Difficult sentences are hard to save.

When a poet writes, he tries to remedy the broken sentences, which is the hard work. Now that there are many words in modern poetry, such words are useless. Salvation is to use "flat voice" where this sentence should be used, forming a "dilemma". For the sake of melody harmony, the "flat voice" in the "proper position" of this sentence or dialogue should be changed to "flat voice". There are three situations:

This sentence saved himself.

The third word of seven words is awkward, and the fifth word is provincial; The first word of five words is awkward, and the third word is provincial. For example, if the third word "Yi Ping Pingping" in the seven words is replaced by Yi Sheng, then Yi Sheng in the fifth word will be replaced by Life, for example, "The temple will never be green to people". In Ping Ping Ping, the first word should be Pingsheng instead of Pingsheng, so in the third word, Pingsheng should be changed to Pingping Ping, for example, "I made my garden full of weeds". From the example, we find that the first word of five words will be omitted if there is contradiction, but we don't mention the first word of seven words, because the position of the first word of seven words is not very important, so we don't ask for the remedy of the first word, and we can consider hierarchy and harmony when appropriate.

Judgment remedy

The third and fifth words and the first and third words of a seven-character sentence (the upper sentence of a set of French sentences, the same below) should be flat-voiced, but not flat-voiced, so we require that the flat-voiced words be changed to flat-voiced words in the corresponding positions of antithetical sentences (that is, the lower sentence of a set of French sentences). For example, in the fifth place of Pinghua Pinghua Pinghua Pinghua Pinghua, the sentence format is Pinghua Pinghua Pinghua Pinghua, which is also the fifth place to change Pinghua Pinghua into Pinghua Pinghua. Another example is the word "flat and even", and the first word should be flat and even, so the antithesis is "flat and even", that is, the first syllable is changed into a flat and even syllable. Example: Li Bai's Song of Autumn Pus "I don't know where to get autumn frost in the mirror". It must be reminded that there are no flat characters to save. This is a rule made to avoid loneliness, that is, when the above sentence should be flat, you can't change the flat word to flat word at the corresponding position of the sentence. Generally, this sentence is needed to save yourself or become a big word and save it in another way (big words are analyzed separately).

One depression, two rescues

Save each other at the same time. For example, in Su Shi's New Town Road, the fifth word "bamboo" and the third word "self" are ambiguous. In the fifth sentence, the author changed the word "sand" to "flat voice", which not only saved the ambiguity of the sentence.

D-amino acid oxidase

Originally, this part can be explained by the first three categories. For a better analysis, we will list this part separately, because this part is also urgently needed by many lovers of poetry couplets to learn and master.

In fact, there are only two forms of boasting, that is, (five words means removing two words in brackets, that is, removing the first two words in seven words):

(Ping) Ping = = (Ping) Ping.

(Ping) Ping = = (Ping) Ping.

The first one is that the sixth word of the seven-character sentence (the fourth word of the five-character sentence) should be flat and oblique, and the fifth word of the seven-character sentence (the third word of the five-character sentence) should be flat and oblique, which is a dislocation remedy and makes the flat and oblique sound harmonious. Secondly, we can see that the format of antithetical sentences remains unchanged, except that the fifth word of seven-character sentences (the third word of five-character sentences) should use a flat sound word instead of a flat sound word, while the sixth word of seven-character sentences (the fourth word of five-character sentences) should use a flat sound word instead of a flat sound word, which is a temporary word remedy for this sentence. In fact, this is also a way to avoid the three-character suffix.

There are many awkward sentences (sentences) in this kind of metrical poem, which are usually deliberately arranged by the poet in the seventh sentence of metrical poem.

Awkward sentence

(1) There is an inseparable relationship between them. There are contradictions in rhyme, but because there are only two sentences in couplets, there are no other rhymes, so the small contradictions about the difficult parts are usually not required to be used in couplets, that is to say, the small contradictions on couplets can be omitted, as long as the overall sound is harmonious. For example, "ping qi" requires the sentence format to be "ping qi". If you don't save the sentence, it will still be "ping qi"

(2) With regard to the format of difficult sentences, the format in regular poems is fixed, that is, the two formats listed above, but couplets are different, because couplets are only the antithesis between two sentences, so couplets tend to be flat and level to a greater extent, especially the rise of online couplets, which provides another format for difficult sentences. There are also two kinds of couplets (big characters), but each has two coping formats, namely:

(Ping) Ping = = (Ping) Ping Format I. Regular Poetry Format

= = = (flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat.

Flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat flat.

= = = (flat) flat-flat-format 2, reverse format

The above anti-rhyme format only applies to couplets, not rhymes! The awkward sentences in couplets also play a very important role in daily use. When analyzing the famous couplets of ancient and modern scenic spots, I counted 465,438+0 couplets (including clauses in multi-clause couplets), accounting for about 6%, so I must master them, and I can't tell if I don't know what they are.

For example, the first couplet we usually say is "New Year's Day in Qing Yu = = Festival in Changchun", and the sentence is the second format we said above. The sentence is about three people being saved in four places; Another example is Tai 'an Taishan Loulian's "I am a madman in Chu, a sacred mountain with five mountains, and I have no idea of the distance = = the city of Di Youzhi, as far as I can see, from this commanding height, sorrow is everywhere", and the second clause of the sentence is also the second difficult sentence mentioned above, and the fifth word is omitted from the sixth word; Another example is Lu Zuge's couplet in Mangshan, Luoyang, which says, "The southeast reaches Lingling Mountain, and the Cui Dai of Qianceng is more phoenix que = = the northwest listens to the flood and waves out of Longmen". The second clause of the sentence is the first awkward sentence mentioned above, and the second clause of the sentence is arranged horizontally according to the opposite law, which is the second format of the first awkward sentence.