Question 1:(4 points) ① Sorrow begins with the scene in front of us. When the poet went upstairs, he saw the desert in the distance, where the sea and the sky m
Question 1:(4 points) ① Sorrow begins with the scene in front of us. When the poet went upstairs, he saw the desert in the distance, where the sea and the sky meet as far as the eye can see. Strong winds mercilessly destroyed hibiscus in the water, and heavy rains whipped Ficus pumila crawling all over the wall. He felt this emotion involuntarily, and he felt sad because of it. (2) Melancholy begins with life experience. The couplet "* * * came to Baiyue tattoo" explains the place where the author was exiled to the wild, "and we don't even need letters to keep in touch with our hometown". The poet and his friends were exiled together, far away from their hometown, isolated from each other, and never heard from each other, which inevitably led to the sadness of sighing about their life experiences and missing their old friends. (If it makes sense, 2 points per point. )
Question 2: (4 points) It can be answered from the perspectives of symbol, pun, metaphor, happiness, lyricism and refinement. Example 1① Zhuan Xu uses the artistic technique of "symbol" to express his ambition with natural scenery-"Lotus" and "Ficus pumila" symbolize the noble quality and indomitable fighting spirit of the poet's friends; "Scared Wind" and "Secret Rain" symbolize that the reactionary forces of the imperial court attacked the progressive forces crazily. (2) This is a situational language, as well as a sentiment language, which is a portrayal of the poet's sinister career. The poet's anxiety and indignation at the sinister situation are beyond words. In the second example, the combination of seal script and fu pen tries to lay out and describe the close-up of the building, which is vivid and lyrical. The words "earthquake", "chaos", "dense" and "oblique" are used vividly. Through these words, we strongly feel the cruelty of storms attacking flowers and plants; At the same time, we also strongly feel the anxiety and anxiety of the poet after his relegation. The poet quietly expressed his feelings about life experience in the landscape, as Shen Deqian said, "The words are here, but the meaning is not here". Example 3 Judging from the sudden storm scene described by Zhuan Xu, this is a "Fu" pen, in which there is both metaphor and happiness. Here, hibiscus and Ficus pumila symbolize the beauty and elegance of the poet's personality. Climbing up the tower and looking around, I deliberately picked out hibiscus and Ficus pumila from those I saw. Obviously, their situation in the storm made the poet tremble. The wind, the rain, the anger and the inclination show that objective things project the poet's feelings. Lotus water, why because of the wind, and the wind is still chaotic; Ficus pumila wall, rain is difficult to invade, dense rain oblique invasion. How can this not remind the poet that his worries are pervasive! Here, the contrast between the emotion in the scene, the meaning in the environment and the fu is like the salt in the water, without trace. (If it makes sense, give points as appropriate. )
Question 1:
Test analysis: The whole poem begins with "Climbing Liuzhou Tower". The first sentence "tall buildings on the city" is preceded by the word "high". The higher you stand, the farther you can see. The author traveled a long way to Liuzhou, but he couldn't wait to climb the peak, in order to look forward to the demotion of his comrades and express his unspeakable feelings. The word "connected with the wild" means that the tall buildings in the city are connected with the wild, which is seen by people upstairs. As a result, the feeling of things came into being, and the phrase "our desire is as far as the ocean or the sky" gushed out from it, showing a vast and desolate space in front of the poet. Looking to the extreme, the sea and the sky are connected. And my own endless "sadness" will fill the vast space. With such a vast realm and such deep feelings, the author seems to have written this couplet effortlessly, taking the soul of poetry and unfolding a grand picture for the following layers of description.
Question 2:
Analysis of the examination questions: The second couplet, "Lotus-the flowers are in full bloom by the moat, and the vines on the wall are whipped by the oblique rain", tells what you saw nearby. It's just a close-up, so it's written in detail. As far as describing the sudden storm scene is concerned, this is a "fu" pen, which has both contrast and interest. Qu Yuan's "Lisao" has a cloud: "Make the clothes of lotus, and pick the clothes of hibiscus. I don't know if it is already embarrassing, and I feel that I believe it. " Another cloud said: "Tap the root of the wood to tie a knot and pass through the falling core of Ficus pumila;" Correct the mistake that bacteria make you feel good, but ask for trouble. It is not a secular service to ask my law to be amended before. "Here, hibiscus and Ficus pumila symbolize the beauty and elegance of personality. Climbing up the tower and looking around, I deliberately picked out hibiscus and Ficus pumila from those I saw. Obviously, their situation in the storm made the poet tremble. The wind, the rain, the anger and the inclination show that objective things project the poet's feelings. Lotus water, why because of the wind, and the wind is still chaotic; Ficus pumila wall, rain is difficult to invade, dense rain oblique invasion. How can this not remind the poet that his worries are pervasive! Here, the contrast between the emotion in the scene, the meaning in the environment and the fu is like the salt in the water, without trace.