Wang Anshi's "Mr. Yin's Book on the Wall of the Lake": "Mao Yan is always clean without moss, and flowers and trees are planted by themselves. One water protects the field and two mountains send green. " This is a poem written by the poet for his neighbor Yang Defeng. The last two sentences are about the long-term environment around the house The winding river flows through the farmland, and you can enjoy the lush vegetation on the mountain when you open the door. However, the poet wrote the dynamic beauty of Qingshan River by "protecting fields" and "arranging rows": the river intentionally protects green fields, and Qingshan intrudes into the house and politely "sends" Qingshan into the house for the owner to watch. This makes the dead and static mountains and waters become alive, dynamic and emotional.
In Mao Zedong's poem "Spring and Snow in Qinyuan", "The mountain dances with silver snakes, which are like wax and want to compete with the sky." Among them, the dynamic description of "mountain dancing silver snake, original wax elephant" has a lively and unrestrained momentum. Adding a sentence "I want to compete with the weather" shows that "mountain" and "original" are connected with the sky, and there is a vibrant situation and competitive vitality. Both "mountain" and "original" are still lifes, and they can both "dance" and "gallop" under the poet's pen. This is a romantic imagination. Although the mountains are undulating in the distance in the heavy snow, there is indeed a sense of movement in the primitive mountain dance. More importantly, because the poet skillfully used the artistic technique of writing static by moving, turning static into dynamic, the nature in front of him also appeared lively.
Another example is that "green" in "Spring Breeze and Green Jiang Nanan" and "noisy" in "Red Apricot Branch in Spring" both get a verb, which makes the original static scenery full of vitality and dynamic beauty.
It is more vivid to describe characters by moving and writing static, and turning moving into static. Bai Juyi's Song of Eternal Sorrow describes Yang Guifei's natural beauty, snow-white skin and beautiful appearance. Her hair is clouds and her cheeks are petals. Her crown is golden when she walks, but the petals are like her face and willow leaves are like her eyebrows, all of which are unobtrusive. But the words "Looking back with a smile and sad eyes" and "There are tears floating down her sad white face" show her charm and charm, which is amazing.
In China's ancient poems, there are countless applications of the principle of combining static with dynamic. For example, Li Bai's "Looking at the Thousand Rivers Waterfall" in "Looking at Lushan Waterfall". A word "hanging" turns the movement into stillness, which has the effect of making the finishing point. At once, the living waterfall prospect is displayed in front of our eyes, making people feel as if they are in a painting, unaware of the truth.