On the world, Wang Guowei [1] takes the realm as the top word.
if there is a realm, it will be self-contained, with its own famous sentences. The ci of the Five Dynasties and the Northern Song Dynasty is unique here.
[2] There is a creation environment and a writing environment, which is the difference between the "ideal" and "realistic" schools. However, it is difficult to distinguish the two, because the environment created by the great poet must conform to nature, and the environment written must also be adjacent to the ideal.
[3] there is a realm of me, and there is no realm of me. "Tears ask flowers and flowers for silence, and red flies over the swing", "It's as if the lonely pavilion is closed in spring and the cuckoo is setting in the sunset", which has my place.
"Under the east fence of chrysanthemum picking, you can see Nanshan leisurely", "Cold waves rise and Bai Niao leisurely descends", and there is no place for me. If you have my own environment, you can see things with me, so everything is my color.
If there is no self, we look at things by things, so we don't know what is for me and what is for things. The ancients wrote ci, and there were many people who wrote my realm.
However, you can't write about the realm of no self before you start, which can set your ears in heroes. 4. If there is no self, people can only get it in silence.
if you have my own situation, you can get it when you are quiet. Therefore, a beautiful, a macro strong also.
[5] Things in nature are interrelated and restricted. However, when it is written in literature and fine arts, there must be some limitations in its relationship.
therefore, a realist is also an ideal home. No matter how fictional the realm is, its material must be from nature, and its structure must be from the laws of nature.
therefore, an idealist is also a realist. 6. The scenery is not the only thing, and the emotions are also one of the realms in people's minds.
therefore, those who can * * * the scenery with true feelings are called realms. Otherwise, it is called boundless.
[7] "The branches of red apricots are noisy in spring", with the word "noisy" and the realm is all out; "Clouds break through the moon to make a shadow of flowers", with the word "get" and the realm is all gone. 8. Realms are big and small, and the advantages and disadvantages are not divided by what they are.
"The fish comes out in the drizzle, and the swallow leans in the breeze", why not "the flag of sunshine falls, and the wind is rustling in A?vagho?a"? "A small silver hook hangs on the curtain", why not "the fog loses its tower and the moon crosses the maze"? [9] Yan Canglang's "Poetry Talk" said: "The princes in the prosperous Tang Dynasty were only interested, and the antelope was hanging on the horn, and there was no trace to be found. Therefore, its beauty is clear and exquisite, and it cannot be photographed together, such as the voice in the air, the color in the phase, the shadow in the water, and the image in the mirror. "
I said that the words before the Northern Song Dynasty were the same. However, Canglang's so-called "interest" and Ruan Ting's so-called "verve" are just what they look like, if I choose the word "realm" to explore their origin.
[1] Taibai pure wins by weather. "The afterglow of the west wind, the tomb of the Han family", a few characters, then closed the mouth of the eternal landing.
Only Fan Wenzheng's "The Pride of Fisherman" and Xia Yinggong's "Xi Qian Ying" in later generations are inferior to the martial arts, but the weather is out of reach. [11] Zhang Hao said that Fei Qing's words were "deep and beautiful", and I said that these four words were only enough for Feng Zhengzhong.
Liu Rongzhai said that "Fei Qing is exquisite and unique", which is close to the ear. [12] "Painting a golden partridge on a screen", which is similar to Fei Qing's words.
"Oriole dialect on the string" has its own language, and its words are similar. If you want to find it in the words and expressions, you will "try to make up with tears", which is almost close.
[13] In the Southern Tang Dynasty, the main word "fragrant lotus sells the residual green leaves, while the west wind worries about the green waves" has a great sense of vulgarity and beauty dying. It is unique in ancient and modern times to admire his "drizzle dreams back to the chicken, and the small building blows through the jade and gives birth to cold", so it is not easy to understand people.
[14] Wen Feiqing's words are also beautiful; Wei Duanji's words, bone show also; Li Shiguang's words are also beautiful. [15] When Ci came to Li Houzhu, it began to have a big vision and deep feelings, so it became a word of a master and became a word of a scholar-official.
Zhou Jie's presence under Wen and Wei can be described as turning black and white. "Naturally, people hate water growing in the east", "Flowing water fades away in spring, and it's heaven and earth", and "Jin Quan" and "Huanhua" can have this atmosphere! [16] A poet is one who does not lose his childlike heart.
therefore, he was born in the palace and was longer than a woman's hand, which is the shortcoming of the late master as a gentleman, that is, the strength of the poet. [17] An objective poet can't read the world more. The deeper he reads the world, the richer and more varied his materials are. The authors of Water Margin and A Dream of Red Mansions are also.
Subjective poets don't need to read the world more. The shallower they read the world, the truer their temperament, and so does Li Houzhu. [18] Nietzsche said that all literature loves to write in blood.
the words of the late master are really called those who write in blood. Emperor Song Daojun's "Yanshan Pavilion" is also slightly similar.
However, the Taoist monarch is nothing more than a relative of his own life experience, while the late Lord has the meaning that Sakyamuni and Christ bear the sins of mankind, and their size is different. [19] Although Feng Zhengzhong's ci did not lose the style of the Five Dynasties, it was extremely large and opened the atmosphere of the Northern Song Dynasty.
The subject words "Yu Zhong" and "Hou Zhong" are both outside the scope of Huajian, so it is advisable not to say anything about them in Huajianji. (2) The words in the middle of the poem are not only dozens of poems in Magpie Treading Branches and Bodhisattva Man, such as "A tall tree magpie holds a nest, and the moon is bright and the grass is cold" in Drunken Flowers, which means that the fireflies in Suzhou, Wei, and the phoenix trees in Xiangyang, Meng can't pass.
[21] The word "Green Yang Lou goes out on a swing" in Ou Jiu's "Huanxisha", which Chao Bu said is only a word "out", so later generations can't understand it. I said that this originated from the word "Swing outside the willow draws a wall" in the Upward Cup, but the European language is particularly skillful.
[22] Mei Shengyu's poem Su Muzhe says: "The pear blossoms are all in spring, and the sun is setting everywhere, with green colors and old cigarettes." Liu Rongzhai said that traveling less all his life seems to be specialized in this kind of study.
I refer to Feng Zhengzhong's poem "Spring in the Jade Building": "Yefang Fei's appearance is continuous, and she naturally has a lot of feelings. If she respects the previous efforts, she will return to the spring. Don't worry about hurting her eyebrows." Uncle Yong seems to have specialized in this kind of study all his life.
[23] It is known that Hejing's Diancrimson Lip, Shengyu's Su Muqi and Yongshu's Youth Tour are the unique tunes to praise the spring grass, but I don't know who can capture the soul of the spring grass before the word "drizzle and wet streamer". [24] The poem "Poems" is the most popular one.
Uncle Yan Tong's "Last night, the west wind withered the green trees, and I climbed the tall building alone, looking to the end of the world" is quite close. But when it falls, it is tragic.
[25] "I look at all directions, and I am overwhelmed." The poet's worries are also born. "Last night, the west wind withered the green trees, and I climbed the tall building alone, looking at the end of the world".
The poet is worried about the world. "A hundred herbs and a thousand flowers are cold food roads, and whose tree is the fragrant car?"
[26] Those who have made great achievements in ancient and modern times and asked questions in universities must go through three realms. "Last night, the west wind withered the trees, and I went up to the tall building alone and looked at the end of the world." This is the first place.
"I'll never regret it if my belt gets wider, and I'll be haggard for Iraq." This is also the second place. "The crowd searched for him for thousands of Baidu, and when I turned around, I saw that the man was in a dim light", which was also the third place.
none of these words are beyond the reach of a great poet. However, if we interpret the words in this way, we will be afraid of Yan and the European government. 2. the original text and translation of Siwei in classical Chinese
Siwei. Guanzi
has four dimensions: one dimension is critical, two dimensions are critical, three dimensions are critical, and four dimensions are critical.
it's right to pour, it's safe to be in danger, it's up to be overturned, and it's impossible to make mistakes! What is four dimensions? One is courtesy, the other is righteousness, the third is honesty, and the fourth is shame. Ceremony, not exceeding the festival; Righteousness, not self-improvement; Cheap, not evil; Shame, never waste. Therefore, if it is not over the festival, it will be safe; No self-promotion, * * * no clever fraud; If you don't cover up evil, you will do it yourself; If you don't waste it, evil things will not be born.
building a country with four dimensions is like tying a carport with four ropes. If one dimension is cut off, the country will tilt, two dimensions will be cut off, the country will be in danger, three dimensions will be cut off, the country will be overturned, and four dimensions will be cut off, so the country will perish.
those who are inclined can be righted, those who are dangerous can be stabilized, and those who are overturned can still be revived. Only when it dies, there is no way to resettle it. What is the four dimensions of founding a country? The first is courtesy, the second is righteousness, the third is honesty, and the fourth is shame. The so-called ceremony means not going beyond the law; Righteousness means not to beg for it; Honesty is not hiding evil things; Shame is not attached to people who have never been honest. Therefore, if a country has no people who exceed the law, those who live in the upper position can be stable; If there are no people who are struggling, ordinary people will not commit fraud; If you don't hide evil things, your character can be perfect; Without people who are never honest, bad things will not happen.
Reference: 163.32.84.12/homepage93/PB/PB47/character/Oldtimers 3. Who can help me to explain this classical Chinese sentence? Wang Guowei said, "Wang Guowei said," It covers people's hearts.
Generally speaking, people are influenced by things that are of interest to them. Only beauty, Let people forget the advantages and disadvantages, and let people enter the noble and pure realm. Although in desperation, we have spiritual interests and life values, as well as lifestyle, and we can still adjust ourselves. In the process of upward goodness, our life is enriched and our psychology is relieved. We have improved our lifestyle. The instinct of loving beauty is common to all of us. However, the sensory organs are not commonly used or will not be used, and we are numb over time. A person is numb. When a nation is numb, it becomes an uninteresting nation. The function of art is to restore this numbness and turn uninteresting into interesting. 4. Wang Guowei's triple realm,
from classical Chinese, has made great achievements in ancient and modern times. University questioners have to go through three classes: "Last night, the west wind withered the trees, and I went to the tall building alone to see the world. "(Yan Tongshu's" Recent Flowers "is also the first class. "I won't regret it if my clothes get wider and wider, and I will be haggard for Iraq. "(Ouyang Yongshu's" Recent Flowers "is also the second class. The crowd searched for him for thousands of Baidu, and when I turned around, I saw that the man was in a dim light. "(Xin Youan's" Jade Case ") This third class is also. -Wang Guowei
Wang Guowei's three realms are that I have a strong interest in Wang Guowei's "Ci Hua on Earth". After reading this book, I feel that the world of Ci is so big and so deep that you will find your own insignificance and ignorance when you swim in it.
Wang Guowei has made great achievements in textual research, philosophy, literary criticism and many other aspects in his life. However, he is particularly proud of his writing skills. He once said that "Yu Yu is a poet, and although he has done less than a hundred things, since the Southern Song Dynasty, there has been no one but one or two. "Wang Guowei just turned 3 when he said this. He only wrote a hundred words, and he easily ignored almost all the poets in the past 8 years. Writing can be written to such an extent, regardless of historical evaluation, even if he is crazy and confident. Born in 1877, this man died in 1927. In his prime of 5, he jumped into the Kunming Lake in the Summer Palace in Beijing and died without a roof. His whole life was a process of constantly asking questions about life. Some people say that he is a legacy of the Qing Dynasty, some people say that he is a martyr who is worried about the world, and some people say that he just can't bear the long-term oppression of Luo Zhenyu, the teacher, and he can't swallow his anger, so he threw himself into the water. Wang Guowei's dramatic death is very important to historians, but for those who write or draw, the words he left behind are more important than the end of his personal life.
Ren Jian Ci Hua is the most famous work of Ci Hua in China in modern times, and it is the representative work of Wang Guowei's literary criticism. Among the numerous Ci Hua in Qing Dynasty, Ren, with its novel views and original theories, fused Chinese and Western aesthetics and literary thoughts in one furnace, broke through the views of some schools in the literary world in Qing Dynasty, creating a new way for the study of China's aesthetics and literary theory, and occupied an important position in China's academic thought treasure house. Although it is written for the discussion of Ci, it involves a wide range of aspects, not limited to Ci, "which can be read as the Wang family's artistic theory" (Xia Chengtao's Ten Comments on Ci). It breaks through the views of Zhejiang School and Changzhou School in the Qing Dynasty and is original. On the basis of exploring the gains and losses of poets' creation in past dynasties, and combining the author's own personal experience in artistic appreciation and creation, Man puts forward the theory of "realm", which is the center and essence of Wang Guowei's artistic theory. The theory of realm puts forward a view in Ci on Earth that the artistic conception of literary works is formed by the combination of the real life described in the works and the thoughts and feelings it expresses, and it is the unity of subjective and objective, ideal and reality, emotion and reason. The so-called realm is not only the scenery, but also the joys and sorrows, which is one of the realms in people's minds, and the realm of creation and realism. Here, the meaning of the realm is clearly explained, and then the composition of the realm is specifically expounded. "The realm created by great poets must conform to nature, and the realm written by great poets must be adjacent to ideals." "Although realistic, it is also an ideal home." That is to say, the realm is the poet's portrayal of nature and the expression of ideal composition, and a successful poem must be a close combination of ideals and realism. For example, the interpretation of "realm" in the book is:
-the word takes realm as the top. -the realm is self-contained, with its own famous sentences.
-there is my realm, and there is no realm of me. There is my realm, and I look at things, so everything is my color. Without me, we look at things by things, so we don't know what is for me and what is for things.
-those who can * * * scenery and true feelings are called realm. Otherwise, it is called boundless. "Man", a collection of sixty-four short comments, is Wang Guowei's experience in writing ci, and also a summary of his artistic view. Although the article is short, it is four or two thousand pounds, and the words are precious and powerful. With the formation of traditional words and expressions, anti-traditional concepts, terms and thinking logic, he naturally incorporated some new concepts and methods, and the theoretical problems summarized by him were of quite universal significance, that is, he had a great response among the readers of the old and new generations at that time and had a lofty position in the history of modern literary criticism in China. The biggest difference between "Man" and traditional poetry is that he no longer only pays attention to people's ethical world, but repeats the theme of parting from lovesickness and humiliation; Instead, the individual ego is thrown into the vast universe, popular and endless eternity, so that the ego can face the doomed human tragedy, even split the personality of self-display, torture the soul, and investigate the fate of life without roots. It is the infusion of Wang Guowei's life and spiritual life, which is different from "the tool of a young goose". The simulation work is the crystallization of the author's inquiry and thinking about the basic life problems such as the universe and life, life and death. This is also the reason why I only love People. I like his "all scenery is love"; I appreciate his three realms and his unremitting spirit of exploring life; I envy him more for his free and easy and freedom of "with or without me".
Finally, I'd like to end my post-reading feeling by borrowing a comment from others on "Ci Hua on Earth". Wang Guowei's Ci-Hua on Earth has taken a solid step on the road of the exchange and integration of Chinese and Western literary thoughts. It has a novel point of view, an incisive argument and a self-contained system, and is regarded as an epoch-making work in the history of China's poetry and Ci-Hua development. Therefore, it has naturally attracted the attention of scholars at home and abroad.
Dear, if the answer is not easy, please adopt 5. What are Wang Guowei's classic poems?
"Die Lian Hua Read Endless Farewell Bitter" Qing Dynasty: Wang Guowei read Endless Farewell Bitter, no way to return, so many scattered flowers.
There's nothing to say at the bottom of the flower, and the green window is nothing but spring. I'll tell you under the acacia lamp that I have a new love and an old hatred for Qian Qian.