Qi Baishi sings shrimp poems. Qi Baishi believes that many people are no strangers. Qi Baishi is a master of modern painting in China. His most famous painting is shrimp painting. Many people will do some ancient poems when they see his shrimp paintings. The following is a compilation of Qi Baishi's poems about shrimp.
Qi Baishi's shrimp poems 1 1. Qi Baishi's shrimp poems
1, the feast was held in the west.
2. On the gold medal day, five phoenixes hung high, and the Yu He River Bath was full.
3. Far from enough, the spirit is amazing.
After the tree is windy, the peak is full of rain.
5. What happened in the city? Life experience affected Ping for no reason.
6. What are the advantages of reading and literacy? Other women can't abandon their children at will.
7, mighty and broad, staying for a long time.
8. Because of the high platform, the spring breeze is coming.
9. Looking back at Ru Chen, this charity bowl is not wet.
10, how can it be small, the noble makes the king light.
Second, Qi Baishi's shrimp poems
1, suddenly I saw you in the clouds, coming straight down.
2, the blue palace is several times, until very late.
3, a cold is the most pitiful, so cold water will be sprinkled in front of the court.
Hisense is difficult to learn and has been asking for a long time.
5, fast waterfall, inflammation window hanging.
6. Although the vicissitudes of life have changed, the back is smooth and without sides.
7. Where is Taoism? The mountains are deeper.
8. Strength surpasses courage, and everyone cries.
9, the wind is weak, and the birds return to Qingtian.
10, the vast sea, the shape of moral education.
Third, Qi Baishi's shrimp poems
1, Zhu Lin Road in spring, autumn wind kills trees.
2. A picture holds up half the sky.
3, the soup of the inscription, Xin Yandan Fudan.
4, Bailu stained with clothes Sui main palace, Yue Guan Chu Huai Dong.
5, don't take Liangshan as a warning, but rely on the secretariat to strengthen the Great Wall.
6, the clouds go to Tiancheng for a while, and Longchi dreams of breaking the snow.
7. The two cliffs are opposite, and there is a stone in the middle.
8. Liu, BMW is empty.
9. I am willing to be bound by a cage, and I will be interested in it.
10, ushered in the spring breeze and entered the old customs. Rong Hui is like a dream.
Qi Baishi's Poem on Shrimp 2 "Picking Mulberry Seeds" Li Yu
Pulley, golden well, phoenix tree late, several trees surprised autumn.
It rains like sorrow in the daytime, and a hundred feet of shrimp must hook jade.
Joan's window was broken in spring, and she looked back at the edge.
If you want to send a scale tour, nine cold waves will not flow back.
In front of the pavilion, the spring is bright and dancing.
When it rains in Mao Mao, it will open temporarily if you don't put down your eyebrows.
The green window is quiet and fragrant, and the fragrance is printed into ash.
Can endure feelings, want to sleep and dream.
Zhang Ji of "Visiting Xiangyang Mountain Temple"
In autumn, binjiang road is foggy like a certain period.
The temple is poor and useless, and the monk is merciful.
Ficus pumila invaded the Zen grottoes, and frogs occupied the baths.
I've never been wandering all the time, just when I'm going downhill.
Fang Shu Yuan town
There are few trees, especially solitary English.
Poor leaves, covered with deep flowers.
Bees are fighting for thorns, and sparrows are also fighting.
Born small, don't like Guanghua.
Unless there is no annihilation method, Nian Er still has a career.
Spring thunder strikes, swallows are surprised, snakes are surprised.
Qingchi nursed Cai, and the frog grew up again.
Rain and dew are precious and flat, and I am a spring grass bud.
Wang Wei, a gift for Wu Guan
Chang' an guesthouse is as hot as boiling, so it's hard to resist the heat without a cup of tea.
The white ball finally shook white and wanted to go back to the light green bag.
If you don't send the mackerel from Jiangxiang, it is impossible for the Qin people to make soup cakes.
It is best for farmers to pick the best, and grass catches shrimp in Fuchun bamboo.
"Chang 'an Youth Travel Service" is anxious.
Cuilou spring wine frog ling, Chang' an teenagers are * * * pity.
One by one, half drunk and arrogant.
Qi Baishi's Shrimp Poems 3 The Story Enlightenment of Qi Baishi's Shrimp Painting
Qi Baishi is a master of modern painting in China and a world cultural celebrity. The following is inspired by the story of Qi Baishi painting shrimp. Welcome to read!
The Story of Qi Baishi Painting Shrimp
The famous Qi Baishi has long been a household name, but when we mention him, we always think of his lifelike shrimp. Clever and translucent shrimps play in the water, either urgently or slowly, and sometimes gather and disperse, with good density, suitable shade and different shapes, which is really attractive. But it is not easy for the old man Baishi to achieve such unprecedented achievements. It is said that it took him 86 years to paint shrimp, and it was really hard to create "White Stone Shrimp".
Qi Baishi's hometown has a starry sky pool. There are many grass shrimps in the pond. Young Baishi often plays by the pond and has been attached to shrimp ever since. The happy scenes of his childhood have also become the material of his paintings. For example, "The happiness of childhood is always boasting. How can A Zhi catch shrimp?"
Baishi's shrimp paintings began to learn from Ba Da, Banqiao and others. Because of the age, those ancient people were not mature in shrimp painting, so Baishi's shrimp painting was only a slightly similar stage.
In order to draw shrimps well, he kept the long-arm blue shrimps in a' water bowl' on his desk, so that he could often observe the shape of shrimps and draw sketches to better understand their structure and dynamics. At this time, his shrimp is very similar, but the ink color lacks change, and his eyes are painted like small black spots like real shrimp, but they are not as dynamic and bright as shrimp, so they can't depict the shrimp god and can only be realistic.
Later, in the process of observing shrimp, he collected all the patterns of shrimp advancing and retreating, swimming slowly, and even fighting and jumping. Add more changes to the change of pen and ink to make the shrimp feel transparent. When he painted the head and chest of shrimp, he first used a small spoon to scoop water on the belly of the pen dipped in light ink to make it feel like a hard shell. Through observation, the arch of the third section of the abdomen is highlighted, which shows the posture of shrimp jumping straight, because the shrimp jumps all by the abdomen, so the shrimp is painted more vividly.
He also drew a thick section of the front end of the shrimp tongs, which reflected the brushwork. The most amazing thing is that he added thick ink when the light ink on the shrimp head and chest was not dry, which immediately increased the sense of transparency and made the ink taste of Chinese painting stronger. Shrimp's eyes have also changed from small black spots to horizontal stripes, which is exaggerated in order to better express shrimp's expression. But it's not surprising that it's used properly.
The old man Baishi, who is proficient in artistic laws, combined transparent white shrimp with long-arm green shrimp to create "white shrimp". In fact, this kind of ink shrimp does not exist in nature, but under the premise of conforming to the nature of shrimp, Baishi skillfully interprets his concept of "beauty lies between similarity and dissimilarity".
After the age of 70, the shrimp paintings of the old man Baishi have been basically finalized, but they are still being improved and perfected. After the age of eighty, his shrimp painting is perfect. Vivid reed shrimp, aquatic plants, arrows, strange stones, kingfishers, etc. Together with the self-created poems in vigorous Gu Zhuo's calligraphy and powerful seals, thousands of precious works have been made, giving us elegant artistic enjoyment and greatly inspiring our love for life.
The Story Enlightenment of Qi Baishi's Painting of Shrimp
1, practice determines understanding; Rational knowledge depends on perceptual knowledge. "At the age of 62, Qi Baishi began to draw shrimps. He put a pot of live shrimps on a drawing, raised shrimps in the pond in the yard, observed the shape and swimming posture of shrimps, and drew shrimps according to their original appearance, which embodied this philosophy.
2. Perceptual knowledge needs to rise to rational knowledge, which is the understanding of the nature and laws of things and the advanced stage of understanding. "When Qi Baishi was 68 years old, the image of shrimp changed a lot. The shrimp head and body painted in light ink are added with a little heavy ink, showing the weight of the shrimp and the hardness of the front end of the shrimp head.
The shrimp eyes were changed to two horizontal lines, and the shrimp legs were reduced from 8 to 6. 1934, Qi Baishi completed the final transformation of shrimp painting at the age of 7 1: the hind legs were reduced from 6 pairs to 5 pairs, which was simple, generalized and aesthetic, and reached the realm of "similarity and dissimilarity". "It fully proves this philosophy.