Double-tile sparrow running script case,
Point Yang Shuhua into the inkstone pool.
Sitting in the small window reading Zhouyi,
I wonder how long spring will last.
This is a poem of the moment, with the subject matter of the moment. "Shuangwaque wrote a book case, and a little bit of Huayang entered the Dianchi Lake." Open the topic, catkins fall, cut the spring scenery; The book case is clear about the content.
What a quiet library. In the season when weeping willows are flying and the spring breeze is delicate, there is no one in the room. A few sparrows strolled leisurely on the desk, catkins fell gently with the wind, and refused to move on the inkstone, but no one wiped it. The tranquility of the library is shown by dynamic pictures. There is no human influence here. Otherwise, sparrows can't read idle books and catkins can't rest on inkstones. This is a dynamic contrast technique. In fact, there is someone in the library, a poet, "sitting in a small window reading Zhouyi". However, the library seems so quiet that no one exists. It seems that all the actions in the library have nothing to do with the poet. He is like an old monk, and all his thoughts are on the Book of Changes. The tranquility of the study embodies the tranquility of the poet. The ending sentence "I don't know how long spring will go" is a way to raise a level and expand the time capacity of the whole poem. This poem describes the scene in front of us, but it shows what happened in a spring. Bloom's flowers naturally fell, and the poet didn't pay attention, so he was tempted. It further shows that the poet "doesn't listen to things outside the window, but only reads sage books." However, this is only the superficial meaning of this poem.
The inner meaning of the poem "Late Spring is Things" is that the philosophical thought of Zhouyi is the theoretical basis of Neo-Confucianism. Through the detailed description of "sitting in a small window reading Zhouyi", the poet reveals the theme of the whole poem without trace-when the poet is wholeheartedly immersed in the world of Neo-Confucianism, his inner world is calm, natural and happy, and nothing in the world can enter his consciousness. The poet demonstrated his neo-Confucianism.
A leaf is a world, and a poem is Ye Cai's inner monologue, which is the embodiment of his self-restraint.