Ancient style poetry is also called ancient poetry or ancient style; modern style poetry is also called modern style poetry. Below are the classic quotes about ancient poetry that I have compiled for you. You are welcome to read them.
Classical lines from ancient poetry
1. The road is so far away that I will search up and down. --Source: Qu Yuan's "Li Sao"
2. I will meet this beloved man today and tomorrow. --Source: Anonymous "Book of Songs Tang Feng Preparation"
3. Why don't men bring Wu hooks and collect the fifty states in Guanshan? ——"South Garden"
4. If you persevere, the rotten wood will not break; if you persevere, the metal and stone can be carved. --Source: "Xunzi Encouraging Learning"
5. When we see each other, we feel like we have not seen each other. How can being affectionate be like being ruthless? --Source: Sima Guang's "Moon on the West River"
6. With sincerity, gold and stone are opened. --Source: "Book of the Later Han·Biographies of the Ten Kings of Guangwu"
7. He will draw the eagle bow like the full moon, look northwest, and shoot at the wolf. --Source: "Jiang Chengzi"
8. A man with a strong ambition will still be a ghost after he dies. --Source: "Book of Anger"
9. I know that my love will always be there, and I look forward to the sound of the water at the head of the river. --Source: Li Shangyin's "Wandering Alone in Qujiang in Late Autumn"
10. Be tireless in learning and teaching. --Source: "The Analects of Confucius"
11. Fish Shen Yan Yao Tianya Road, only to believe that separation in the world is painful. --Source: "Acacia" by Dai Shulun
12. There is love and infatuation in life, and this hatred has nothing to do with the wind and the moon. --Source: Ouyang Xiu's "Spring in the Jade House"
13. Do you know that the exquisite dice and the red beans make people miss each other deeply? --Source: Wen Tingyun's "Willow Branches"
14. Stones can be broken, but not strong; elixirs can be ground, but not red. --Source: "Lu Shi Chun Qiu·Integrity"
15. Hatred is not as good as tide and faith. When you miss each other, you will realize that the sea is not deep. --Source: Bai Juyi's "Lang Tao Sha"
16. Guan Guan Jujiu, in the river island. A graceful lady, a gentleman is fond of quarrels. --Source: Anonymous "The Book of Songs Zhou Nanguan Ju"
17. The heart of the king is like the water of the West River, flowing eastward day and night without rest. --Source: Yu Xuanji's "Jianling's Worry and Hope"
18. Play a thousand tunes and then the dawn will sound, watch a thousand swords and then recognize the weapon. --Source: Liu Xie
19. Love is as deep as the ocean, and past events are as far away as the sky. --Source: Le Wan's "Businessman"
20. The poor bones by the Wuding River are like those in a spring boudoir's dream. --Source: Chen Tao's "Long West Journey"
21. Passion has hurt parting since ancient times. It’s even more shameful to miss the Qingqiu Festival. --Source: Liu Yong's "Yulin Ling"
22. Accumulating soil becomes a mountain, accumulating water becomes a sea. --Source: "Xunzi·Confucian Effects"
23. Be poor and strong, and do not fall into the clouds. --Source: "Preface to Prince Teng's Pavilion"
24. Everyone is responsible for the rise and fall of the world. --Source: Gu Yanwu
25. After seeing each other again, we meet each other again, and share our dreams with you several times. --Source: Yan Jidao's "One of Three Partridges in the Sky"
26. I sincerely know that everyone has this hatred, and poor* couples suffer from everything. --Source: Yuan Zhen's "Two of Three Poems for Solving Sorrows"
27. Those who speak are not guilty, but those who hear are enough to be warned. --Source: "Preface to Poetry"
28. There is no colorful phoenix flying wings in the body, but there is a clear understanding in the heart. --Source: Li Shangyin's "Untitled"
29. This feeling can be recalled later, but it was already at a loss at the time. --Source: Li Shangyin's "Jin Se"
30. Ruthlessness is not as painful as sentimentality, and an inch can become thousands of strands. --Source: Yan Shu's "Spring in the Jade House"
31. May I be like a star like the moon, and the light will shine brightly every night. --Source: Fan Chengda's "Che Yaoyao Pian"
32. If you want to make a deep effort, grind the iron pestle into a needle. --Source: Cao Xue's "Sichuan Guangji·Pengshan County, South Sichuan Road"
33. Even if you buy a fortune for a thousand gold, who will complain about this situation? --Source: "Taking Fish" by Xin Qiji
34. Take fifty steps to laugh at a hundred steps. --Source: "Mencius"
35. He should not be obsessed with love in his life. There is no place in the world for lovesickness. --Source: Kuang Zhouyi's "Reducing Words in Huanxi Sha"
36. A curtain of moonlit night has a deep dream, and the spring breeze is full of tenderness. --Source: Qin Guan's "Eight-Sixth Son"
37. I only hope that your heart will be like mine, and you will live up to your love. --Source: Li Zhiyi's "Divination"
38. If you want to benefit the country's life and death, how can you avoid it because of misfortunes and blessings? --Source: Lin Zexu's "Going to the Rong Dynasty and Telling the Family at the Passage"
39. After countless hardships, you are still strong, regardless of the wind from east to west, north or south. --Source: "Bamboo and Stone"
40. After so many years, it should be a good time and good scenery. Even if there are thousands of customs, who can tell them? --Source: Liu Yong's "Yulin Ling"
41. I dare not forget about my country even though I am in a humble position. --Source: Lu You's "The Beginning of Illness"
42. Sacrificing one's life to go to a national disaster, seeing death as a sudden return.
--Source: Cao Zhi's "White Horse"
43. Asking what love is in the world, you can tell us about life and death. --Source: Yuan Haowen's "One of Two Songs About Touching Fish"
44. When the ends of the earth are limited, there is only endless love. --Source: Yan Shu's "Spring in the Jade House"
45. The sky is not old, but love is hard to die. The heart is like a double mesh with thousands of knots in it. --Source: Zhang Xian's "Thousand Years of Life"
46. Change my heart for yours, and we will know each other deeply and remember each other deeply. --Source: Gu Xun's "Revelation of Heartfelt Feelings"
47. It seems that these stars are not last night, for whom is the wind dew standing at midnight? --Source: Huang Jingren's "One of Two Qihuai Poems"
48. I don't know that the soul has been broken, but there are dreams accompanying it. No one knows except the moon in the sky. --Source: Wei Zhuang's "One of Two Songs for a Female Crown"
49. Life is about coming back, and death is about longing for lovesickness. --Source: Su Wu's "Wedding Hair as Husband and Wife"
50. After collecting hundreds of flowers into honey, it will be sweet for whomever you work hard for. --Source: "Bee"
Common sense of ancient poetry
Neatness of sentences
In addition to lyrics and music, most classical poems have neat and tidy sentences. For example, "The Book of Songs" is basically four characters, "Chu Ci" is generally six characters plus the word "xi", and most ancient and modern poems are five or seven characters. For example:
Guan Guan Suijiu,
In Hezhizhou.
My fair lady,
A gentleman likes to fight.
Flat and oblique and symmetrical
Level and oblique are the two major categories of Chinese tones. In modern poetry, lyrics, and music, there are very strict regulations on the use of flat and oblique characters. In some positions, flat characters must be used, and in other positions, oblique characters must be used. For example:
Leave the secret knots in the bamboo basket, and send the long strips in the restraint.
Symmetry means that in a couplet of poems, the words in the same position in the upper and lower sentences should belong to the same category, such as "Green plum blossoms bloom in the east garden, and green grass blooms in the west garden." "East" and "West", "Pu" and "Garden", "Green Plum" and "Green Grass", "Fa" and "Open" are each opposite to each other.
Vocabulary and syntax
Because each font is basically an independent unit with both shape, sound and meaning, and many fonts have multiple meanings, and the words are sticky. There are many kinds of combined relationships, so the words in this combined poem appear to be extremely complex and diverse. For example, adding another word after the word "wind" can form many words: grace, scenery, wind and thunder, wind and frost, wind servant girl, etc.
In terms of syntax, due to the characteristics of the Chinese language (such as the lack of morphology, flexible structure, etc.) and the independence of fonts, in classical poetry, it is often seen to separate two fonts, or to separate certain fonts. The font is moved from the back to the front. A typical poem is Du Fu's "The fragrant rice pecks at the remaining grains of parrots, and the green phoenix perches on the old phoenix branches." The normal syntax should be "The parrot pecks at the remaining fragrant rice grains, and the phoenix perches on the old green phoenix branches."