Word: Li Chaoxiong
Song: Liang Qiaobai.
Dreams that can't wake up, red is under house arrest in the red line.
Had an unwashed dream, and the red one was under house arrest in the red line.
All the excitement left is tired pain, and then it doesn't matter.
All the excitement left the pain of fatigue. , no longer indifferent
When I hug you from behind, I expect her face.
When you hug you from behind, expect her face.
To tell the truth, ironically, I don't know much about it, but I hope you do.
I don't quite understand this ridicule. I want you to understand.
Is happiness too light and too heavy, and it doesn't itch or hurt if you use it too much?
Whether happiness is too light or too heavy, overuse is neither itchy nor painful.
Rotten, red and empty pupils are finally hollowed out, and finally begin and end.
Mature and red eyes, finally, the tunnel has a beginning and an end.
What you can't get is always in turmoil, and what you are optimistic about is fearless.
Never get it in turmoil, and the beloved has no fear.
Rose's red is easily hurt, but it is lost between your fingers when you hold it in your hand.
The dream of the rose is red and fragile, but it is lost in the cracks of the fingertips.
Once again, red is the heart of Zhu Shazhi's brand.
Further down, red is Zhu Shazhi's heart.
Red is as mediocre as mosquito blood, and time beautifies the only throb.
Red is the mediocrity of mosquito blood, and time beautifies the only throb.
Also soothe the excitement and hug you from behind.
It also soothed the excitement. When you hug you from behind
I was expecting her face, which is really ironic.
Looking forward to her face, it is really ironic.
Not really. I am eager for you to know. Is happiness too light and too heavy?
I don't know much, I just want you to know. Is happiness too light or too heavy?
Too much use does not itch or hurt, and the red pupils are rotten.
Excessive use is not itchy or painful, and it is mature and ruddy.
Finally, hollowing out begins and ends, and what you can't get is always in turmoil.
Finally, the tunnel effect begins and ends. Instead of always getting it in the commotion.
People who are optimistic are fearless, and the red of roses is easy to get hurt.
The favored son of heaven is fearless, Ross's red fragile dream
Hold it in your hand but lose it from your fingers and fail again.
Hold it in your hand but get lost in the cracks of your fingertips and fall into it again.
Does it mean that love is too heavy, and it doesn't itch or hurt to use it too much?
Is love too heavy? Excessive use does not itch or hurt.
The burning red snake is wrapped around the heart, finally frozen, and finally begins and ends.
There is a red snake burning in my heart, and it will eventually freeze from beginning to end.
What you can't get is always in turmoil, and what you are optimistic about is fearless.
Never get it in turmoil, and the beloved has no fear.
Rose's red is easily hurt, but it is lost between your fingers when you hold it in your hand.
The dream of the rose is red and fragile, but it is lost in the cracks of the fingertips.
What you can't get is always in turmoil, and what you are optimistic about is fearless.
Never get it in turmoil, and the beloved has no fear.
The dream blooming in the rose-red wound is held in the hand but lost in the finger.
The dream blooming in the rose-red wound, held in my hand, was lost in the cracks of my fingertips.
Fail again
Failed again.
Extended data:
Creative background:
This song was written by Taiwan Province lyricist Li Chaoxiong based on Zhang Ailing's novel Red Rose and White Rose. It is said that every man has two women in his heart, one is pure and the other is coquettish, and the red rose symbolizes coquettish. "Maybe every man has had such two women, at least two. Married a red rose, over time, the red one turned into a touch of mosquito blood on the wall, and the white one was still so bright at the foot of my bed; Married a white rose, white is sticky rice on clothes, but red is Zhu Shazhi's heart, "from Zhang Ailing's novel Red Rose and White Rose. The Cantonese version of the red rose is a white rose.
Red Rose and White Rose are both works by Li Chaoxiong. Whether it's Zhu Shazhi or The Bright Line at the Foot of My Bed, under the same packaging and production, the contrast of words is different, and you will naturally read the words "Zhang Ailing" between the lines.