Guo Shaoyu's Poems of the Song Dynasty contains Li Qi's ancient and modern poems. The entries recorded in this "Poetry Talk" are mostly found in official history, anthology, unofficial history, notes and poetry talks of people in Tang and Song Dynasties, but Li Qi only did some "compilation" work. Guo commented on The Theory of Ancient and Modern Poetry in Textual Research of Song Poetry: "This book contains a large number of ancient sayings, and it seems more worthy of the name." "Call directly quote or record the original, or slightly abridged, or combine several articles with similar nature into one. Few people want to write by themselves. " This theory is extremely correct. For this reason, Guo annotated many entries and pointed out the origin of these words, so as to provide reference for the comparison, collation, textual research and research of Tang and Song poems. This rigorous style of study is admirable. Recently, the author searched the Tang collection and accidentally picked up some sources of "Ancient and Modern Poetry", and did not shy away from Ma Teng's suggestion, which is recorded as follows:
2. Poetry and songs are earth-shattering (the number before the subtitle is the original number of entries in Song Poetry Collection Ancient and Modern Poetry). The same applies to this example. )
Guo case: "This is the Art of Poetry. The only sentence quoted in Lei Shuo and Su Shizhu Poems is He's Five Qi Qu: "This poem can make the gods cry".
Enterprise case: Li Hao's passage excerpts part of the poem of "One-Three Years of High Technology" and "Zhi Zhang: If the public is not human, is it too white and evil?" A few words, but not in the skill of poetry. In fact, the phrase "the poet cries" can be found as early as Du Fu's "Send Li Twelve White and Twenty Rhymes": "There used to be fanatics named immortals. The pen is shocked by the wind and rain, and the poem becomes a cry. " Fan Zuo picked up the tombstone of Li, a scholar of Hanlin in Tang Dynasty: "When I was in Chang 'an, the prefect was He Xian, and he sang" Wuqi Qu ",saying: This poem can make the gods cry. "There are several words that are not found in Wang's Tang Yan." "Tang Xianyan" says: "What do you pay tribute to? You know: nonhuman people are not white stars!" It can be seen that this article has been written in several ancient and modern poetry works, not just Bai Meng's "The Art of Poetry".
9. I like the spring scenery of Jinghu Lake
Guo did not add the case: this is the article "Anren" in Volume 9 of Yunxi Friendship. The original text is very long, and Li Qi only extracts a few lines from it. Poetry Talk records the whole poem, and I think it is also from Friends of Cloud Creek. "Ancient and Modern Poetry Talk" says: "People pay attention: I love the ears of Jinghu Spring." Its meaning is not clear, Yunxi friends will record this cloud: "Lu invited Yu Jian to play: Although the Prime Minister doesn't love bass, who does he love?" Fan's article is better than others.
88. Pei's poems about prostitutes
89. Zheng's first poem
90. Yang Poetry
Guo San's notes are all: "This is the third volume of remonstrance."
Enterprise case: These three items were first seen in Sun Ba's Chronicle of Beili. There are five appendices to The Book of Rites in the North: Shangshu, Pei, Zheng Guangye, Yang Shangshu and Zheng Hejing. Among them, Hu Zheng Shangshu and Zheng Guangye Buzhou have no poems, so Tang Yanyan is only titled Pei as the top scholar, Yang Shangshu and Zheng Hejing's ancestors. The words in Tang Yan Yan are exactly the same as those in Sun Ba's Northern Rites, and should be regarded as a copy. However, some words in Li Qi's Poems of Ancient and Modern Times are different from the above two books. Such as: "Zheng Hejing's Ancestral Teacher", Li changed it to "Zheng Gu"; Change "make more than ten pieces of red paper" to "make paper paper"; "He Yu Lang" was changed to "Call Yu Lang"; "Churun" was changed to "Churun"; The original two books had a note: "Chu Niang, whose name is Runqing, is a prostitute in the boudoir", which was deleted by Li. These variants are either deleted by Li or caused by the circulation of paper money. According to the preface of Sun Neihan's Chronicle of the Northern Calendar, it can be seen that the Chronicle of the Northern Calendar was written in the middle of the Nuo Dynasty, four years ago (preface: "The middle of the year is the year of Chen Jiazhi, and there is no order." ) This book certainly predates Wang's Yan.
140. Li drew a picture.
Guo case: "See Volume II."
Enterprise case: This has long been seen in Li Zhao's Supplement to National History. The first sentence "Tang Yulin" is "Li Yishi became famous early, and there is an article called" Calling for Songs ". The same is true of the supplement of national history. Li Qi's Poems on Ancient and Modern Li Yi's poem is entitled "Morning Tour", which is actually two articles: Song of Recruitment and Morning Tour.
196. Zhou Dehua sings Liu Yang's Ci.
Guo did not add a case. Enterprise case: This is the tenth volume of Fan Yi's Yunxi Friendship Theory. This text was abridged by Li Qi. "Zhou Dehua is Liu Xiang's daughter", and "Yunxi Friendship" says that "those who have Zhou Dehua's family are also women in Liu Caichun." Volume 4 of Complete Tang Poetry and Volume 49 of Chronicle of Tang Poetry are also called "Liu Caichun Women", which are called together with Yunxi Friendship. Poems by Teng Mai, He, He and others. They are all slightly similar, and there are different languages in some places, which is caused by the idea of annotation and printing.
208. Literati avoid taking poems to join the army.
Guo case: "This is the Skill Poetry."
Enterprise case: This is written by two anonymous poems circulating in Bai Meng. For the poems written by literati on behalf of their wives, see Ma Wei's Only Mobilization, Volume 10. Poems are the same as those in Skill Poems. The title is My Love, and the signature is Goyal. In addition, Wei Zhuang recorded this poem under the volume of Xuan Ji, entitled My Love, and signed it as "Miss Ge Yaer". The text is basically the same, except that the last sentence is "It is when you come back that you don't come back". Wei Zhuang's Preface to Traveling to Xuan Ji: "A great celebrity in his own country, with the author so far, or within a hundred articles, writes a chapter; Or in the complete works, only a few poems were collected, but their clear pronunciation and mellow voice and beautiful sentences were recorded in the West House. The time is three years, July. " Then the poem "Love My Lover" written by "Mrs. Goyal" was selected by Wei Zhuang. Wei Zhuang compiled "You" and Ma Wei compiled "Garden Collection", which were later than the book "Poetry of Skills". They didn't take the poem of skill as the title, but wrote Goya II as the theme. I believe this poem has been circulated in the society. When Bai Meng used the name "scholar generation", he hardly knew the author's surname when he passed it on.
2 1 1. Yugou Hongye
2 12. Poems of Tung Leaves
Guo's case: "What happened was Friends of Yunxi, and the story of Jieluwo and the story of Gu Kuang was Poems by Celebrities. Is the original name of this book "Ancient and Modern Famous Poems", so the abbreviations of various schools are different? "
Guo case: "This is the Art of Poetry. The story of the red leaves recorded in the last episode of Liu Fu's "Qing Suo Gao Yi" is the story of Kuang and Lu Wo. "
Enterprise case: The poem "Love in Technology" only records Gu Kuang's poems about red leaves, while "Friends of Cloud Creek" not only records Lu's poems about leaves, but also records Gu Kuang's poems about leaves. Sun Guangxian's poem "Dream in the North" records the poem "Willow Leaves in a Fishing Groove" written by scholar Li Yin, but there are similarities. The red leaves recorded in Liu Fu's "Qing Suo Gao Yi" are passed down together with the notes of several books, and it is easier to get the poet's name. It can be seen that although the poet's name has been changed and the words are slightly similar, the stories are generally similar, which are all perfunctory by novelists and are not true.
2 15. seize the songs and poems.
Guo said, "This is a technical poem. See also Chronology of Tang Poetry 80. Another case is Hu Zaiyun:' Guan Yu's Collection of Liu Binbin has four poems, one of which is the previous one; The other three are also the meanings of the previous poems. "Ancient and Modern Poetry Talk" does not aim at the name of suggestion, so isn't this poem a dream? " "
Enterprise case: This is Meng Zhuo's fault. Four poems "Recalling Prostitutes" were included in the Southern Chu Newspaper as epigrams by the Song people, and were mistakenly edited as "Liu Binke Collection". Li Qi's Ancient and Modern Poems, Ji Gongyou's Three Hundred Tang Poems and Hu Zai's Tiaoxi Fishing Poems all accepted their mistakes. (See XI's Reading Poetry for details.)
2 16. Second time
Guo case: "See Skill Poetry and Li Rong's Personality."
Enterprise case: Records of Calligraphy and Art in the New Tang Dynasty and Novelist: Li Kang recorded ten volumes alone. Li Rong and Li Kang, who is not detailed? The latest recorded person in Du Yizhi is the deeds of Lu Sui, the prime minister of Tang Wenzong Dynasty. It can be seen that Li Rong was born in Wenzong and Wuzong, slightly earlier than Bai Meng.
2 17. Lotte Fan Yong Su Xiaoman
Guo's case: "This is a poem of skill. See also the comments of friends in Yunxi. But the years mentioned in Skill Poetry and Friends of Cloud Creek refer to Lotte, not Su Fan, so the last two sentences of the poem say:' The southeast corner of Yongfeng Square is empty all day?' "
Enterprise case: Tang Poetry (Volume 460) contains Bai Juyi's Poems of Yang Liuzhi. Note: Friends in Yunxi: There was a prostitute named Su Fan in Juyi who was good at singing and dancing, narrow-minded and good at dancing. Taste it like a poem: cherry Su Fan mouth, willow waist. Although the years are high, the villain is gorgeous, because Liu Yang's ci is a cloud of meaning. However, the series Yunxi Friendship did not accept this rule. Guo's situation is still based on the notes of the whole Tang poetry. Bai Meng's "Technical Poetry, Feeling Things Second" records the good songs of Bai Shangshu's "Jiren Su Fan". Prostitutes are good at dancing and long at writing. Li Hao only takes the first half. However, according to the research of later generations, the facts recorded by Meng Zhuo are wrong. Su Fan, also known as Fan Man and Fan Zi, said that "ten years of poverty and health is Fan Man" and "spring comes for a while" (both poems by Bai Juyi). Su Fan, also known as Yang Zhi, was named Sang Yang Liuzhi. Bai Juyi can't forget the preface: "A prostitute has Su Fan, who is over 20 years old and can sing and dance well. Many people use songs as their names." "Send Nineteen Lang to Wine": "Peach leaves were thrown out of the river in previous years, but no willow branches were planted in the building last year." Accordingly, Su Fan, Fanman, Yang Zhi and Liu Zhi are actually one person. The so-called "Poetic Taste: Cherry Su Fan Mouth, Willow Small Waist" in The Art of Poetry has not been found in Bai Juyi's collected works today. Su Fan and Xiaoman (Liu Yang) are divided into two people, and the second one is this one. There is indeed a word "villain" in Bai Juyi's poems, such as "In late spring, I drink a dream man": "I also took a villain to get Liu back." Self-note cloud: "Xiaoman is also named." It can be seen that Meng Zhuo mistakenly confused the two. Comrade Chen Youqin's Bai Juyi Volume quoted Cai Lifu's Poem of Red Banana and Shen Tao's Poem of Youlu in Qing Dynasty for reference.
2 18. Rong Yu sent poems to prostitutes.
Guo case: "This is the fourth book."
Enterprise case: This point can be found in the article Zheng Taimu's Doctor, Volume I of Fan Yi's Yunxi Friends Talk. This article is included in the fourth volume of Tang Yulin, all from Fan Yi's Yunxi Friendship. "Ancient and Modern Poetry Talk" only extracts the poems that Rong Hong sent to the geisha, and the words are abridged compared with those of Fan and Wang.
222. Poems of Philosophers and Prostitutes
Guo case: "This is the fourth volume."
Enterprise case: This was first seen in Fan Yi's Yunxi Friendship, Volume III, Ba Li Zuo Ao. Wang Shu recorded this rule, which was taken from Yunxi Youyi, and the text was basically the same. Wang also took another record of Li Aochu's crime of defending Lujiang's weight from Yunxi Youyi, which was combined into one and included in Volume 4 of Tang Yulin. Li Qi adopted poetry comments and deleted them because they had nothing to do with poetry. The article "The Poem of a Philosopher's Prostitute" in Ancient and Modern Poetry is slightly different from the above two books. In some places, Li Qi's pen was cut, and in some places, it was a variant in the transfer of paper money.
226. Yuan Zhen presented Huang Mingfu's poems.
Guo case: "This is the Skill Poetry."
Enterprise case: Compared with the article "Poems and Preface of Huang Mingfu Written by Yuan Zhen in Dongchuan" in Poem II on Technology and Things, Li Jie recorded a little less words, which seems to be abridged by Li Jie. Skill Poems originated from Volume 10 of Changqing Collection of Yuanshi County and Preface to Poems of Huang Mingfu, and the full text is recorded. Occasionally, there are similarities and differences between people, which are caused by the account book during the transfer process.
Winter drum
Guo case: Chronology of Tang Poetry refers to Zhang Yanyuan's Famous Paintings. "Pei Fu" refers to "Tales of Wonders", but there is no such thing in the book Shuoke. "
Enterprise case: This point was first seen in Liu Su's Da Tang Xin Li Yuge. Liu Shiyun said, "In the old system, Jin was summoned to the capital, so as to warn the walkers, put a seal on Ma Zhou, and then set up a street drum, which was convenient for the public and private. There is a Taoist named Pei Ranya who is good at painting good wine. He often plays the lyrics of "Weichuan":' Cover the winter drum and pour the cup. I regret to ask you, Jin Wu, to report the decline of Yushan. "It was very appreciated by people at that time." Although there are subtle differences between his words and Li Jie's, the source of "ancient and modern poetry talk" is clear.
256. Li Bai's Qingpingdiao Ci
Guo case: "This leads to Song Chuanglu and Le Shi Tai Zhen Legend."
Enterprise case: Li Zhuo's Song Chuanglu and Li Zhuo's Collection of Medical Arts are books of the same name. This record is also found in Volume 204 of Tai Ping Guang Ji, marked "Song Chuanglu", but the author's surname is not given. Wang Shu mentioned Song Chuanglu in Tang Yulin Bibliography, but he didn't write his name. Both the Book of the New Tang Dynasty and the Bibliography of Sui Chutang recorded a volume of Song Chuanglu, but neither of them wrote a surname. The book is recorded in the History of Song Dynasty, saying that "Li Zhuo's Song Chuanglu is a volume, which is doubtful. Chao's Reading Record (Volume 13) examines Song Chuanglu and says, "You wrote for Wei Chui, a Tang Dynasty man, and recorded the story of the Tang Dynasty." Ma Duanlin's Song Chuanglu is based on Chao's classical textual research theory. Wang Qi's Chronicle of Li Taibai quoted materials from Song Chuanglu, and noted: "What Tang wrote is now dead". When you follow it.
Shi Ding's couplets
Guo's case: "From this, I got Skill Poems and Han Changli's Preface to Poems. Fifty-five of Taiping Guangji quoted this as "Fairy Collection". "
Enterprise case: Bai Meng's writing is a summary of some poems in Han Yu's Preface to Ding Shilian's Poems and Lian Shi. Poem of Technology, The Fifth Difference: The Secret Biography of Ming Xuanyuan Written by the Korean Official Department is the basis of Li Qi's writing. As a matter of fact, Han Yu only prefaces Shi Ding's couplet poems, and there is no biography of Mi Ming. Volume 55 of Taiping Guangji quotes Sou Shen Ji, which is the provincial name of Sou Shen Ji. This book is accompanied by Biography of the Mystery of the Ming Dynasty, which is also Han Yu's Preface to Ding Shilian's Poems, or a novel adapted from Skill Poems.
325. Leng Chaoyang's poem sent a red line.
Guo case: "See Red Line Biography and Ganze Ballad."
Enterprise case: The Red Line is a legend in Jiao Yuan's Ganze Ballad. 1995 When Taiping Guangji was quoted, it was bet that Ganze Ballad would be published. Tan Ganze Ballad is a record of the "red line". Therefore, the red line should be signed by Jiao Yuan. This red line, named Juyuan Yang, was recorded in The Five Dynasties Novels in Ming Dynasty, but it was a mistake. It is not advisable for Ming people to write their surnames without taking an examination of their origins.
238. Sheng Xiaocong
Guo did not add a case. Enterprise case: This leads to Fan Yi's "Yunxi Friendship", the second volume "Li Shangshu's Being". At the end of "Ancient and Modern Poetry", Cui Xia said:' Being an old official alone in Baitai' ... Finally, it is the responsibility of Baitai. A passage in Yunxi Friendship Association is between "each gives a quatrain" and "Yang, Feng, Lu, Gao, followed by". Also, Judge Yang, "Friends of Yunxi" is "Yong Lian Judge Yang"; Yan Sheng's "Wandering in Yunxi" is "Viewing Judge Feng Yanchong"; Lu is the special envoy, and "Yunxi Friendship" is "Observing Special Envoy Lu Ye"; Gan Lu, "Friends of Yunxi" is "Lu Ji". There are many different versions of the remaining quatrains. These are all modifiable.
329. Zhang's Peony Poems
Guo did not add a case. Enterprise Case: This is Bai Meng's Poem of Giving Priority to Technology and Emotion. The original text is very long, and Li Hao should only recite peony poems.
352. Shadow grammar
Guo did not add a case. Enterprise case: Wei Qingzhi's Poet Jade Scrap is quoted from the third Syntax Gate, and the word "Lengzhai" is noted in the small print at the end of the text, so Wei's point of view comes from Song Hong's Lengzhai Nighttalk. Hui Hong, Su Shi and Huang Tingjian are foreign friends, and their times are earlier than Li Qi's. However, the book "Cold Zhai Night Talk" did not accept this rule, which may be a loss of this book. Because the third volume of The Poet's Jade Scrap is preceded by "complex syntax" and followed by "sentences outside the image", both of which come from Cold Zhai Nightingale, and the "shadow syntax" is sandwiched in the middle, which should also come from Cold Zhai Nightingale. In addition, the "shadow syntax" in ancient and modern poems says: "Zheng Gu has the cloud of Ode to Fallen Leaves ... and it also has a shadow grammar." Compared with the article "Jia Dao's poems have shadows" in Cold Zhai Night Talk, there is an obvious inheritance relationship, which seems to be up and down. It can be seen that "Ancient and Modern Poetry Talk" originated from "Cold Zhai Night Talk". Wei Qingzhi could still see the whole book at that time, so he quoted it in the poet's jade scraps, and preserved the original appearance of Cold Zhai Night Talk for future generations.
Xu Feiqiong.
Guo case: "See" Poetry Art "here." Taiping Guangji has been cited as Yi Shi for seventy years. This provision was made in the first thirty-three chapters of "Total Turtle", regardless of the source, but it was made before and after the ancient and modern poetry talks, and it should also be in Chinese. "
Enterprise case: Yi Shi, written by Lu Zi in Tang Dynasty, has been lost for a long time. The description of "novelist" in New Tang Book: The History of Lu Zi is lost; Also, "Yi Shi" has three volumes, and it is a big and medium-sized figure. The Bibliography of Leaving the Church at the Old Age records that Lu Zi has Yi Shi. It can be seen that Yi Shi was written by Lu Zi. In the Song Dynasty, books such as Taiping Guangji, Lei Shuo, Zhu Ji Ji Ji and Shi Gui all quoted lost articles, so they still survived in the Song Dynasty. Ye Mengde's "Tale of Summer" said: "Read" Yi Shi "and remember this (according to Li, there is a fairy hall waiting for him at sea). "Lu Zi is Zhao Lu. According to Yuquanzi, the comrade said: "Zhao, Zi Zichun, was born in Yichun, Yuanzhou, and won the top prize in Huichang for three years." (See Literary Heritage 1980, No.2, Notes on Novels of the Tang Dynasty) Lu Zisheng was earlier than Meng Zhuo, and Xu Hun's poems for Xu Feiqiong in The Art of Poetry came from Yi Shi.
392. The smell of an empty door
Guo's case: "There was this passage 30 years ago, regardless of the source, but there were ancient and modern poetry talks before, and I also knew the Chinese language of poetry talks, and the source of fun was here immediately."
Enterprise case: This is Bai Meng's "technical poem, the third in senior high school". There are some differences in words between Ji Shi and Gu Jin Shi Hua, such as: Liuwen Temple, and Ji Shi is called "Wenba Temple" (at that time it was Wengong Temple); Old monk, his poetic skill is "Zen master". Some words were deleted by Li Qi, such as "Famous in Beijing" and "Its mysterious words are wonderful and salty." Such a foreign language is enough for the school to prove.
424. Poetry satirizes Wu.
Guo case: "This is a poem of skill."
Enterprise case: This matter was seen in Volume IV of Official History, with Meng's notes omitted. The text of Official History was slightly changed and written as "Poetry of Technology". In fact, both poems and events come from Zhang Kun's records.