Mei, one of the four gentlemen in the flower, is proud but not vulgar. Its color is white with green, and there is a kind of Chimonanthus praecox, which is as yellow as wax and has a strong aroma. Although it belongs to its own family and genus, its charm is similar to that of Mei. Mei shou can be over a thousand years old, with crooked branches and ancient postures. The colder the fragrance, the more charming it is. The cold wind made her stand proudly, and when she reached the ice and snow, it added to her charm and was loved by literati of all ages. In the Ming Dynasty, Li Yu once talked about the helplessness of enjoying plums: "The wind sends incense, and the incense comes to the cold; Snow helps flowers, and snow freezes flowers. "I think: Mei is not afraid of cold because it comes from nature, and the combination of cold and fragrance is even more amazing. Walking through the snow in Xun Mei, she is full of beautiful colors and elegance!
Wang Mian? Mo mei
Plum blossom is a kind of tree, unique to cold ling, and a gentleman is better than virtue. Deeply loved by literati and ordinary people. Wang Anshi's famous sentence "It's not snow from afar, but it has a faint fragrance" in the Song Dynasty and Wang Mian's painting "Mo Mei" in the Yuan Dynasty "Don't make people admire lewdness, just fill the air with dry Kun", which fully shows people's reverence and love for the noble character symbolized by plum blossom.
The picture shows plum blossoms in full bloom, and the ink on the trunk has the word "rock". This picture is bold in brushwork, dense in composition, interspersed with branches, full of charm, and has the legacy of Yang Bu, which is a masterpiece in the supplementary school.
This picture is made of silk and woven according to the picture. Small shuttles with colors of 15 and 16 are used as ghostwriters, with clever collocation and harmonious picture colors. The method of "warping and weft breaking" is adopted for weaving, and various reeling techniques are skillfully used. The used silk thread has a warp density of 20/cm and a weft density of 44-46/cm, which is fine and precise. This silk painting well reflects the sparse interest of the original painting, and the picture is vivid, beautiful and elegant. It is one of the few works handed down by Shen Zifan, and it is an outstanding masterpiece of silk drawing technology in the Southern Song Dynasty.
In this picture, the red berries and bamboos, the residual snow, and the cold birds brushing their feathers are vivid. Bamboo and plum are colored with double hooks, and birds write feathers with fine hair, which is realistic.
Spring news map? Yuan dynasty? Zou fulei
The picture shows the new branches of Laomei, the buds are blooming, and the noisy and warm atmosphere announces the news that spring has come, which is touching. The painter writes with thick, dry and sometimes flying lines, and the plum blossom painting method is strange. It is made of silk rolls or balls dipped in ink, not dyed with a pen or hooked with thread. The author captures the picture with close-ups, and skillfully uses contrast techniques such as sparse and dense, complex and simple, straight and curved. His brushwork is vigorous and bold, with uneven ink color and elegant and elegant realm. It is a masterpiece of ancient ink painting.
In this picture, plum branches come out sideways and the branches are simple and sparse. At the intersection of branches, plum blossoms are blooming and opening, which shows the unique charm of wild plum in Wang Mian. Refined pen and ink, light ink sprinkled on the trunk, thick ink and long moss, Gu Zhuo. The branches are hooked by the center, tall and strong.
This painting is unique in composition, magnificent in layout and magnificent in weather. The branches are vertical and horizontal, and they are written with ink pens. When wet, it is white, dry and healthy, like a dragon, and then it is more old and energetic. The branches are sharp, and the shoots extend straight up and down, echoing each other. Flowers are scattered among the twigs, and they are simple and double-hooked, welcoming thousands of flowers, and the cold Leng Xiang is coming. Beauty lies in a wisp of green smoke covering the plum tips, which adds a refreshing effect.
This picture depicts an upside-down plum blossom. The branches from the upper right corner and the curved trunk constitute the total dynamic potential of plum blossom branches. Branchlets are interspersed with changes, forming a scene of staggered branches, pitching and looking around, and plum blossoms in full bloom. The bone writing in the picture is dry, the wreath is double-hooked, and the background is rendered in light ink, which highlights the visual effect of thousands of flowers.
This plum blossom picture is different from the painter's "Wan", but it is more magnificent in momentum. In this picture, prune stems droop after coming out from the left side and are divided into two branches, one of which bends straight down and extends out of the picture, but the lateral branches of branchlets all show a drooping trend, which is consistent with the general dynamic trend. There are many flowers and garlands on the screen, and there are thousands of jade. The composition is scattered to emphasize the beauty of flowers like jade, and there is a jubilant atmosphere, which reflects the painter's mood of bowing to the "prosperous times" of the Ming Dynasty, "offering flowers to worship Buddha" and writing "Plum blossoms are full of admiration", thus losing Wang Mian's aloof and elegant air when painting plum blossoms.
In this painting, a plum blossom and a bunch of bamboo are painted neatly and meticulously, protruding obliquely from a corner and hanging over Qingxi. The composition is sparse and beautiful, and the plum branches are bent and stretched, pointing to the fan, which makes the whole picture unified.
The picture shows Lao Mei breaking branches, the branches are straight, the branches are straight, and the branches are staggered, which is quite imposing. The branches are full of flowers and full of vitality. The pen is vigorous, rich in ink color, alternating in thickness and dense. Cao Ying, Miao Pu and Lin Wang all wrote poems. On the left, they know that "The King of Qiantang was written by the commander", with the seal of "Mu Zhi", and the other seal is vague and hard to argue.
The picture shows two mandarin ducks standing on the shore combing their feathers by the snowy river. A leafy old plum looks particularly enchanting when the snow is in full bloom. Snow bamboo stands upright, and little sparrow perches on the ground. Yuanyang has a beautiful shape and a blend of color and ink; Plum trees are hot and heavy. Plum blossoms are fresh and elegant. The whole background is rendered in light ink, leaving white space to show snow.
In this painting, narcissus echoes tea plum, and a bird on the plum branch is eager to fly. The composition is wonderful, with the plum branch extending obliquely downward and the other short branch facing upward. The rocks are dyed in light ink, the narcissus and tea trees are described in meticulous detail, and the corolla and plum blossom are rendered pink from the outside to the inside, slightly red, with elegant and refined colors and flowing charm. Tits use pen containers slightly, but their shapes are accurate and vivid.
Plum blossom ribbon map? Qing dynasty? Shen quan
This picture shows the cold plum in full bloom, with a lock of birds perched on a branch and another sparrow chirping below. Plum branches are tortuous, marked with pen and ink, dyed with light ink, and plum blossoms dyed with lead and white, crystal clear. Ribbon birds and finches are depicted in detail, which has the meaning of the northern song dynasty.
Plum blossom map in Qing dynasty? king
This painting is elegant and beautiful, slim and attractive, which shows us the unique style of the author's plum blossom painting. Jin Nong once commented on Japan: "The nest forest is full of flowers, just like a bridge in the snow." However, we can see that in the plum blossom works left by the author, there are not too many branches, but they are good at being scattered, giving people a feeling of dancing and Leng Xiang overflowing. This plum blossom picture can be used as evidence.
A national map with fragrant spring breeze? Qing? king
This painting is called May Zhu Lan and Peony. Plum blossoms are elegant and beautiful, with dry pen and ink, slight dyeing and elegant twists and turns. Ink lines cross, slightly covered with light pink, white lead and white core, clear and full of charm; In the center, orchid leaves are graceful, corolla cinnabar dots are written, and light ink snacks are novel and beautiful. Peony leaves are wetted with light ink, and the hooked petals are covered with light pink, which feels moist and beautiful.
Jade pot spring color map Qing Dynasty? Jinnong
The plum tree in the picture is cut off from the old stem and runs through the center of the picture, standing tall and fantastic in layout. It is also paved with big branches, hooked with small pens, with dense calyx on the branches, interspersed left and right. The branches are written with light ink full of water, and the thick ink is covered with moss, showing the character of Lao Mei Ling-cold. "The flowers are blurred, just like the square of Xiaoxue." At the top right is the author's self-title, which is based on the memory of the tribute to Mei Juan in Guanyuan to Daxinshaofu fifty years ago. Ministry of Finance: "Recommended marching map Jin Nong, learned and macro-word, 75 years old." This is a work carefully created by Jin Nong in his later years.
This picture shows a corner of plum tree, which is old and vigorous, with lush foliage, dense calyx, positive and negative sides and full of vitality. The branches are old and simple, the stamens are quite strong and delicate, the brushwork is dense but not chaotic, complex but not miscellaneous, and the ink is strong. The full moon shines on plum blossoms, which is particularly clear and free and easy.
There is a record of plum blossom, which was first seen in Xijing Miscellanies. Shanglin Garden was built in the early Han Dynasty. There are different trees with different names in the distance, including Zhu Mei and Rouge Mei. It has been 2000 years so far. Mei's painting began in the Southern and Northern Dynasties, and it was not until the Song Dynasty that Zhong Sheng was called "the ancestor of Mo Mei".
Song Zhaoji's silk book The Birds of Mera Mountain is 82.8 cm long and 52.8 cm wide.
Song Yang blames "Simei" for not opening.
"Want to open"
"in full bloom"
"Will be disabled"
Marin's "Ice Map"
Song Linchun's "Cold Birds in Plum Bamboo" in Shanghai Museum.
Yuan Zou Foley's Meme Map
Wang Mian's Mystery Map of Yuan Dynasty is in the Shanghai Museum.
Wang Yuan Mian's Morning Map of the Southern Equinox is collected in the National Palace Museum in Taipei, China.
Wang Mian's Mystery Map of Yuan Dynasty is in the Shanghai Museum.
"Plum Blossom Narcissus" is anonymous in Shanghai Museum.
Memetu is unknown in Liaoning Provincial Museum.
Wan Yu Tu of Mingchen Road is collected in the National Palace Museum in Taipei, China.
The plum blossom map recorded by Chen Lu in Ming Dynasty is in the National Palace Museum in Taipei, China.
Qian's "An Outstanding Crown Atlas" is collected in Shanghai Museum.
Wang Qian's Map of Shi Mei in Ming Dynasty
The plum blossom and yellow bird picture of money (left)
Shi Mei Graph Axis by Chen Minghong
In Qing Dynasty, Shen Quan's "Rabbit Traveling in Snow"
The Red, Green and Plum Blossoms of Jin Nong in Qing Dynasty Collected in Shanghai Museum
The Plum Blossoms of the Qing Dynasty Collected in Shanghai Museum
Plum blossom map of Badashan people in Qing Dynasty
Qingshitao plum blossom map
Plum blossom map
Shi Tao's Lingtai Xun Mei
Qingyun Shou Ping Wuqing Map
Qingdao Museum has Xiao Chen's Walking in the Snow in Xun Mei in the Qing Dynasty.
The Plum Blossom Bookstore in Tang Yin
Qing Chenmei's "Appreciating Plums under the Moon" is collected in the Palace Museum in Beijing.
Records of Ming and Chen's "Smoke Cage Yushu Map"
Plum Blossom Ribbon Map
"Jade Tiger Spring Color Map" is collected by Nanjing Museum of Qing Jinnong.
Red, Green and Plum Blossoms: Collection of Jinnong Shanghai Museum