Shao Siming is one of the nine songs composed by Qu Yuan.
Jiuge ShaoSiming is a poem by Qu Yuan, a poet of Chu State in the Warring States Period, and it is one of the Jiuge. This is a music song of Chu people to sacrifice the life of a young god, and it is a companion piece with Nine Songs Priestess of Death.
This poem is sung by Shao Siming and the wizard (the whole poem is said to be a solo of the wizard). On the one hand, it shows Shao Siming's spiritual world in the way of confessing and pouring out his heart, and on the other hand, it depicts the image with what the other person sees. The first verse is sung by the wizard in Priestess of Death's voice, the second, third and fourth verses are sung by Shao Siming, and the fifth and sixth verses are also sung by the wizard. The whole poem adopts a combination of lyricism and description, which is fresh and euphemistic, gentle and affectionate, and conveys the unique temperament of women. < P > It shows the Chu people's love and closeness to Shao Siming. His poems are jagged or antithetical, with ups and downs, strong sense of movement, lively charm and full of interest.
Jiuge Shaosiming is a duet between Shaosiming (the spirit son who acts as Shaosiming) and a wizard (in Priestess of Death's tone). There is also a view that the whole poem is a solo by a witch.
The whole article of Jiuge ShaoSiming can be divided into six sections, with the first six sentences as the first section, followed by every four sentences as a section. At the end of it, it says, "Sun alone should be righteous for the people", while the last section is the lyrics of the wizard.
So, the first section (with "Sun He? I am sad "sentence) should also be sung by wizards. Judging from the lyrics, the second, third and fourth stanzas are for Shao Siming, and the fifth and sixth stanzas are sung by the wizard in Priestess of Death's voice.
Because this singing is connected with the previous one "Nine Songs Priestess of Death", Shao Siming and Priestess of Death are already present, so there is no more talk of worshipping and welcoming God, but the relationship between the guest and the host in Shao Siming is opposite to that in Priestess of Death.
In the second half of Priestess of Death, the witch sang it in a young man's voice, so the young man sang it in a Priestess of Death voice at the beginning to praise the young man. From the perspective of emotional inheritance, the young commander in Priestess of Death repeatedly showed a sad mood, so Priestess of Death said at the beginning of the young commander: "My wife has her own beautiful son, so why bother?" Sorrow? "