1. Sentences or poems describing the tenderness of a strong man
"Gaixia Song"
During the period of the Chu-Han struggle for hegemony: Xiang Yu
Powerful to conquer the mountains The world is filled with overwhelming energy,
The times are not favorable and the good will never fade away.
There is nothing you can do if your talent is not gone,
What can you do if you are worried?
Translation: Strength can lift mountains, and spirit can be unparalleled, but bad luck can lead to a BMW. No matter how hard it is to run a Mercedes-Benz, what can you do if a BMW doesn’t run a Mercedes-Benz? Yu Ji, Yu Ji, how should I arrange it for you?
Extended information:
Poetry appreciation:
The first sentence of the poem creates an unparalleled heroic image. In ancient China, "Qi" not only originated from people's innate endowment, but also relied on acquired cultivation; a person's character, ability, demeanor, etc. all depended on "Qi". The so-called "unparalleled" means that he surpasses anyone else in these aspects.
Although this is a general narrative, the three words "Strengthen the Mountain" show a specific and vivid effect. Therefore, in this sentence, by combining the virtual and the real, he puts himself The all-powerful spirit was vividly revealed.
However, in the second and third sentences, this unparalleled hero suddenly became pale and powerless. These two sentences mean that due to unfavorable weather conditions, the famous horse he was riding, the Wuzui horse, could not move forward. This put him in a desperate situation of failure and could not extricate himself, so he had to call out "Naihe".
The reason why "Zui"'s "immortality" has caused such serious consequences is because, in Xiang Yu's view, he was able to achieve such great achievements mainly because of this famous horse; With its cooperation, he can be invincible.
In other words, he almost conquered the world alone, so his most important comrade-in-arms was Wu Zima. As for others, they played a very minimal role in his career. Their support was It doesn't play much role in his success or failure, so he only needs to pay attention to Wu Zima.
This also means: His power makes it meaningless for anyone to help him. No one is worthy of being his main comrade. This kind of arrogance is unparalleled, and he can be said to be the only one in the world.
However, no matter how brave and invincible he is, once the weather is unfavorable, he has no other choice but to perish. In front of the mysterious "Heaven", humans are very insignificant; even the greatest heroes among humans cannot withstand a slight blow from "Heaven".
Sogou Encyclopedia - Gaixiage 2. The difference and functions of milk thistle and artichoke
Medicinal value
The involucre and receptacle of artichoke buds It can be eaten as a vegetable, and the roots can be used as medicine to enhance liver function and have diuretic effects.
Artichoke buds are highly nutritious. Each 100 grams of edible portion contains 86.5% water, 2.8 grams of protein, 0.2 grams of fat, 9.9 grams of carbohydrates, 160 international units of vitamin A, 10.06 mg of vitamin B, 0.08 mg of vitamin C, 11 mg of vitamins, 51 mg of calcium, and 69 phosphorus. mg, iron 1.1 mg. The leaves contain cardinol, which has the effect of treating chronic hepatitis and lowering cholesterol. The stems and leaves can be cooked and cooked after softening, and have a fresh taste. In medicine, the stems and leaves have been processed to make tablets to aid digestion and aperitifs. The feeding part is the involucre and receptacle of the flower bud. It has a chestnut-like aroma and can be eaten fresh, made into sauce, made into soup or processed into cans. The annual demand for canned artichokes in the world exceeds 100,000 tons. The sepals of artichokes are also made into preserves.
Food value
Cooking artichokes is usually done by steaming. Here is one way to cook it
Start by peeling and slicing the garlic.
Tear off the bottom few leaves of the artichoke and place the garlic slices between the other leaves.
Place fresh lemon slices on the bottom of the artichoke and tie the artichoke and lemon slices together with twine. In addition to seasoning the artichokes, this also prevents the artichokes from burning.
Mix the seasonings (such as salt, coriander, etc.) and olive oil, put them in the pot and cook for a while, then add the tied artichokes.
Add water (about four or five times the amount of oil), cover the pot, and steam the artichokes.
After steaming, the artichokes should turn from fresh green to cooked yellow-green (a sauerkraut-like color). The disc can now be loaded.
In general Italian cuisine, only the buds of artichokes are eaten, but in fact, the leaves can also be eaten, but they are not as delicious as the buds. In addition, it is not necessary to remove the string when serving, because some restaurants will serve the artichokes in the same cooking style, but there are also restaurants that remove the string before serving. In addition, artichokes are also cooked together with gravy.
Artichokes are usually cooked with fruit, such as lemons or strawberries. [1]
When the flower buds are eaten, boil them in boiling water for 25 to 45 minutes. Take them out when the sepals are easy to pull apart, peel off the bracts, slice the total receptacle, and put the two into a pot. Sprinkle in refined salt and marinate for a while, remove and squeeze out the water, mix with seasonings, and make a salad.
Or mix it with a slurry made of eggs, starch, etc., fry it in an oil pan until the surface is golden brown, remove it and drain it, and eat it with pepper and salt, all of which have a unique flavor.
The whole plant is used for tumors and erysipelas; the fruits and extracts are used for liver disease, spleen disease, gallstones, jaundice and chronic cough. It clears away heat and detoxifies, protects the liver, promotes gallbladder, protects the brain, and resists X-rays. It has good curative effect on liver and cholicitis diseases such as acute or chronic hepatitis, cirrhosis, fatty liver, metabolic toxic liver damage, cholelithiasis, cholangitis and perihepatobiliary inflammation. It can relieve the symptoms and certain biochemical symptoms of patients with liver disease. Indices such as serum bilirubin, white and bulbar coefficient, thrombin, alanine aminotransferase, etc. improved rapidly.
Usage and dosage
Milk thistle
Treat hepatitis with silybin (silymarin, milk thistle, silimaline), 70 to 140 mg orally each time mg, 3 times a day, for at least 5 to 6 weeks. After symptoms improve, give a maintenance dose of 35 to 70 mg, 3 times a day. Sugar-coated pills (35 mg each) are also available.
Excerpt from "National Collection of Chinese Herbal Medicines"
Content determination
Determination according to high performance liquid chromatography (Appendix VI D).
Chromatographic conditions and system suitability experiment uses octadecylsilane bonded silica gel as the filler, methanol-water-glacial acetic acid (48:52:1) as the mobile phase, and the detection wavelength is 287nm. The number of theoretical plates calculated based on silibinin peak should not be less than 5,000.
Preparation of reference solution: Take 0.5g of this product powder (passed through No. 3 sieve), weigh it accurately, place it in a stoppered conical flask, add 50ml of 75% methanol accurately, weigh it, and heat to reflux Let cool for 30 minutes, weigh again, make up for the lost weight with 75% methanol, shake well, let it stand, and take the supernatant.
Determination method: Precisely draw 5 μL each of the reference solution and the test solution, inject them into the liquid chromatograph, and measure. Calculate the sum of the two peak areas of silibinin.
Calculated as a dry product, this product contains no less than 0.6% silybin (C25H22O10) [3 3. Introduce Xia Yu’s poems
Xia Yu, whose real name is Huang Qingqi, was born in 1956. Graduated from the Film and Drama Department of the National Art School. She started writing poetry at the age of nineteen. She is a female poet who made her fortune very early. She participated in grassroots poetry societies in her early days. Before the collection of poems was published, she was selected into the "Anthology of Modern Women Poets" compiled by Zhang Mo in 1981, which shows her high profile. degree, and in 1984 won the second place in the first modern poetry selection held by "Chinese and Foreign Literature". In September of the same year, he self-published a collection of poems called "Memorandum" that resembled a work of craftsmanship. One of them, "Sweet Revenge," has made many poetry readers and non-poetry readers immersed in pickled happiness. "Ventriloquism" published in 1991, with its leaping thinking and feminine writing charm, strives to tease the boundaries and diversity of poetry. It is worth mentioning that the appendix at the end of the collection of poems is a written conversation between Wan Xuting and Xia Yu in the twelfth issue of "Modern Poetry" in 1988, which gives a glimpse of some of his creative views, especially the discussion between copying and originality. The concept has another presentation in "Friction, Indescribable" published in 1995: a new collection of poems made by enlarging and photocopying the original manuscript of "Ventriloquism", then cutting and reorganizing it, even if it contains familiar words or difficult words. The material seeks changes, and the author has ulterior motives in expressing his thoughts in content or binding. In the late summer of 1999, Xia Yu published a "raunchy" poetry collection of the same name. Among them, the works best illustrate the definition of "respective expression". This non-mainstream whisper attracted the attention of Taiwanese small theaters who put his poems on stage for publication.
In Xia Yu’s creations, she can often use some simple metaphors, project/satire on reality, and put on interesting and eye-catching titles, so that people can see the meaning in the compact poems. She interprets the world/emotions/language from another perspective. It is like using an empty plastic bottle that is difficult to deal with, useless but troublesome to metaphorize an expired lover. Such a creative association, and echoing the title "Autumn Sorrow", makes it even more tense. "Autumn" is a season that symbolizes separation. The sadness should be due to the reluctant farewell, but here, the sadness is the embarrassing feeling caused by the inability to let go/throw away. It greatly reverses the image of a woman who suffers a change of heart, and embodies the rare "sovereignty lies with the woman" emotionally.
For example, in the poem "Canned Fish - A Wedding for a Friend", cheap cans are used as a metaphor that are easy to buy and eat, but contain many artificial additives to prevent food from spoiling. My own views on the "institution of marriage". Among them, the emotions of the fish/married men and women who left the sea and used their best to be canned are beyond the understanding of the ocean/family. The ocean is deep and complex and cannot be seen clearly by relatives and friends on the coast/outside the incident. However, in this way The stories/social rituals and systems are so popular/universal, but scarlet/joyful/bloody. Ultimately, it is because the tomato sauce in the can is exactly the same, the ubiquitous tomato sauce/social internalization consciousness-getting married, having children, and a happy family. The fish, which was full of flavor, also lost its fresh color. The "canned fish" that seems to have nothing to do with the warm wedding is combined in Xia Yu's words, so that everyone thought it was the only unique combination. In the eyes of the poet, it actually tastes ordinary, and there is an unavoidable sweetness. Tired and fishy. People have to think about the proportion of happiness and sacrifice behind the lively wedding.
Xia Yu, who is so good at using symbols and images in poetry, discusses this issue in a carnival style in another article, "The Missing Elephant". The entire poem is actually based on the "Ming Xiang" chapter in ancient Chinese literature that talks about the relationship between images and meanings. In the original text, the original hexagram symbols/xiangs referred to are all animals, plants, and even everyday things. Replace it with what you see. At first glance, this seems like a ridiculous game of erasure, but it is actually the author's light-hearted way of making fun of the authority of patriarchal classics. Moreover, the vivid and cute alternative patterns express the "image" - everything under the control of male language is not the only one, and the "facts" can be more, better, and more interesting.
Of course, Xia Yu’s poems are always full of experimentation. She is an excellent navigator when it comes to adventures in words and meanings. The scenery everyone sees is another problem that is difficult to unify. Perhaps this is the reading pleasure she cleverly provides.