It comes from Qinyuanchun Snow
Qinyuanchun Snow
-Mao Zedong
The scenery in the north is frozen for thousands of miles, and the snow is floating in Wan Li. Looking at the inside and outside of the Great Wall, it is only awkward; When the river goes up and down, it loses momentum. Mountains like silver serpents dancing, Highlands like waxy elephants advancing, All try to match the sky in height. Wait till the day is fine, And see the fair bask in sparkling sunshine, What an enchanting sight!
There are so many beauties in the country that countless heroes compete and bend their backs. Cherish Qin Huang Hanwu, slightly lose literary talent; Tang Zong Song Zu, slightly less coquettish. The hero of the throne, Genghis Khan, only know that the bow shot. These characters are all gone, a few heroes who can make contributions, and look at today's people.
Translation
The scenery in the north is frozen for thousands of miles, and snowflakes are floating in Wan Li. Looking inside and outside the Great Wall, there is only boundless whiteness left; Up and down the broad Yellow River, suddenly lost the surging water potential. The mountains are flying like silvery pythons, and the plateaus are running like wax-white elephants. They all want to try to compete with God. When it is sunny, it is especially beautiful to see the red sunshine and the white snow and ice complement each other.
Jiangshan is so charming that countless heroes fall in love with each other. It's a pity that Qin Shihuang and Emperor Wudi were slightly inferior to literary talents; Emperor Taizong, Song Taizu, a little less than sandwiches. Genghis Khan, the son of a generation favored by heaven, only knows how to shoot big eagles with a bow. All these characters have passed. Counting heroes depends on people today.
Note
"Original" refers to the plateau, that is, the Qin Jin Plateau.
Qin Emperor Hanwu and Tang Zong Song Zu: Qin Shihuang, Han Wudi, Tang Taizong and Song Taizu.
coquettish: The Book of Songs and Qu Yuan's Li Sao refer to literature in general.
Tianjiao: The Huns were called "the favored son of heaven" in the Han Dynasty. See The Story of Xiongnu in Hanshu.
Genghis Khan: Mongolian conqueror who built a great empire across Europe and Asia.
Shooting Sculptures: The Biography of Historical Records of Li Guang calls the Xiongnu archers "archers".
On August 28th, 1945, Mao Zedong flew from Yan 'an to Chongqing and held 43 days of negotiations with the Kuomintang. In the meantime? Pro-Yong Pang Xing? Twinkle? 榇 榇 榇? K, what's wrong with you? Felt ā fly? Hey? Imperial thin?
The word "Genghis Khan" and the word "three feet three from the sky" in the Sixteen-character Order are not Chinese names, and the other is a direct reference to folk songs, so there is no need to stick to the level tone.
background in February 1936, after Japanese imperialism invaded the three northeastern provinces, it extended its claws to north China. Chiang Kai-shek catered to the demands of Japanese imperialism and continued to implement the policy of non-resistance. The country and the nation are in the autumn of critical survival. At the same time, Zunyi Conference established Mao Zedong's leading position in the whole party and army. Comrade Mao Zedong led the Red Army's Long March troops to Yuanjiagou, Qingjian County, northern Shaanxi Province, and prepared to cross the river for the crusade to the anti-Japanese front. In order to inspect the terrain, Comrade Mao Zedong boarded the snow-covered Yuanshang at an altitude of 1, meters. When the great rivers and mountains of "thousands of miles frozen" were displayed in front of him, he couldn't help but be deeply touched, poetic and happy, and wrote this bold word "Qinyuan Spring Snow".
Appreciating
Snow, as pure as ice and pure as jade, is the sustenance of interest and the embodiment of personality.
Since ancient times, poets and poets have mostly focused on snow. There are many poems about snow in the literary world of poetry. Mao Zedong also has a special interest in snow, and sometimes he has beautiful words and sentences praising snow. But the special chapter sighs and sings three times, but this article is the first. Not only that, this is the earliest one handed down from generation to generation by Mao Zedong, but also the one that caused the most chorus and controversy. Most fundamentally, this word is the first full display of Mao Zedong's poetic intelligence, and also the first artistic display of Mao Zedong's rich and lofty spiritual world. With so many firsts in one, this word naturally plays an important role and is widely expected.
"There are first-class minds, first-class knowledge, and first-class true poems." (Qing Shen Deqian "said poetry broken language"). The word Mao Zedong is the swan song of poems about snow in ancient and modern times, and its mind is magnificent and broad, which can really be described as "crossing Liuhe and sweeping away all ages" (Song and Liu Kezhuang's Preface to Xinjiaxuan Collection).
this word is written in a big way, describing the snow scene in the north; The next film discusses vertically and horizontally, commenting on ancient and modern figures. The ups and downs are in harmony, which constitutes a vast world of time and space, casts a perfect and unique artistic whole, and shows the spiritual realm of a great proletarian revolutionary.
"The scenery in the north is frozen for thousands of miles, and the snow is drifting in Wan Li", which begins with a high song, and the pen is extraordinary, which always covers most of the winter snow scenes in China. Poets praise snow, their eyes don't just stay on the snow, but write about the magnificent mountains and rivers of the motherland and comment on the long history of the motherland through learning, which makes what they see big and what they say deep. In the first sentence, the regional object of singing is totally unified, which covers half of China in one stroke. Two or three sentences describe the characteristics and point out the topics. "Thousands of miles", "Wan Li" and "Northland" are interlaced from the underground to the sky, with a wide range of writing; "Frozen" and "Snow Floating" inherit the word "scenery", which set off each other in a static and dynamic way, sketching the fierce and magnificent winter. There are only twelve words, which constitute a magnificent picture, providing a huge artistic space for the following description, and the lofty sentiments are stirring and enveloping the whole article.
The next seven sentences, starting with the word "Wang", are handed out in three layers, specifically depicting all sides of the frozen and snowy picture scroll, and further expressing heroic and passionate feelings. You see: north and south, "looking inside and outside the Great Wall, but the rest is vast", is a boundless snow, echoing the "Wan Li snow drift"; Things look around, "the river goes up and down, and it loses momentum", which is a cold and powerful ice, responding to "thousands of miles of ice"; Looking up and down, we can see that "the mountain dances with silver snakes, which are like wax elephants, trying to compete with the gods". The mountains and plateaus are so lively and full of vitality, as if they are dancing to the clouds and flying to the sky to compete with the gods with high pressure of snow clouds! These seven sentences are as large as a rafter, and they have written everything, north and south, up and down, inside and outside, and their pen power is crucial. These seven sentences, devoted to the great river and the Great Wall, have touched the historical depth of the Chinese nation's eternal civilization. "I want to compete with the weather", which gives the lifeless scenery a tenacious vitality and a sense of competition. This is a personalized snow scene, but also a personalized poetry. The natural landscape and human landscape are unified, and the object landscape blends with the main mood. Only Mao Zedong has this brilliant idea! The poet interweaves the scene in front of him with his imagination, selects the Great Wall and the Yellow River symbolizing the Chinese nation to paint vertically and horizontally, and describes the mountain plains from various aspects such as color (silver and wax), morphology (snake, elephant) and movement (dancing, galloping and dancing), highlighting the great image of the mountains and rivers of the motherland and vividly showing the magnificent spectacle of "the scenery of the North". At the same time, through this vivid artistic description, he also expressed his passion for the mountains and rivers of the motherland and aroused readers' strong national pride. The rolling mountains with flying snakes and the undulating plateau with wax elephants are not only vivid on the paper, but also give the mountains and plateaus a high-spirited fighting spirit, which reminds people of the Chinese nation rich in revolutionary traditions who have lived and worked in this land since ancient times. This kind of description of empathy into the scene, force to lure the back of the paper, and only Mao Zedong has this wonderful word!
The mountains and rivers in the snow in front of us are so vivid and magnificent, and they have been vividly laid out here. However, the poet is still unfinished, and he uses his rich and unique imagination to make a surprise scene with a romantic style: "It's sunny, and it's especially enchanting to see the red dress wrapped in plain clothes." These three sentences are anthropomorphic, and on the vast picture scroll of snow and ice, imagine that when the snow is clear, the red sun shines on the snow-covered mountains and rivers of the motherland, just like a girl dressed in red, more colorful and charming. Use the word "must" to express optimism and expectation; The word "look" carries "hope" and shows the intention of watching carefully; "Dressed in red, wrapped in plain clothes" set each other off and became interesting, which made it particularly charming and bright, so the last sentence said "extraordinarily enchanting". This is completely the way the poet personifies the natural scenery through subjective likeness. Taking this fantasy as the ending of the last film makes the snow scene written have a new beauty without decoration and carving. In this way, the poet captured the magnificence and spirit of the mountains and rivers of the motherland. Being able to describe the natural form artistically through objective feelings is what the ancients called "the essence of the topic".
The first film describes the magnificence of the motherland, so the next film naturally draws countless heroes to bow down to her. "There are so many beautiful mountains and rivers" is very wonderful. On the one hand, it carries on the "Northland Scenery" in the snow written in the last film, and on the other hand, it draws countless heroes from the beauty of Jiangshan. The phrase "attracting countless heroes to compete and bend their backs" is not worth the effort, and it has a sudden rise. The following seven sentences, in general terms, coordinate with the vast space in the last film, write a vast time, run through thousands of years, survey the history of Chinese civilization, and cite five feudal emperors such as Qin Shihuang, Han Wudi, Emperor Taizong, Song Taizu and Genghis Khan from the "countless heroes" for comments. A word "pity" vividly connects seemingly illogical people and events to form a magnificent historical scroll; "Slightly lost", "slightly inferior" and "only knowing" are three levels of derogatory meanings, and their shortcomings are objectively and fairly evaluated with a tactful and implicit style and humorous tone. These figures have played a certain role in progress in history. They have great achievements and are the giants of history. It's a pity that they have more martial arts than literary talent, and they only want to absorb and don't think about innovation, so they are not worthy of such beautiful rivers and mountains. Then, it is natural to introduce the ending full of infinite pride of "past, count romantic figures, and look at the present". Liu Ti-ren in the Qing Dynasty said: "It's the most difficult to form a knot, and it's especially difficult to form a knot." "It's necessary to have a knot that is' not worried about the full moon, but has its own night beads'". This is the beauty of the last three sentences of this word. The first three words, first with a sudden turn, like a canoe paddle wave, straight to the next two sentences. Before the word "going", there is a word "furniture", such as the iron broom sweeping the "countless heroes" in history; The word "Yi" is full of emotion. Two or three sentences, among the verbs "number" and "look", show confidence in the proletariat of China, which is abundant and moving, with endless meaning. Heroes of all ages have been swept away by the rolling historical torrent. Only today's proletariat is the real driving force to push forward history and the well-deserved master of the great rivers and mountains of the motherland. Only in this way can the motherland prosper and make the Chinese nation stand on its own feet among the nations of the world and make due contributions to mankind. This is the most warning place of the whole poem, and it is also the gathering of the poet's divine light. With this most concise and general conclusion, the "far-reaching beyond the topic" of the whole poem praising snow will overflow the paper.
Attached to "Spring in the Garden"-Liu Yazi's works of singing snow with secondary rhyme and embellishment are not completely in accordance with the original meaning, but also
after 2 years of reunion, a new word, meaning * * * floating in the clouds.
sighing about the stagnation of green plum wine, I feel disconsolate, and the Yellow River is turbid, which is surging all over the world.
It's adjacent to Di Shanyang, and Boren is up to me, so it's hard to draw the sword and level the base.
I'm very sad: I cry like a warrior, and I'm absolutely enchanting.
Talent is beautiful, and poets of all ages are bent.
It is considered that Huangzhou is a satrap, still losing his spirit, and Jiaxuan is a layman, who only solves complaints.
even more smiling, Hu Er, Nalan Rong Ruo, Yan Xiang, carved with emotion.
you and I, we should go to heaven and land, and seize the present.
yes.