2. However, when people talk about Tianmu Mountain, they can still see it through clouds with different depths.
3. On a straight line leading to heaven, its peak enters heaven, topped with five sacred peaks, and cast a shadow across China.
4. The Paradise Terrace Mountains are 100 miles long, right here, and begin to extend to the southeast.
5. My heart and my dream flew all night in Wu Heyue and Jinghu.
6. The moon lit up my shadow and I came to Yanhe.
7. Xie An is still there, singing, blue waves rippling.
8. I wore Xie's earliest spiked shoes and climbed the Qingyun ladder.
9. Halfway through the sunny ocean, the sacred rooster crows in space.
10. There are many twists and turns, flowers seduce me and rocks ease me. The day suddenly ended.
1 1. Bears, dragons, and storms on mountains and rivers have disturbed forests and shaken mountains.
12. Clouds are darkened by rain and streams are pale by fog.
13. Without thunderbolt, the hills collapsed.
14. The stone gate is broken and ventilated in the deep pit of heaven.
15. An impenetrable shadow, but now the sun and the moon illuminate a gold and silver terrace.
16. Wearing rainbow clothes and riding the wind, the queens of all the clouds came one after another.
17. The figures of fairies are arranged in rows of places where the tiger is the harp and the phoenix is the dancer.
18. I moved, and my soul flew and suddenly got a fright.
19. My pillow and mat are the lost clouds in which I once lived.
20. This is the consistent way of human happiness. Everything will always flow to the East like water.
2 1. When will you return it when you leave?
22. But let me keep a white deer on my green hillside and ride to you when I need you, Dashan.
23. Oh, how can I bow and scrape to those people with high status and important positions? They never want to be seen with a sincere face.
Precautions:
1. from the complete works of Li Taibai. In the third year of Tianbao reign of Emperor Xuanzong of the Tang Dynasty (744), Li Bai was pushed out of Chang 'an by powerful people and was released from Beijing. In the second year, from the east road (Shandong) south, to wuyue. Before he left, he wrote this poem describing his dream trip to Tianmu Mountain and left it to his friends in the east foot, so he also titled it "Sleepwalking in Tianmu Mountain, Don't be in the east foot" or "Don't be in the east foot".
2. Tianmu (M incarnation): the name of the mountain, in the east of Xinchang, Zhejiang. Legend has it that climbers once heard the singing of the fairy goddess Tianmu, hence the name of the mountain.
3. Hacker: A sailor. Yan Tao: The waves are so thin that they look like smoke from a distance. Blurred: The scene is blurred.
4. Yingzhou: One of the legendary Three Fairy Mountains on the sea, the other two are Penglai and the abbot.
5. Yue people: people from Zhejiang.
6. Open and close when the cloud is on: open and close when the cloud is on.
7. Crossing the sky: blocking the sky. Horizontal: blocking.
8. Climb to the top of Wusheng Peak and cast a shadow across China: the mountain is higher than Wuyue Mountain and covers Chicheng. Pull out: beyond. Wuyue: Mount Tai in Dongyue, Huashan in Xiyue, Songshan in Zhongyue, Hengshan in Beiyue and Hengshan in Nanyue. Chicheng: And the "Tiantai" below is the name of the mountain, in the north of Tiantai County, Zhejiang Province.
9. At this point, it began to turn to the southeast: this means that Tiantai Mountain is lower than Tianmu Mountain.
10. Cause: cause: basis. One: refers to what the Vietnamese said in the previous paragraph.
1 1. Jinghu: Also known as Jianhu, it is located in the south of Shaoxing City, Zhejiang Province.
12. Shuan Creek: Water name, in the south of shèng County, Zhejiang Province.
13. Xie (Jρ): Xie Gong, a poet in the Southern Dynasties, likes to travel around the mountains. When I visited Tianmu Mountain, I lived in Tongxi. J: wooden shoes. According to the Biography of Southern History Xie Lingyun, when Xie Lingyun travels to the mountains, he must go to deep and steep places. He has a special clogs with movable teeth in the front and back. Remove the front teeth and keep the back teeth when going up the mountain; When going downhill, remove the back teeth and keep the front teeth.
14. Lu water: clean water. Qing apes crow: "Qing" means sad Qing.
15. Qingyun ladder: refers to the mountain road that goes straight into the sky.
16. Tian Ji: According to legend, there is Du Tao in the southeast and a Du Tao tree on the mountain. Its branches stretch for three thousand miles, and there are ridges on the trees. Every time the sun rises on this tree, the chicken will crow, and all the chickens in the world will crow with it.
17. Flowers seduce me, but stones make me relax. The day suddenly ended: obsessed with flowers, leaning on stones, unaware that it was getting late. Ming: It's dark and late.
18. Xiong pao long yin Yan quan (yǐn): the bear is growling, the dragon is ringing, and the spring in the rock is shaking. Yin Yanquan means Yin Yanquan. Yin, used here as a verb: shake.
19. Qingqing: It was dark.
20. Fierce lack: refers to lightning. Split: Split. Lack refers to the gap in the cloud. Lightning erupts from the clouds, so it is called "sudden shortage"
2 1. The stone gate of the cave is opened in the middle: the stone gate of Xianfu is opened in the middle, with an hūng. Cave: the place where immortals live. Door leaf: Door leaf. Ran Yan: The description is very loud.
22. Ming: sky. Jinyintai: refers to the place where immortals live.
23. Fairy in the Cloud.
24. Luan returns: Luan bird drives a car. Luan: the legendary god bird, according to legend, is a phoenix.
25. Suddenly: suddenly, suddenly. Awakening time: Awakening time.
26. It's my disappearing cloud: the smoke and clouds I just saw have disappeared. Chief: So, just now. Hazy refers to the fairyland written earlier.
27. White deer: the legendary beast.
28. Bend over: Tao Yuanming once lamented: "How can I bend over to the children in the village for five buckets of rice!"
Brief analysis:
Dream on Mount Tianmu is one of Li Bai's representative works. This is a dream poem and a romantic fairy poem. This poem depicts the charming realm of roaming Tianmu Mountain in a dream in a romantic style. The scene is magnificent, fantastic and unpredictable, full of passionate passion and imaginative spirit, showing the poet's rich imagination, expressing his cynical rebellious spirit, dissatisfaction with the dark reality and contempt for feudal dignitaries, and expressing his strong desire for freedom and pursuit of personality liberation. Magnificent artistic conception, unpredictable, colorful artistic image and novel expression techniques have always been talked about by people. The whole poem is full of enthusiasm, full of feelings, completely free from the constraints of form, and only a great poet like Li Bai has such a magnificent momentum.
It is worth noting that this poem written in fairyland is different from ordinary fairy poems. It has deep feelings and fierce protests. It does not really rely on illusion, but still focuses on reality in the illusory description of the celestial world. I am wandering in the fairyland in the sky, but I feel that "this is the consistent way of human happiness".
The whole poem is divided into three levels.
The first pass (1-4 lines) begins with the statement that Yingzhou, an overseas wonderland in ancient legend, is illusory and cannot be found; In reality, Tianmu Mountain is hidden in clouds and neon lights, which is really better than fairyland. Virtual reality highlights the scenery of Tianmu Mountain and implies the poet's yearning for Tianmu Mountain. The writing style is full of magic and fascinating. This is the reason for sleepwalking. Overseas tourists talk about the wonders of Yingzhou Fairy Mountain, which is fascinating, but difficult to pursue. However, it is possible to see the dark clouds and obscurity of Tianmu Mountain that Zhejiang people said at that time. Tianmu Mountain towering into the sky, across the sky, the momentum is simply beyond the Five Mountains and Gaiding Chicheng. Tiantai Mountain, adjacent to Tianmu Mountain, is as high as 48,000 feet above sea level, but compared with the majestic Tianmu Mountain, it is also small and humble, as if it were going to fall at the southeast foot of Tianmu Mountain. The poet's real intention is to use his imagination to show the gap between dream and reality.
The second level (Line 5-17) shows a magnificent and changeable spectacle for the whole process of sleepwalking in Tianmu Mountain: Tianmu Mountain is hidden in the neon of clouds, which arouses the poet's desire to explore. It is the main body of the plot content of the whole poem.
The second level can be subdivided into three sub-levels.
At the first level (lines 5-8), the poet entered the route of dreaming and sleepwalking. As if under the clear moonlight, he flew over the mirror lake. Mingyue reflected his shadow on Jinghu Lake and sent him down to the place where Xie Lingyun once stayed. He put on Xie Lingyun's special clogs and climbed the green ladder on the stone steps that Xie Gong had climbed. Once again, it describes the charming realm of Tianmu Mountain.
The second level (line 9-1 1) writes what you saw and heard in the mountains. First, write about the height and strangeness of Tianmu Mountain: halfway up the mountain, you can see a rising sun breaking out of the sea, and the pheasant crows beautifully in your ears. Then I wrote that the mountain is deep and the road is far away: the mountain road is rugged and steep, and the gorgeous mountain flowers are fascinating, and I don't know it's getting late by leaning on the stone. In the twilight, the roar of bears and the chirping of dragons rumble in the valley of rock springs like thunder, which makes the dense forest tremble and the peaks tremble. Not only living bears and dragons express their feelings with songs and roars, but even static layers and deep forests can tremble and call the police. Smoke, water and Qingyun are full of gloom, which blends with the poet's emotions and forms a unified atmosphere. The front is a romantic description of Tianmu Mountain, which is both tall and strange. Followed by romantic lyricism, both deep and far.
The third level (12- 17 line) entered the realm of immortals. The singular realm described above is shocking enough, but the poet did not stop there, but the poetic realm changed from singular to absurd, and the whole poem entered a climax. "The clouds are dark and the rain is dark, and the water has (Dan) Xi smoke. Without a thunderbolt, the hills collapsed. The hole is full of stones, and the middle is open. " It is the atmosphere when the poet dreamed of fairyland: in the terrible deep twilight (sǒng), the mountain collapsed in an instant, a fairy world vented in a sinkhole, and the stone gate of the fairy house cracked with a bang. "An impenetrable shadow, but now the sun and the moon illuminate a gold and silver terrace. Wearing rainbow clothes and riding the wind, the queen of all clouds came and fell one after another. " It means: the blue sky is boundless, the sun and the moon shine on the balcony embedded with gold and silver where the immortal lives, and the cloud god falls from the sky in a carriage in neon clothes. At this time, "Luan, the tiger drums and dragons sing, return to the car, row upon row, such as the field of hemp, column fairy figures", the tiger is the cloud god, the phoenix is the cloud god, and many immortals line up to welcome the arrival of the poet. What a grand and warm scene this is. Wonderland pays so much attention to poets, which is in stark contrast to the fact that poets are sent away. The more the heaven values talents, the more it thinks of talents, the more it shows that powerful people in reality are jealous and reject dissidents, which lays the foundation for the expression of anger at the end of the poem.
The third level (line 18-23) is about the feeling after waking up from a dream. The dreamland dream suddenly disappears at the climax, and the dream spin is also shattered. The poet finally returned to reality in horror. After the dream was shattered, I didn't fly lightly in my dream, but lay heavily on the pillow. All the honors and disgraces seem to be fleeting. Li Bai's disillusionment with his dream triggered the feeling that life is like a dream in Wan Shui Qian Shan, which condensed the poet's helplessness and affection for life.
At this point, the poet did not stop there, and then set off a more thrilling emotional wave. "But let me raise a white deer on my green slope and ride to you when I need you, the great mountain", which indicates that he will give up his dark career and return to nature. Looking up at mountains and rivers, looking for spiritual comfort. The pleasure of traveling around mountains and rivers is the fastest.
Originally, poetry seems to have been exhausted, but in the end, the famous sentence of two heroes "Oh, how I bow and bow seriously to people and people in high positions, they will never suffer to show an honest face!" " Added angrily. I spit out the depression of Chang 'an for three years. It is the total eruption of resentful magma in the chest after extreme depression. The pen falling from the sky lights up the theme of the whole poem: yearning for the famous mountains and fairyland, which shows Li Bai's never-ending resistance to feudal powers, and also reflects his contempt and rejection of the filth (w ū hu), vulgarity (yūng sú) and ugly phenomena of the upper class at that time. It sang the voice of many talents in feudal society.
Appreciation 2:
In the third year of Tianbao, Li Bai was given gold by Emperor Xuanzong of the Tang Dynasty, and began a period of unstable soul wandering. How to redefine the meaning of life? What kind of walking posture is more suitable for your noble character? What kind of life is a good life? The failure of politics made his unruly spirit start a new thinking. Under the profound influence of Confucianism, Taoism and chivalry, Li Bai wrote a poem "Climbing Mount Tianmu in a Dream", which left us with the most perfect aesthetic demonstration. This paper expounds the aesthetic value of Dream from the following aspects.
First, the imagery beauty of poetry
China's poetry predates painting, and the artistic achievements of classical poetry provide fertile soil for China's painting. Many Chinese paintings take meaning from poems, or simply annotate poems and depict poetic scenes. In Song Dynasty, Song Di put forward eight natural scenery themes: wild geese falling in Pingsha, Pu Yuan returning to the sea, green hills and clear blue, dusk snow in the river, autumn moon in Dongting, rainy night in Xiaoting, late bells in ancient temples and sunset in fishing villages. These are the most common situations in China's classical poems. However, poetry itself is a summary of the image of life, which comes from life and shows a vivid picture of life. Therefore, in poetry teaching, we should be good at guiding students to experience the beautiful scenery displayed by poetry.
Beauty always appears in vivid and sensible images, which is the first characteristic of beauty. Beauty is more formal and intuitive. Therefore, Marx said that the eyes are the most firm in the pursuit of beauty. Li Bai is very good at discovering beauty from life and depicting it with his giant pen. Although there are only fourteen words in the sentence "Farewell to Meng Haoran on the way to Yangzhou by the Yellow Crane Tower", it has created a farewell picture with broad artistic conception and deep affection. Here, it seems that we can see the disappointed figure of the poet, who is still looking forward to seeing his friends drifting away from each other in the picture. There are also many such sentences in the poem "Dream": "On a straight line leading to heaven, its peak rises into the sky, topped by five holy peaks, casting a shadow across China. The roof is 18000 feet high, and at this point, it begins to turn to the southeast. "
Through comparison and exaggeration, the poet wrote that Tianmu Mountain is towering and towering, and people dare not stare at it in front of the sky. The last sentence compares the towering Tiantai Mountain with anthropomorphism. If a child is bowing down, people can't help smiling and praising Tianmu Mountain. This brushwork is not inferior to any stone map. Appreciating similar beautiful pictures in poetry "is not only pleasing to the eye, but also can enrich people's feelings, promote the all-round development of people's character and open up people's thinking." ..... so as to purify people's hearts. "("Aesthetic Education Series "Lu Yifan) This is one of the aesthetic values of appreciating the poem" Dream ".
Second, the emotional beauty of poetry
The beauty of image is externalized, and it also depends on people's subjective feelings and internalizes into some kind of aesthetic emotion. Aesthetics should not only appreciate the beauty of the image, but also integrate its own feelings to form aesthetic feelings and judgments. This requires aestheticians to explore their inner feelings through intuitive and external images. There is a saying in "Walking in a Dream": "I put on Xie's earliest spiked shoes and climbed the Qingyun ladder. Halfway through the sunny ocean, the sacred rooster crows in space. " In addition to the ethereal beauty of artistic conception, there is also a kind of lofty sentiments, and the feelings of top gun are contained in it. Combined with the author's experience, he first arrived in Chang 'an, full of ambition, and finally got the appreciation of the emperor. Is it heroic and spirited? Later, a group of people went bankrupt, but rode out of Kyoto on donkeys, and the road ahead was uncertain for a while. Is it "flowers seduce me and stones comfort me?" The day suddenly ended " Li Bai's Dream also created a beautiful model in the expression of emotion and scenery.
The emotional beauty of Dream is also reflected in its ups and downs in melody. Li Bai is free and easy by nature and pursues liberation, so his poems are also like Asahi in emotional expression, such as surging rivers, which cannot be suppressed. In poetry writing, it is also informal, showing its ups and downs and intermittent feelings for no reason. The opening sentence of the dream is full of emotion and artistic conception, but the beauty of the fairy mountain is out of reach, and the contradiction between reality and desire is clear at a glance in this sentence. Then I thought that there was still Tianmu Mountain to come, and my feelings were overwhelmed at once. I tried my best to render the splendor of Tianmu Mountain with four consecutive sentences. After the trip of "Because of Dreams", he was immersed in the beautiful scenery of the stream and climbed halfway up the mountain, but he was not stirred by the magnificent landscape he saw. The dusk rain is approaching, bears sing dragons, and Lin Lidian catches a glimpse, which makes readers feel depressed and dignified. At this point, the emotion has changed several times, from vague and passionate to quiet, high-pitched and depressed, but the author did not stop there, and then he created the most magnificent and gorgeous imagination with lightning and thunder. The poet described the colorful fairy world, which was dazzling, touching, emotional and uncontrollable. But suddenly woke up, infinitely sparse, mood swings, without a trace of transition. At this time, the poet's feelings have sunk to the bottom, and it seems that they can't be higher, but the last sentence is "Oh, how can I solemnly bow and scrape to those high-ranking officials who will never be seen with an honest face!" Another example is the sudden emergence of a strange peak, and an indomitable righteousness comes out. In this way, the poetic dream perfectly combines the ever-changing thoughts and feelings with the ups and downs of the artistic structure, which embodies its unique aesthetic value.
Thirdly, the temperament beauty of poetry.
China's Confucian culture has always paid attention to "gentleness, courtesy and humility", while Taoism advocates self-cultivation, so "soft beauty" and "quiet beauty" have become the mainstream of China culture, while the pursuit and performance of "vigorous beauty" and "magnificent beauty" are relatively weak. As far as female images are concerned, they range from "Gentleman" and "My Fair Lady" in The Book of Songs to "Liu Lanzhi" in Han Yuefu, to "eclectic, aloof, sweet and sincere" Yang Guifei in Du Fu's "Two Ways", to modern "smiling all the time" Liu Hezhen Jun, from "smiling all the time" The pursuit of temperament in poetry is compatible with the deep structure of literati's cultural mentality. Li Bai is deeply influenced by Confucianism and Taoism, and his poems are bound to be branded with this cultural character. Although the poem Dream is full of romantic imagination and high-spirited momentum, its most fundamental temperament is calm and elegant. Li Bai, who experienced a great political failure, deeply thought about life. Finally, he realized that in an incorrect era, personal ideals are difficult to achieve. The biggest resistance he can do is to despise the powerful and the rich. "It's better to sigh before than after. What's the honor?" ("Twelve ancient imitations? He is determined to "let me raise a white deer on my green slope and ride to you when I need you, Dashan".
The poet's pursuit of "light beauty" and "quiet beauty" in his poems is inevitably suspected of being negative, but the evaluation of a person of an era should be evaluated from the ideological height of his era, and excessive demands are obviously not objective. This cultural character plays an irreplaceable role in social stability, and an impetuous era is easy to breed indomitable emotions, which may not be a good thing for a peaceful society. From a personal point of view, the cultural character of "weak beauty" and "quiet beauty" can dilute the conflict between personal misfortune and social reality by expressing sadness, provide beautiful expression for human ethical structure, and form elegant, quiet, implicit, elegant, calm and open beauty and style. This is also the aesthetic value you can see when you appreciate the poem Dream.
The ultimate goal of aesthetic education is to serve people's all-round development and improve their quality. When appreciating Dream of Poetry, appreciating the beauty of imagery, grasping the beauty of emotion and positioning the beauty of poetic temperament are all conducive to the cultivation of our own quality, which is the significance of discussing the aesthetic value of Dream of Poetry.