Year: Tang Dynasty
Author: Zhang
Genre: Yuefu
Lian Haiping is in the spring tide, and the bright moon on the sea is born in the tide.
Rudder (Yan) travels thousands of miles with the waves, and there is no moon on the river!
The river flows around diàn, and the flowers and trees in the moonlight are like Xi à n.
Frost flows in the air, you can't fly, but you can't see the white sand on the pavilion.
There is no dust in the sky on the river, and there is a lonely moon in the sky.
Who saw the moon by the river for the first time? When did Jiang Yue take the photo at the beginning of the year?
Life is endless from generation to generation, and Jiang Yue is only similar year after year.
I don't know who Jiang Yue is waiting for, but I see the Yangtze River delivering water.
The white clouds have gone, and Qingfeng is at a loss.
Who will go boating tonight? Where do you miss Mingyue Building?
Poor people wander upstairs for the moon, so they should leave someone to fill the mirror.
The curtain of the jade pot can't be rolled up, but the anvil (zhēn) was brushed up (a "finger") and returned.
At this time, I don't know each other. I hope China will shine on you every month.
Hongyan flies in the sky, and fish Long Qian jumps in the water.
Last night, I dreamed that the idle pool had fallen, and the poor spring had not returned.
In spring, the river flows away, and the river falls in the moon and the west (for rhyme, so read xiá).
Oblique (this is the first sentence, so it doesn't rhyme, so read xié) the moon is full of sea fog, and (pronounced jié) the poem xiaoxiang is infinite.
I don't know how many people return to the moon, and the moon (a kind of "flower") shakes the trees all over the river.
Translated text
In spring, the river tide is mighty, connected with the sea, and a bright moon rises from the sea, as if spewing out with the tide.
The moonlight shines on the river, and it shines thousands of miles with the waves. There is no bright moonlight somewhere on the river.
The river winds around Yuan Ye, where there are many flowers and plants. The moonlight shines on the blooming trees like thin snow beads.
Moonlight falls from the sky like frost, and I can't feel its flight. It makes the white sand by the river invisible.
The river and the sky are the same color, there is no dust, only a bright solitary moon is hanging high in the air.
Who first saw the moon by the river, and when did the moon on the river shine on people for the first time?
Endless, endless, only the moon on the river, year after year, always similar.
I don't know who is shining the moon on the river, and the Yangtze River is constantly conveying running water.
The wanderer slowly left like white clouds, leaving only the homesick woman standing in the parting green maple.
Which vagrant is drifting on the boat tonight? Where is someone lovesick upstairs in the bright moon?
The moonlight that keeps moving upstairs should shine on the dressing table of people who leave.
The curtain of the beautiful boudoir can't roll away the moonlight, but it blows away the moonlight on the stone, but it comes again.
At this time, I look at the moon but I can't hear each other's voice. I hope to shine on you with moonlight.
The swan that delivers letters can fly far away, but it can't fly to you with moonlight. The messenger fish, Long Qianchen, can swim far, but it can't reach you. Can only cause ripples on the water.
Last night, I dreamed that the flowers fell into the leisurely pool, and the spring did not return.
The river flows away the spring water, and the spring water will run out. The moon sets late in the pool, and now it's slanting west.
The slanting moon slowly sinks and hides in the sea fog, and the distance between Jieshi and Xiaoxiang is infinitely far away.
I don't know how many people can go home by moonlight, only the sunset is swaying away from love, and the river is full of trees.
Appreciate:
1. A moonlit night on the riverside was praised by Mr. Wen Yiduo as "the poem in the poem, the peak on the peak" ("The Salvation of Palace Poetry"), which has fascinated countless readers for more than 1000 years. Zhang Yisheng only left two poems, and he is also famous for this poem. It is "a lonely poem, but it is written for everyone".
The title of this poem is very attractive. Spring, river, flowers, moon and night, these five things embody the most touching beauty of life and constitute a fascinating and wonderful artistic realm.
The poet began to compete with the topic, and the topic came to life at the beginning. On the riverside, he drew a magnificent picture of a moonlit night: the river was in the sea and the moon was in the tide. The sea here is empty. The river tide is boundless, as if connected with the sea, with great momentum. At this time, a bright moon was born with the tide, and the scene was very spectacular. A word "destiny" gives the bright moon and the tide a fresh life. The moonlight shines thousands of miles away, where is it not on the bright moon river! In spring, the river winds around Yuan Ye, where flowers and plants are everywhere, and the moonlight falls on the flower trees like a layer of snow. The poet is really a unique skill of Dan Qing. With a slight stroke, he touched the strange "flowers" in the moonlight by the river. At the same time, he skillfully paid the title of "Moonlight on a Spring River". The poet's observation of moonlight is extremely subtle: moonlight washes away colorful things in the world and turns the world into a dreamy Yin Hui color. So "first frost doesn't fly" and "white sand can't be seen", only the bright moonlight. Delicate brushwork creates a mythical and wonderful realm, which makes the moonlit night by the river look extraordinarily beautiful and quiet. These eight sentences, from big to small, from far to near, gradually condensed on a lonely moon.
The clear universe of heaven and earth seems to make people enter a pure world, which naturally causes the poet's reverie and meditation: "Who saw the moon by the river?" When did Jiang Yue take the photo at the beginning of the year? "The poet leaps forward in thought, but closely connects with life and explores the philosophy of life and the mystery of the universe. This kind of exploration has existed in ancient times, such as Cao Zhi's Looking at Ying Shi: "Heaven and earth have no end, life is like frost", and Ruan Ji's "Life is dusty, and Heaven has grace", etc., but the theme of the poem is mostly to feel that the universe is eternal and life is short. Zhang is unique here. His thought did not fall into the trap of predecessors, but turned out a new idea: "Life is endless from generation to generation, and Jiang Yue is only similar every year." "Personal life is fleeting, and human existence is long-lasting, so" endless "life and" year after year is only similar "moon can be * * *. This is a comfort that the poet feels from the beautiful scenery of nature. Although the poet is temporarily sad about life, it is not decadence and despair, but because of his pursuit and love for life. The keynote of the whole poem is "mourning without hurting", which enables us to hear the echo of the voice of the early Tang Dynasty.
"I don't know who Jiang Yue treats, but the Yangtze River sends water" is closely related to the "only similarity" in the previous sentence. Life goes on from generation to generation, so does Jiangyue every year. A lonely moon lingers in the sky as if waiting for someone, but it will never come true. In the moonlight, only the river rapids are rushing away. With the flow of the river, poetry is full of waves, pushing poetry to a more far-reaching realm. There is enmity between Jiang and Yue, and running water is ruthless. The poet naturally turned his brushwork from the natural scenery in the first half to the image of life, which led to the separation of men and women in the second half.
The four sentences of Baiyun are always written in the moonlight on the riverside, thinking about the feelings of his wife and wanderer. "Baiyun" and "Qingfeng Spectrum" are lyrical. The floating white clouds symbolize that the whereabouts of the "boat" are unknown. "Qingfeng Pu" is a place name, but "Feng" and "Pu" are often used as other scenery and places in poetry. The words "whose home" and "where" have different meanings. It is precisely because of more than one place that the poet put forward such a question, a kind of acacia, which led to the separation of the two places, one after another, poetic ripples, twists and turns.
The following eight "poor" sentences bear the sentence of "where" and write about thinking about leaving people's memories. But the poet doesn't directly think about a woman's sadness and tears, but uses the "moon" to set off her nostalgia, and the sadness and tears come out. The poem personifies the "moon" and the word "wandering" is extremely vivid: first, the clouds are swimming, so the light and shadow are uncertain; Second, the moonlight lingers upstairs, pitying the thinking woman. It wanted to accompany Sifu and relieve her troubles, so it sprinkled soft light on the dresser, on the jade curtain and on the anvil. Unexpectedly, I miss my wife more than anything. She tried to get rid of the annoying moonlight, but the moonlight "rolled away" and "brushed back" and sincerely attached to her. Here, the two spoony actions of "rolling" and "brushing" vividly show the anxiety and confusion of thinking about women. The feelings caused by moonlight deeply troubled her. At this moment, isn't the moonlight shining on the lover in the distance? * * * Looking at the moonlight, we can't know each other, so we have to rely on the moon to send love to you from afar.
In the last eight sentences, the poet used fallen flowers, flowing water and waning moon to set off homesickness. "Flat Boat" even dreamed of going home-flowers fall into a secluded pool, spring will be old, people are still far away, what a pity! Rivers flow in spring, not only the natural springs, but also the youth, happiness and longing of wanderers. The moon fell on the pond, setting off his miserable and lonely mood. Thick sea fog hides the falling moon; Jieshi and Xiaoxiang are far apart, and the road is so far. The word "heavy" aggravated his loneliness; The Infinite Road also deepened his homesickness infinitely. He thought: I wonder how many people can take the moon back to their hometown on this beautiful night by the river! His secret love, accompanied by the light of the waning moon, was sprinkled in the Woods by the river. ...
"The falling moon shakes the trees all over the river", the "shaking feelings" in this sentence-endless thoughts, intertwined with the feelings of moonlight, wanderers and poets, fell on the trees by the river, and also fell on the hearts of readers, which is fascinating.
"Moonlit Night on the Spring River" transcends the previous landscape poems that simply shape mountains and rivers, the philosophical poems that "yearn for the infinity of the universe and mourn the moment of my life", and the love poems that express the feelings of children leaving. Poets have injected new meanings into these common traditional themes, blending poetry, painting and philosophy. With the help of the description of the moonlit night on the riverside, they praised the wonderful scenery of nature, eulogized the pure love among people, expanded their sympathy for stray women, and combined it with the pursuit of life philosophy and the exploration of the mysteries of the universe, thus merging it into a kind of love, scenery and management. The poet deliberately hides the profound and beautiful artistic world in a vague artistic atmosphere, and the whole poem seems to be shrouded in an ethereal and confused moonlight, attracting readers to explore the true meaning of beauty.
The whole poem takes spring, river, flowers, moon and night as the background and the moon as the main body. "Moon" is a mixture of scenery and scenery in poetry. It beats the pulse of the poet, and it is like a bond of life in the whole poem. It runs through ups and downs, touching the scene, and poetry fluctuates with the birth and death of the moon. The moon went through the process of rising, hanging high, setting in the west and setting in the sun overnight. In the moonlight, rivers, beaches, sky, Yuan Ye, maple trees, flower forests, flying frost, white sand, boats, tall buildings, dressing tables, anvil stones, flying geese, diving ichthyosaurs, sleepless women and wandering wanderers form a complete poetic image, showing a picture full of philosophy and life interest. The color of this picture scroll is light and rich. Although sketched in ink and wash, it is "ink in the colorful", showing colorful artistic effects from the complementary of black and white and the coexistence of reality and reality. It is like an elegant China ink painting, which reflects the beautiful artistic conception of the moonlit night by the river.
The rhythm of poetry is also very distinctive. The poet's emotional melody in his poems is extremely tragic, but it is neither a sad bamboo nor a complicated string, but a serenade or dream like a violin, which is meaningful and meaningful. The inner feelings of poetry are so warm and deep, but they are natural and peaceful, as regular and rhythmic as the pulse, and the rhythm of poetry fluctuates accordingly. The whole poem has 36 sentences, four rhymes and nine rhymes. It started with the level of Geng rhyme, followed by the level of Yue rhyme, Zhen rhyme, Paper rhyme, You rhyme, Grey rhyme, Wen rhyme and Ma rhyme, and ended with Yu rhyme. The poet mixed Yang rhyme with Yin rhyme, alternating high and low tones, and the order was loud (Geng, Shuo and Zhen)-subtle (paper)-soft (especially, gray)-loud (literary, hemp)-subtle (encounter). The whole poem changes with the change of rhyme, and the use of flat tones is staggered, singing three sighs and calling around, which is repetitive and continuous, with a strong and beautiful sense of music rhythm. This change in pronunciation and charm is in the same strain as the ups and downs of poetry, which can be described as a harmonious combination of sound and text.
Second, the moonlight shines on the river to cover the whole Tang Dynasty —— Appreciation of Zhang's Moonlit Night on the Spring River (Author: Urban Hermit)
Zhang has only two poems in the whole Tang Dynasty, which is really unremarkable among the poets in the Tang Dynasty. But those who truly love Tang poetry and Song poetry must know Zhang He's famous poem "A Moonlit Night on a Spring River".
It is said that the title of "Moonlit Night on the Spring River" comes from Chen and is "heartless". However, what Chen actually wrote under this beautiful topic is unknown because his poems have been lost. Yang Di Yang Guang, a dissolute emperor, left two earliest extant poems, Moonlit Night on a Spring River, but only five or four sentences are short and empty. Chen also wrote a poem "Flowers in the Back Garden of Yushu", which is often mentioned by later generations in literary criticism together with "Moonlit Night on a Spring River". This poem still exists in the world. Although it is seven words, there are only six sentences. Besides, it's disgusting, just like Yang Di, and it's a notorious palace poem.
Palace poems are centered on the court, with eroticism as the content, red and green, piled with incense and jade, flashy, absurd, empty and boring; From Liang Chen to Sui and Tang Dynasties, he dominated the literary world for more than a hundred years, causing darkness in the poetic country and leaving countless evils. The gentry in the Southern Dynasties lived a relatively comfortable life, and they used to write five-character poems as a means to show that they were literati. If they can't write poetry, they will be despised and unable to participate in social activities. Poetry has completely become an ornament of decadent life, and Jian 'an temperament and Wei and Jin character have long since disappeared. The poetry creation in the early Tang Dynasty followed the style of writing in the Southern Dynasties, and the poet "struggled for the strangeness of rhyme, and the ingenuity of a family." Long text, not the shape of moon dew; The backlog is full of cases, but it is only the shape of the wind and cloud. "Even Li Shimin, the founding father of Britain, can't avoid customs, let alone show the boldness of vision in the poem Sunrise by Song Like Mao and Zhao Kuangyin, that is," it's not dark under the sea, and it's not dark on the ground ". "Li Shimin appreciates the literary bath of the poet Zhang Changling, but Zhang Changling and others want to take the imperial examination. Li Shimin asked why, and the examiner said that their writing was not good material, so Li Shimin acquiesced.
He, Yang Jiong, Lu and Luo entered the poetry circle at the same time, and were called the four outstanding poets in the early Tang Dynasty. Four outstanding poets played a pioneering role in the transition from classical poetry to regular poetry. Pei Hangjian, who is both civil and military, looks down upon these four men very much, saying that if a scholar wants to make great achievements, he must first rely on knowledge, followed by literature and art. Although Wang Bo has literary talent, he is superficial and doesn't like to appreciate the materials of Juelu. Yang Jiong can probably be a magistrate of a county, and it's good that we people can die well. These comments show that the development of new poetry is difficult. The four outstanding poets in the early Tang Dynasty paved the way for the development of new poetry. Du Fu commented on the poems of the Four Masters: "Wang Yang, his contemporaries, were frivolous and never stopped. Second, Cao's name is ruined, and he does not waste rivers and mountains. " This evaluation is not only an objective reflection of the basic attitude of the poetry circle at that time, but also an affirmation of these four excellent poems.
Under the influence of the flashy style of writing in the Six Dynasties, court officials such as Song and Yan became a group of leading figures in poetry. Lu and Wang Luobin have been circling in the aftermath of Qi Liang, while Yang Jiong died early and went to a distant place to be an official, so the achievements of the four outstanding men in the early Tang Dynasty were not great. Wang Bo, with the highest achievement, left us only such good poems as "However, China holds our friendship, and heaven is still our neighbor", but there are almost no inspiring good poems, let alone providing a model for poets in the prosperous Tang Dynasty. Perhaps it was Zhang He and his "Moonlit Night on a Spring River" that introduced the Tang Dynasty into the era of poetry.
Mr. Wen Yiduo once spoke highly of this poem: "In front of this poem, all admiration is rap and almost blasphemy." He added, "This is a poem among poems, the peak on the peak. Looking back from here, even Liu Xiyi is a process. Needless to say, Lu and his supporting actor Luo are both from Cheng Li. " It is said that Zhang and his "Moonlit Night on the Spring River" "cooperated with another peak and cleared the way for the prosperous Tang Dynasty-Zhang's contribution is immeasurable."
Is it true?/You don't say. China Eastern Airlines? ㄔゲㄔㄔㄔㄔㄔㄔㄔㄔㄔㄔㄔㄔㄔㄔㄔㄔㄔㄔ. Paper grinding and drying? What happened to drought education? Stupid male rate? Sang sang? So, it seems that Weng's suppression of joints is like a promise? Fortunately, pregnant? What is the jurisdiction? Collect mulberries? Knock Nie Xianqiao's eggplant? Collapse? Blow out the neon? What is the greatest advantage of this ship? Apologize to the emperor? r
The composition structure of Moonlit Night on a Spring River is mainly neat, which varies with the clutter. Thirty-six lines of poetry, * * * is divided into nine groups, a group of four sentences, a group of three rhymes, and the other group must use another rhyme, like nine quatrains. This is its neat side. Its intricacy is reflected in the level change of nine rhymes. At the beginning, the first and third groups use flat rhymes, the second and fourth groups use flat rhymes, and then all the 5678 groups use flat rhymes, and finally end with rhymes, interspersed at will, and the tone is neat and not rigid. Syntactically, parallelism, antithesis and flowing pairs are widely used, and the cohesion and integration are wonderful, and the article is full of charm. The theme words of spring, river, flower, moon, night and people in the poem are scattered and overlapped, which brings readers into a dazzling and colorful realm.
Lian Haiping is in the spring tide, and the bright moon on the sea is born in the tide. I drift thousands of miles, where there is no moon by the river!
In the first four sentences, the interlaced landscape of two spring rivers, two bright moons, two tides and two seas immediately brought people into a magical and wonderful realm. And the last sentence, and laid the groundwork for the whole description of Jiang Yue.
The river flows around Fangdian, and the moonlight shines on the flower forest. Frost flows in the air, you can't fly, but you can't see the white sand on the pavilion.
There is no dust in the sky on the river, and there is a lonely moon in the sky. Who saw the moon by the river for the first time? When did Jiang Yue take the photo at the beginning of the year?
Life is endless from generation to generation, and Jiang Yue is similar year after year. I don't know who Jiang Yue is waiting for, but I see the Yangtze River delivering water.
We can see that in the second group, the poet wrote about the obscurity of the early moon, and in the third group, he wrote about the bright moon and thought about the ancient friendship. "Who first saw the moon by the river? When was the photo taken at the beginning of Jiangyue? " The poet thought deeply about this round of Jiang Yue, and was deeply moved and confused. Perhaps later, the great poet Li Bai "When is there a moon in the sky?" I want to stop and ask ",and Su Shi" When will there be a bright moon? The poem "Ask Heaven for Wine" is a copy of this sentence. In the fourth group, the phrase "endless life, similar years" is exactly the same as Liu Xiyi's famous phrase "flowers are similar year after year, people are different year after year". Zhang sighed that Jiang Yue is long, his life is short, and he felt that the scenery is still the same, and life is easy to get old. How similar they are! Here, the overlapping of the moon, people and rivers has a beautiful syllable and rhythm, which is intermittent and connected with flying silk, giving people a feeling of simplicity and grandeur. This poetic language form created by the poet later developed into the "nail-nail style" in Sanqu and folk songs, and it still has its moving shadow in China.
The white clouds have gone, and Qingfeng is at a loss. Who will go boating tonight? Where do you miss Mingyue Building?
The most amazing thing is that this piece of white clouds comes and goes, which makes thousands of valleys fly across the river, from the beautiful scenery and the feeling of life on the river to the flat boat in Yepu and the head of Mingyue Building, bringing out the theme of leaving people and complaining about their wives. Some people criticize the theme of this poem, but they don't know that in the history of China for thousands of years, men either work as corvees or run around to make a living, leaving people complaining about their wives, which is the reality of life at the bottom of society. Moreover, love and lovesickness are eternal themes in human literature, and no generation can avoid them. At all times and all over the world, only the "eight model operas" in China in the 1960s and 1970s were really avoided. In the model operas, except for Li Yongqi's wife, who was shot dead by bandits as soon as she appeared in Outward Outward, there were no lovers in eight plays. And such a poem, such a bright moon, what theme is better than writing about a divorced woman? Only the feelings of acacia such as resentment and yearning can be worthy of such a sad moon, and only pure feelings can make the high sky and bright moon brighter. Such a large-scale transformation is as ingenious and amazing as a stroke of genius. On such a bright moon night, whose wanderer is floating on the boat and where is his home? Who is standing on the roof of the moon like water, missing her in the distance? In just two sentences, I wrote about divorce and resentment, and I have been holding on to it. Then sent eight sentences to describe the dissatisfied housewife:
Poor people wander upstairs for the moon, so they should leave someone to fill the mirror. The curtain of the jade pot could not be rolled up, but it was brushed back on the anvil.
At this time, I don't know each other. I hope China will shine on you every month. Hongyan flies in the sky, and fish Long Qian jumps in the water.
The bright moon on the floor always lingers in the eyes of a dissatisfied wife and shines on the mirror of the dresser, which is already lazy. On the moonlit night, parting is even more lingering, making it impossible to give people away. And the bright moon is dipped in the curtain and shines on the anvil. Besides, the curtain can't be rolled and the hand can't be brushed. At this time, people who travel far away only miss each other and can only look forward to it, but can't rely on it. Even if there is no amount of lovesickness, he can't hear it. How I wish I could fly to him by moonlight in this cage and shine on him! But even if you fly as high as Hongyan, you can't bring him the lovesick moon on the lonely building, not to mention that only the fish in the spring river jump in the waves and stir up several eddies! In a few words, I wrote my bitter wife's parting sorrow to the extreme. Then, with a change of pen, he sent eight sentences to write about the wanderer in the distance:
Last night, I dreamed that the idle pool had fallen, and the poor spring had not returned. The spring river flows away, and Hechi reflects the moon and inclines to the west.
The slanting moon hides the sea fog, and Jieshi Xiaoxiang Road is infinite. I don't know how many people return home every month, and the moon is full of rivers and trees.
The dream suddenly fell last night, and the spring was half broken, but the day of returning home is still far away. The river keeps running, rushing to the sea wave after wave, as if to take spring away. Hechi reflects the bright moon and has unconsciously tilted to the west. The slanting moon gradually disappeared into the sea fog. At this time, how many wanderers are still rushing home in the north and south and in Xiaxiang, Jieshi, and how many divorced women are still missing each other in Qian Shan? The night is bleak and the moonlight is like water. I don't know how many people have gone home under this bright moon, but I can only look at this boat, miss my relatives in the distance, look at the quiet river, and look at the photos when the moon sets, which makes the flower trees by the river so sad and all kinds of human feelings sway and diffuse. In this charming artistic conception, the whole article ends, the love pen is full of flowers, and the sound is lingering.
In this poem, we see that the theme of Jiang Heyue has been repeatedly expanded and deepened. The complex shapes and scenery of Chunjiang, Liujiang, Jiangtian, Jiangbian, Jiang Shui, Jiangtan and Jiangshu, combined with the complex light colors of the bright moon, the lonely moon, the early moon, the setting moon, the moon floor, the moonlight and the spring, night, flowers and people, form a colorful and blurred picture of Chunjiang jathyapple. Poets are not limited to a round of rivers and moons, but run through a complex human emotion. Whether it's the bright early moon, the bright high moon, the blurred lingering of oblique moon and oblique moon, or the wandering of the first month, the clear shadow of the moon in the mirror, the pouring of the moon in the curtain, and the anvil flow of last month, it's all branded with emotion. 0 Yan Huan set up Luanhe River to blow jiaozi, feed him and carry his sword? Call for condemnation? Le? Hey? Ω lemon strong music? Condylar forgive W bath envy? What about Lin? Where are you going? Locust tax rock official paper? Is it as cute as a burp? Ask and pay in the cave? What is the burden of grinding? What's the matter with you? Stir up the Soviet faction and throw a kite? What's the point? What's the point? Hey? Do you want to ask? Zheng Ji? Wild eggplant? What's the point of patience? ⒄ ⒄ Has it gone bad? Is there too much milk? China Eastern Airlines? What happened to the old leg? Hey? ч ч ч ч ч ч ч? ⑻ ⑻ ⑻ ⑻ ⑻ ⑻ ⑻ ⑻? Quack? Shrug your shoulders? Mou Yongman 6? Hey? Hey? How is the quality? Play? Shake four fragrant stones evenly? What's the mystery of rank mirror? 【Q 1】？ Scattered umbrella?
Third, the swan song of life, a sad song-<-My appreciation (Author: Miss Zhang)
From the moment I wrote the poem, what precipitated was the author's state of mind. No matter how profound the accomplishments of future generations are, the historical overlap of feelings can really be explained. So, now I write this article, at best, I just dig out a little bit of my emotions and can't appreciate it. -inscription
The poetic criticism of Moonlit Night on the Spring River is rampant, and there are various versions on the Internet. If I concentrate on quoting it at this time, I will probably escape the rest of loneliness and even be suspected of plagiarism. So, forget it, just write down my understanding. The so-called word games, such as expressing one's wishes or cadence, should be left to those who have the ability to do it.
The moonlit night by the river is moderate in length, but I really made great efforts to integrate myself into the park. Reading poetry is the most taboo thing. Different people, different moods and different intonations may make the original artistic conception of poetry unrecognizable. It is not so easy to control each other's emotions between people. So I chose to copy, and I drifted between the lines all morning, and my feelings flooded without warning.
Zhang doesn't even know the font size. He was a drop in the bucket among the poets in the Tang Dynasty, but with this poem alone, he was "isolated, unique and for all". Moonlit Night on the Spring River belongs to Yuefu and has the usual feelings of Yuefu poetry. Songs and songs are the poet's sadness. The whole story is simple and plain, without any comments, and the image of a man standing on the river bank is vividly printed. I saw his hands behind his back, proudly looking up at the endless white waves, admiring the vastness of nature, his heart was empty, his eyes were as white as the sky, and what sadness was revealed.
"The spring tide is in Lian Haiping, and the moon is born on the sea." He is standing on the edge of the water, which is so big that he doesn't know where the coastline is. In the smoky wind, he saw the bright moon rolling sadly with the tide, as if he could not hear the loud noise of the waves and the whining of seabirds, creating his own undisturbed peace and beauty. Yes, Chunjiang has become his emotional destination to some extent, pinning his feelings on his beauty and giving us a wonderful replay of enchanting night by the way. The beauty of moonlight, in the poet's homesickness and sadness, is like a pearl in a clam, an extension and solidification of bitterness. When the poet saw "Wan Li drifting with the waves", the moonlight reflected and the water rippled, but suddenly he felt a psychological imbalance: Why is the moon cage thousands of miles away in spring, but I can't see the smoke on my roof when I look through the autumn water! Even Fangdian by the river is enviable because of the constant company of the river.
Or he suddenly found that the moon is actually as lonely as himself. The bright moon loves the riverside, but suffers from time and space. Day after day, it can only reflect the white water day and night, and never give up. Just like the poet himself, looking at this long water, I only hope to see the concern behind the jade curtain at home.
And "Who has seen the moon by the river?" When did Jiang Yue take the photo at the beginning of the year? "The poet can't help but see the absolute disparity between man and heaven. The moon is one year old and one thousand years old. She has seen human feelings change. However, the world is born with the moon, and she yearns for death, and she can't see through the mysteries of nature until she dies. However, he added: "It is endless and passed down from generation to generation. Jiangyue is only similar year after year. "Man, the years are like water, but they are endless. Looking at the moon in Wangjiang, you should be able to see it all one day. The poet's naive self-consolation is "mourning without hurting", much like Li Bai's "drinking for the moon": today people don't see Gu Yue, but this month they took photos of the ancients. The ancients said, if people are running water, they look at the bright moon.
The poet looked up and said, "There are people who take boats as guests, and there are people who go upstairs to hurt people", and they have their own unspeakable thoughts. He seemed to see the woman who also missed him tossing and turning in front of the "dressing table" at home, and the tenderness of the moonlight added to her sadness. That affectionate woman wants to "shine on you every month" with the bright moon, and she can flow to the right person in an instant. It's a pity that "the swan goose flies too long, and the ichthyosaur dives into the water to write". Looking up to the sky, the swan goose flies far away, but it can't fly out of the light and shadow of the moon, and it's futile to fly; Looking at the river, fish jumping into the deep water will only cause ripples, and jumping is useless. "Feelings are in the intestines of fish, intentionally relying on the feet of geese." For those fish and geese who are good at sending letters, they can't convey their thoughts now.
In fact, I have other understandings of Shuichengwen. The poet's yearning, looking through the autumn water, has also become an illusion. He seemed to see the words of a book "Come from afar" in the water lines aroused by diving, and a worry spread on the water surface, and his feelings were as deep as water.
That's the end of the whole poem, and that's my passion. Almost aesthetic fatigue, the content behind it is not enough to make me fascinated.
The moon is slanting in the west, the sea fog is born, Xiaoxiang Jieshi, and the trees in the mountains and rivers are shaking. Take the word "shake" as the last point of view, "moonlight shake, tree shadow dance, people shake, moon shake, tree shake, people shake" The poet stood by the river until late at night, and the river wind suddenly rose. He watched the trees dancing on the shore, as if responding to his thoughts instead of others, or because the branches were heavily covered with his thoughts, his heart began to throb unconsciously and he could never calm down. I have to accept this pen.