adjective, such as "good". In the second section, I agree with Ji's statement and can add "Yu". One rhymes, and two words in the same position in the context have the same meaning. In the third section, I agree with Qin to interpret "Bei" as "bronze inscription" and add this sentence as "if it is gold, if it is quilt".
The three verses in the corresponding position of the whole poem have the same or similar meanings, which is the first problem we should pay attention to. It is said in the poem that "a gentleman is as jade as his English", in which "English" is a loan word of "English", which means "the brilliance of jade", and "jade" in the poem also takes its white meaning. "As jade as ying" means that a gentleman's virtue is as jade as crystal clear. The poem says that "a gentleman is like a tiger and leopard", and this "tiger and leopard" also means that a gentleman has literary talent. "The Analects of Confucius Yan Yuan": "The thorn said:' A gentleman is only one quality, how can he be a text?' Zigong said,' I'm sorry, the master said that a gentleman is also a gentleman. I can't talk to you. The quality of literature is still good, and the quality of literature is still good. ""Zi Gong's words are the footnotes of the essay "As Tiger as Leopard". The poem says: "If a gentleman is a brocade, a gentleman is a bay." Brocade is a silk fabric with various patterns woven with colored warp and weft yarns, and shellfish is a shell-like pattern on brocade. Xiaoya Xiang Bo: "It's like a brocade." Mao Chuan: "Jinbei, Jinwenye." It can be seen that the praise of the gentleman in the poem first focuses on the external decoration and praises his polite and gentle attitude.
The poem goes on to praise the gentleman for "taking oneself as a long-term love", "taking oneself as a defense" and "taking oneself as a defense" Director, be a leader, be a director. "Warring States Policy Chu Ce I": "The fox said,' I dare not eat. Natural enemies have made me a hundred animals, and now it is against the sky to eat me. "Royal, governance and command." "Shangshu Dayu Mo": "Be simple in the next, and be lenient in the crowd. "Guard, guard, defense. Following the above praise for the gentleman's elegant demeanor, poetry also praises the gentleman's ability. The "phase" of "friendship between gentlemen" is interpreted as "one party's attitude towards the other", and "friendship" means that a gentleman is friendly to the people, has superior ability, can "take", "keep" and "keep", and is the patron saint of all people.
It's good to be open and prepared, but the heart is good. It's not good to be open and prepared. It's all about the heart. Good, good. It's beautiful. Mr. Wan and Mr. Ma Chengyuan read it as "encouragement" to encourage righteousness. However, "exhortation" is a verb, which is different from the part of speech of "idealism is qi". So I think "Wan" should be pronounced "Qi", which means loyalty and honesty. Book Pan Geng: "Birthday notice, used by many people." Confucius' Ying Da Shu: "Be sincere with others." "Mandarin Zhou Yuxia": "Yu, Yu! I feel very calm and calm. " Zhao Wei's note: "Hey, Hou Ye. ..... It is said that two gentlemen can understand their virtues, enrich their hearts and consolidate the world. "
"Cross-border, all China people are British", "all up and down", "all the children are big", "cross-border" means "cross-border politics", and all factions are limited to the sum of cars and "cross-border cars", as Song said. In fact, the meanings of "Guan" and "Encouragement" are the same, and both mean hard work and struggle. Gu Feng: "You are United and should not be angry." Mao Chuan: "Words are encouragers, and gentlemen think." "Thinking" should come from Ji, pronounced as "seeking treatment". Therefore, it is the result of the gentleman's efforts to govern, and "China people are all British", "up and down" and "the least is big".
To sum up, it is not difficult to see that the whole poem first praises Mr. Wang's external beauty, then praises Mr. Wang's extraordinary ability, kind personality and hard-working politics, and finally ends in harmony and joy. The context is very clear and progressive, reflecting a high artistic skill. But at the same time, when reading this poem, everyone has a question: the phrase "the symphony is based on Zhongliang (Zhu and Shu)" used in the poem is quite puzzling. Most scholars interpret the word "Wu" in the poem as "crow". Phonetically speaking, it is no problem to pronounce "Wu" as "Wu", but it is puzzling that poetry rises with crows. One is that when it comes to martial arts, people rarely have a good impression. "Guanzi Situational Solution" also said: "Making friends with people, cheating more, being heartless and stealing everything, is called the friendship of Wu Ji. At the turn of Wu Ji, although at the beginning, there must be embarrassment for each other. Therefore, it is obviously out of harmony with the following poem praising a gentleman to say,' Wu Ji is not sociable'. In addition, few people say that crows "gather in the central beam". Some scholars quoted the biography of Gou Jian as a minister in the Spring and Autumn Period of Wu Yue:
King Yue's wife was crying on the boat, and birds and magpies were pecking at shrimps and flying around in Zhu Jiang. Because of crying, she sang, "Birds are flying, kites are flying, and Ling Xu Xuan is dancing. Dingzhou, Zhu Youzi, pecking shrimp, licking clouds. Let me go back. I'm innocent and guilty, so why complain? When you go to the west alone, who knows when you will return to Xi? If the heart is cut, tears will hang. " Then he sighed, "This bird has been returned to Xiang and Su. Why live in rivers and lakes when you are concerned about vegetarian shrimp. ……
It is believed that the black bird in the poem is this kind of brown-black bird, which lives in valleys and streams, moves in pairs, can swim and dive in the water, and belongs to Wu Heke. [2]
It seems self-evident, but there are still several questions to ask: First, the black kite in Wu Yue Chun Qiu is a kite rather than a black kite, and the following "a bird flying in the sky, flying in the sky" should be "a bird flying in the sky", and this article is written "the kite is black" just for the sake of. Secondly, even if there is such a brown river, crows should not be regarded as the object of poetry by gentlemen, as people suspect. On the contrary, crows are often opposite to phoenixes and are often regarded as symbols of villains. Qu Yuan's "Involved in the River": "Love birds and phoenix emperors, and the sun is far away. Swallows and blackbirds, nests and altars. " Thirdly, the poem says that "making friends means singing", and "making friends" should be explained in Ma's Notes on Mao Shi: "making friends means biting people, which means singing birds." Moreover, the word "bite" used to describe bird singing also has a pleasant meaning. For example, Mi Heng's "Parrot Fu" said: "Take beauty and bite good sounds." "Yuefu, Long Songs and Ancient Poems": "The yellow bird chases after the fly and makes a good bite." Can prove it. But if the word ""in Chu Jianyi's poem is a crow, it is really difficult to associate it with the good voice of "bite".
Some scholars don't explain the word "martial arts" in poems. For example, when Liao Mingchun's article was exposed in the newspaper, the word "bird" was read directly. But this avoidance seems inappropriate. Because since poetry is a "symphony", it must refer to a bird. It has a special meaning and is by no means a general reference. Otherwise, just write "songbirds" directly, there is no need to print the calligraphy and painting.
We think it can be pronounced neither "bird" nor "black", but "owl". Shuowen: "Owl belongs to a genus. From the bird, the voice is screaming. " However, in Songs of the South and Classic of Mountains and Seas, "Owl" is regarded as a phoenix, so "Owl" in the poem should be a phoenix bird. The poem eulogizes the gentleman with the rise of phoenix, which is related to the phoenix worship culture of Chu people.
two
First of all, from the pronunciation point of view, the word "fish" belongs to the mother fish department of Guying, so "fish" should also be the word of the mother fish department of Shadow. And "owl" is the word for the fat part of Shadow Mother. Lu Deming's Classic Interpretation Volume 6: "Owl, Wu is rebellious." Volume 7: "The voice of the owl is contrary to the voice of the chicken and belongs to it." "Notes on the Dragon's Cave" Volume II: "Owl, in the counter, birds are like giants." It can be seen that the initials of "Xiao" and "Yu" are exactly the same, so the ancients often used "Yu" and "Wu" as the phonetic inversion of "Xiao". At the same time, there are also examples of "Ling" and "Yu" in ancient books. Erya Dish: "He who has a doctor has no trouble." Among them, "Doctor Wu Lu" is the name of the mountain, and "Songs of the South on a Journey" is quoted as "Wei Yulu". [3] It can be seen that ""can communicate with "owl" and there may be dialect factors.
Secondly, in a sense, "Ya" says: "Ya is refined." Mao Chuan: "Xiao, Fu Shu." Just like Shuowen. Guo Pu notes "Erya" that Fu is "as small as a duck, with a long tail and a text on his back. Today, Jiangdong is also called Fu ". It is worth noting that there are words on the back of Fu, so it is also the words on the back of Fu, which may be the reason why the ancients regarded Fu as a phoenix bird. Qu Yuan's Lisao: "If you want to ride the jade, you want to ride the wind." Wang Yi's note: "Xiao, Feng is also an alias." Shan Hai Jing says: Owls have five colors, and their pens are like phoenix. Phoenix is also a car decoration. "Hong Xingzu added:" Owl, in the plan, cut the black chicken. " "Shan Hai Jing" says: There are colorful birds in Jiuyi Mountain, flying all over the country. Colorful birds, birds also. There is another cloud: there are birds in the snake mountain, five colors, flying out of the sun, and famous owls. Sima Xiangru's "On the Forest": "Long Kongluan promotes a hundred birds." . Flip the ostrich and get the Phoenix Emperor. "It tied the ostrich with Kong Luan, Fu Kun and Phoenix, and obviously regarded the ostrich as a phoenix-like bird. Phoenix is a symbol of good fortune in the eyes of the ancients, and it is often used as a metaphor for a gentleman, so it is associated with the following. At the same time, it is worth noting that the above-mentioned Songs of Chu and Classic of Mountains and Seas are both ancient books rooted in Chu culture. Therefore, the ostrich is regarded as a phoenix related to the cultural background of Chu.
Finally, let's see if it is possible for Phoenix to "gather the central beam (central column, middle book)". Phoenix, as a legendary bird, is similar to dragons and forests, and was born from many things. Said: "Phoenix, the god bird is also. The old man said: "The image of the phoenix is also like a rainbow, with a snake-necked fish tail, a stork chick, a dragon-backed turtle, a swallow beak and a five-color display. "Since it has the characteristics of snakes, fish and turtles, it is naturally related to water, and floods and storks are also birds who like to live by the water." "Huainanzi Lan Mingxun" also said: "The phoenix flies to the highest virtue, but the thunder does not work, the wind and rain are not glorious, the valley is not long, and the vegetation is not raised. Swallows are proud of this and think that the universe cannot compete with it. Even when he died in Wan Ren, he flew all over the world, passed through the sparse garden of Kunlun, drank the turbulent wrasse, the mainstay, and returned to the Mongolian island. When I was still in Jizhou, the road was wide and stopped at Yang, but my wings were weak and I stayed in the wind. "According to Wang Niansun's research,' weak wings' is the mistake of' weak feathers', which shows that the Phoenix Opera is weak in water. And "the mainstay of turbulent drinking" is also similar to "gathering the heart of the river" in "Crossing the Sound", and "returning to Mongolia Island" is similar to "gathering the heart of the river". Looking at owls, owls have dual identities, on the one hand, they are water birds of the genus Eriocheir, on the other hand, they are god birds of the genus Phoenix. I guess the owl was originally a kind of waterfowl, and it was deified as a phoenix because of its colorful words. Like storks, Shuowen said, "Storks and wrens are birds of God. There are partridges in the river, which seem very big and have red eyes. "Duan Yucai's Note:" This statement is a fish in the river, not a thing, not a bird. "Needless to say, it is not a divine bird, but it may actually be because this bird has spots on its red eyes and is hairy? ? "Color", people mistakenly think it is a partridge (purple phoenix). There is also Jiao Ming, which is also a kind of phoenix. Shan Li noticed Sima Xiangru's On the Forest: "Zhang Yi said: Jiao Ming is like a giant, a bird of the west. Music juice map: Jiao Ming looks like the Phoenix Emperor. Zhong Song said: Waterbirds also. [5] It seems that the relationship between phoenix and waterfowl is very close. Not only the phoenix birds such as blackbirds and partridges originated from waterfowl, but Jiao Ming was also interpreted as waterfowl. In this case, the poem begins with an ostrich, and it is logical to write "Focus on Zhongliang (Zhongzhu, Zhonghao)". Because the "owl" is a phoenix, it is reasonable to call out the good voice of "bite". The poem "Xunzi Jiemu" refers to "Phoenix Qiu Qiu" and "Qiu Qiu" means "making friends".
Poetry rises with the phoenix, with distinct Chu culture color. There have been many differences about the origin of Chu culture in academic circles, and there is no conclusion so far. However, in Chu culture, it is universally acknowledged that Phoenix has unparalleled respect, because both handed down documents and new archaeological discoveries can prove this. Some scholars have widely quoted from the aspects of material culture and spiritual life, and listed various manifestations of Chu people's worship of phoenix. [6] It can be said that in the Central Plains cultural area, the dragon is the master; In the eyes of Chu people, Phoenix is of course the king, and even degraded the dragon and tiger for it. [7] Because of this, all beautiful things, even virtuous gentlemen, are often called Phoenix by Chu people. The Analects of Confucius records that Chu Kuang welcomed Confucius with a phoenix, and Taiping Yulan (Volume 9 15) records that Lao Tzu also called Confucius a phoenix when he saw Confucius. In the same praise, Confucius compared Laozi to a dragon, which is a distinct regional and cultural difference. Chu people's respect for the phoenix can be appreciated especially from the Chu ci with the most Chu culture color. According to Mr. Wang's statistics, there are twenty-four "phoenixes" in the Songs of the South, in addition to Huang, Luan, Xiao, Kong Luan and Peacock (in the Songs of the South, Peacock is a phoenix and a handsome bird, such as "Peacock is full of gardens, and livestock are only emperor bears"), Kong Bird and Yun. [8] These phoenix birds are often compared to sages and gentlemen, such as "Phoenix is cherished" in Lisao, "Phoenix is a bird, the sun is far away" in Shejiang, "Phoenix is in the sky" in Huai Sha and "Phoenix lives alone" in Jiufen. However, although dragons are common in Chu Ci, they are not dragons in the sense of gentlemen and saints, but mostly driving tools or decorative patterns, which are completely different from the connotation of phoenix.
Not only that, in Chu culture, Phoenix even played the role of protector, which is rare in other cultural types. Countries that contend with Chu's outward expansion, whether it is the vassal state of the Central Plains or wuyue, all believe in dragons. As a result, the artistic works of Chu people appeared with the theme of dragon and phoenix fighting. Among the 2 1 chu xiu unearthed from No.1 Tomb in Mashan, Jiangling, there are 8 dragon and phoenix fighting patterns, of which 5 are phoenix advancing and dragon retreating, and 3 are evenly matched. In the duel between dragon and phoenix, Phoenix is in an obvious advantage. [9] Similarly, Ba people living in southwest Chu take tigers as their totem, and Ba people sometimes make friends with Chu people, and sometimes they make friends with Chu people. Therefore, in the art world of Chu people, tigers have also become the target of phoenix attacks. Woodcarving of Tiger-seat Phoenix was unearthed from Chu Tomb in Hubei, especially in Jiangling area near Ba people. People pay attention to its implication while admiring its exquisite craftsmanship. Therefore, some scholars believe that the tiger in wood carving symbolizes Ba people, the phoenix symbolizes Chu people, and the cocky phoenix steps on the back of the tiger, which means that Chu people defeated Ba people. [10] Not only that, but even in the unearthed chu xiu, there are patterns of phoenix descending dragons and tigers. On a single embroidered garment unearthed from the No.1 tomb in Mashan, Jiangling, the unit embroidery pattern is a phoenix fight, two dragons and one tiger. Phoenix grabbed Yi Long's neck with one foot, one wing hit Yi Long's waist, and the other wing hit a tiger's waist, so Long Hu ran away howling. [ 1 1]
From the perspective of genetics, the emergence of poetry is closely related to primitive religion. The prosperity of poetry is especially of religious significance and color. "Generally speaking, the origin of prosperity is rooted in the soil of primitive religious life and is based on the apotheosis of the objective world." [12] Because of this, Xing not only has real conceptual significance, but also has distinctive national character and regional characteristics. Phoenix has colorful feathers. In Chu Jianyi's poem Flowers, a gentleman also has the external appearance of "jade as English", "tiger as leopard" and "brocade as shellfish". Phoenix is the patron saint of the Chu people's concept world, and a friendly gentleman can also "take himself as the long", "take himself as the defense" and "take himself as the defense"; Phoenix is auspicious, the world will be peaceful when you see it, and gentlemen can also "all China people and all British people", "all up and down" and "all small and all big" to bring peace and tranquility. Therefore, Chu Jianyi's poem "Jiao Jiao Ming" takes the rise of the phoenix as a metaphor for a gentleman, which is based on Chu culture. It can be inferred that Jiao Jiao Ming was written by Chu people. [13] At the same time, as mentioned above, Jiao Jiao Ming has a strong flavor of Chu culture, which is also conducive to proving that it is a Chu Ci.
three
Although Jiao Jiao Ming was written by Chu people, it was obviously influenced by The Book of Songs, especially Ya. Look at its sentences first. The poems of Jiao Jiao Ming imitate the Book of Songs, especially the poems of Ya. "Kai Tuo Gentleman" is a common theory in The Book of Songs, such as "elegance on the withered foothills". "Jade is like English" is also a common sentence pattern in The Book of Songs. Many scholars have pointed out that "Feng Weiqi is as gold as tin" and "as jade as jade". And "×A×B" such as "complete and small" is also a common sentence-making method in the Book of Songs. The duet is classified as Yan Yanming (There are bitter leaves in the wind) and gathering in Zhongliang is classified as gathering in Zhongze (Xiaoya Hongyan). Friends can be found in Qin Feng Huangniaohe, friends can be found in car owners, and friends can be found in Gaohe Moon and Sigan.
Secondly, the poem is based on the clues of "cross-singing, gathering in the middle beam", "gathering in the middle Zhu" and "gathering in the central river", which is different from the elegant "crouching in the Jing" and "crouching in the sand". In addition, for example, "Su Suyu, concentrated in the bud", "Su Suyu, concentrated in the bud spine" and "Su Suyu, concentrated in the bud mulberry" in the Tang style can better see the relationship with "Jiao Jiao Jiao Ming".
In a word, no matter from the metaphor in its language, its language, or its syntactic structure mode, in a word, its stylistic features all show the imprint of elegance. Reading such a poem is like reading a classic and elegant poem "Ya", and its elegant atmosphere is completely different from folk poetry which is famous for its lightness and chic.
There is also a poem called Duojia, which Liao Mingchun thinks is also a poem of Chu. Similarly, Duojia praises brotherhood, especially the friendship with parents and brothers, and its content and emotion are very close to tang style's Dundu and Xiaoya Long Beach. The sentence pattern of "brotherly love is rare for the two of us" is similar to that of "brotherly love" and "brotherly love is still irrelevant" in Xiaoya's Four Cadres, and it is also similar to that of Water in the Positive Wind and Yang. You don't believe what people say, and neither do they. "It can be seen that it is influenced by the Book of Songs and its style is close to elegance.
In the article Seeing the Origin of Chu Literature from Two Weeks of Bronze Inscriptions, Mr. Tang Zhangping selected seven bronzes, such as Zhong, Wang Sun Chen Zhong, Ding, Xia Miao M 1 Button Zhong, Zhong and Jian, to study the relationship between Chu literature and Central Plains culture. He thinks that these seven inscriptions are neat and rhythmic, which can be considered as Chu Ci. Moreover, the poetic inscriptions of seven bronzes are closely related to the Book of Songs, which are embodied as follows: First, the four-sentence style in the Book of Songs is adopted. Second, it conforms to the rhyme of The Book of Songs. Third, use or copy the grammar and expression of The Book of Songs. [14] Mr. Tang's argument is very enlightening, but the conclusion can be further refined. Accurately speaking, the poeticization of Chu bronze inscriptions is mainly influenced by the poem Ya, especially in the use or plagiarism of the grammar and expression of The Book of Songs. Take Wang Sun's patent chime inscription as an example:
However, on the first day of the first month, Ji Dinghai and Wang Sun chose their auspicious gold and made their own clocks, which were elegant, round and full of holes. I am not afraid of bad, thanks to political virtue, kindness, respect, fear of jealousy, the courage of the four countries, the alliance of worship and worship, and eternal blessing. I am brave in military service, teaching and educating people, and ringing the bell for the people. The bell's, never in life, always keeps the drum.
In the inscription, ",Yang" should imitate logging, "peace in the end", "strictness" should imitate June, "Yan Yourong", "fearless, thanks to political virtue, elegant and elegant", and should imitate "elegance and restraint", and should not be complacent. Rong Gong, who is martial in Rong Kilometers, is as elegant as Jianghan, and Zhao Min Rong Gong, like Hehe, is Shang Songna's simplification and drumming, like Hehe, which is seen.
Besides, Qu Yuan's Fu was mainly influenced by the poem Ya. Mr. Ge analyzed that Bixing in Lisao is mainly composed of four groups of metaphors: vanilla, road, begging woman and rope ink, and these four groups of metaphors can be found in. Therefore, she thinks that although people are often coquettish, in fact, the poem Ya has a more direct influence on Qu Fu. Comparing elegance and coquettish, we will find that elegance and coquettish have a more direct inheritance relationship, whether it is lyrical tone or bi xing thinking. [ 15]
Archaeological findings have proved that the shape of Chu bronzes and the funeral of Chu tombs, especially the tripod system, all show the strong maintenance of Zhou rites by Chu people. So did the Chu people's acceptance of poetry. The poems quoted and recited by Chu people in Zuo Zhuan and Guoyu are all from Ya Song, and the poems written by Chu people are mainly elegant, mainly because Ya Song should be the most representative of Zhou Culture in the Book of Songs.
Textual research on the lost poem "Jiao Jiao Wu Ming" on Chu bamboo slips
Cao Jianguo
The word "Wu" in Jiao Jiao Poems on Chu bamboo slips is a phonetic loan of "Zhuo", and "Zhuo" is a name of Phoenix. Gentlemen are associated with phoenix, which is related to the worship of phoenix in Chu state. Wu Ming in Jiao Jiao is a Chu Ci, but it is influenced by The Book of Songs, especially by Ya Shi.
Key words: lost poems in Chu bamboo slips; Phoenix worship; Chuci; Yashi
(Editor's Note: This article was received on 165438+20061October 22nd. )
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* This paper is supported by the key research project of Philosophy and Social Sciences of the Ministry of Education "Comprehensive Arrangement and Research of Chu Bamboo Slips" (03JZD00 10).
[1] Liao Mingchun: Supplementary Interpretation of Yi Shi Jiaosong on Chu Bamboo Slips, Bamboo Slips and Silk Research Network 2005/02/ 12. Ji: Supplementary Interpretation of Shi Wuming, Bamboo and Silk Research Network 2005/02/ 15. Qin: Notes on Chu Bamboo's Lost Poems, Bamboo Slips Research Network, February 20, 2006. Dong Shan's Miscellaneous Notes on Reading and Collecting Bamboo Slips in the Warring States Period (IV), Bamboo Slips Research Network, February 20, 2006. The following articles are no longer annotated.
[2] Li Rui: "Bos Notes (1)", Bamboo and Silk Research Network 2005/02/20.
[3] Peak: "Ancient Word Holiday", Qilu Bookstore, 1989, p. 487.
[4] Meng's "On Bamboo Slips (4) Leisure" thinks that the word "Shu" is a loan word of "Se", Bamboo Slips Research Network 2005/02/ 15.
[5] Selected Works of Mao Zedong, Volume VIII, Shanghai Ancient Books Publishing House, 1986, p. 373.
[6] Song Gongwen and Zhang Jun: The Customs of Songs of the South, p. 480-504, Hubei Education Press, 1995.
[7] Zhang: On the History of Chu Culture, p. 176- 179, Shanghai People's Publishing House, 1987.
[8] Jiang Liangfu: "Chu Ci Tong Gu" (III), page 678-685, Qilu Bookstore, 1985.
[9] Zhang: The History of Chu Culture, p. 1 178, Shanghai People's Publishing House, p. 1 1987.
[10] Zhang et al. Textual Research on Jianghan ArchaeologicalNo. 1984 Fengdu Dragon and Tiger Image.
[1 1] Zhang: A Brief History of Chu Culture, page 179, Shanghai People's Publishing House, 1987. See page 182 of the same book for the pattern.
[12] Zhao: The Origin of Xing, p. 247, China Social Sciences Press, 1987.
[13] Liao Mingchun thinks that more money is also a Chu Ci. Liao Mingchun: Supplementary Interpretation of "Yi Shi" and "Duojia" in Chu Bamboo Slips, Literature, History and Philosophy, No.2, 2006.
[14] Tang Zhangping: Looking at the origin of Chu literature from two weeks of inscriptions on bronze, academic journal of zhongzhou, No.5, 2000.
[15] ge: the nature of Qufu Bixing and the transformation of its function-also on the relationship between elegance and coquettish, Journal of Peking University, No.1 1, 2005.