Huaizuomingdu, Zhuxi is a good place with few saddles on the initial journey. Ten miles after the spring breeze. All the wheat is green. Since Huma went to see the river, he abandoned the trees by the pool and still hated talking about soldiers. Gradually dusk, clear the angle and blow the cold. All in the empty city. It is not surprising that Du's reward is too heavy now. Vertically speaking, although the dream of a brothel is good, it is difficult to be affectionate. The 24th Bridge is still there, the waves are swaying, and Leng Yue is silent. After reading the red medicine by the bridge, you will know who you should live for every year.
Translation and Annotation Translation of "Yangzhou is slowly pregnant with the left capital" I passed Yangzhou from winter to sun in the year of Xi Chun. It snows at night in Chuqing, and it's full of grass and wheat. Entering Yangzhou is a depression, the river is green and cold, the sky is getting late, and the bleak horn rings in the city. My heart is sad, feeling the changes of Yangzhou city in the past and present, so I wrote this song myself. Old man Yan Qian thinks that this word has the sad meaning of "millet separation".
Yangzhou has been a famous city on Huainan East Road since ancient times. There is a famous tourist attraction, Zhuxi Pavilion. When I first arrived in Yangzhou, I dismounted and stopped. At that time, the bustling streets stretched for ten miles in the spring breeze, but now buckwheat is green and lonely. Since the nomadic people invaded the Yangtze River valley, even abandoned ponds and ancient trees are disgusted to mention that hateful war again. Near dusk, the tragic horn sounded, echoing in this desolate and broken empty city. Du Mu once praised you with beautiful poems, but if he comes back today, he will be surprised at your broken. Even with the exquisite lyrics of cardamom and the wonderful talent of singing the dream of a brothel, it is difficult to express the deep sadness at this moment. The 24th bridge is still intact. Under the bridge, the waves are rippling, and Leng Yue is lonely. I think the flowers and leaves in Shao Hong near the bridge are flourishing every year. I wonder who appreciates it every year and who lives for it?
Note 1 Yangzhou Slow: epigraph name, also known as Langzhou Slow, with upper and lower characters and even rhymes. This piece is played and sung by Jiang Kui, and is often used by later generations to express nostalgia. 2 Xi Chun Shen Bing: Xi Chun for three years (1 176). Solstice: Solstice in winter. 3 Weiyang: Yangzhou (now Jiangsu). 4 wild wheat: shepherd's purse, wild wheat. Wang Mi: My eyes are full. 5. Garrison Horn: The bugle sounded in the barracks. Yan Qian Old Man: Xiao Dezao, a poet in the Southern Song Dynasty, was named Dongfu and Yan Qian Old Man. Jiang Kui studied poetry with him and is his nephew. Li Shu: The title of The Book of Songs Feng Wang. It is said that after Zhou Pingwang moved eastward, Dr. Zhou passed by the old capital of the Western Zhou Dynasty and wrote this poem when he saw that the ancestral temple was destroyed. Later, "Li Shu" was used to express the yearning for the old country. 7 Huaizuo Du Ming: refers to Yangzhou. The administrative districts of the Song Dynasty were Huainan East Road and Huainan West Road. Yangzhou is the capital of Huainan East Road, so it is called Huaizuo Du Ming. Left, the name of the ancients, when facing south, the east is left and the west is right. Du Ming, a famous metropolis. 9 solution (thank you) saddle less for the initial journey: stay less and stay more; The initial journey, the initial journey. Ten Li Spring Breeze Ten Li: Du Mu's "Farewell" poem: "The spring breeze is ten miles along Yangzhou Road, so it is better to roll a bead curtain. It is used here to refer to Yangzhou. ⑾ Huma peep at the river: it refers to the invasion of the Yangtze River valley by the nomads from the Jin army and the looting of Yangzhou. This should refer to the second robbery in Yangzhou. ⑿ Abandon pond tree: abandon pond platform. Arbor: the surviving ancient tree. Both of them are remnants of chaos, indicating that the city is barren and sparsely populated. (13) gradually: arrive, arrive. Clear horn: the horn of sadness. [14] Du Lang: Du Mu. Tang Wenzong Yamato seven to nine years, Du Mu as Yangzhou Huainan our secretary. Jun reward: Qing reward. Zhong Rong's Preface to Poetry: "Liu Jin Peng Cheng is envious of talents. ⒂ Cardamom: Describe the beauty of girls. Cardamom Ci-Poet: Du Mu's farewell: "Thirteen watches, the first two months of cardamom. Brothel: a brothel. Dream of a brothel: Du Mu's poem "Farewell" said: "Ten years of dreaming of Yangzhou has earned the reputation of a brothel. ⒄ Twenty-four Bridges: Yangzhou Ancient Bridge, namely Wu Jia Brick Bridge, also called Yao Hongqiao Bridge. ⒅ Red medicine: Red peony is a famous flower in Yangzhou's prosperous time.
Appreciation of Yangzhou Man Huai Zuo Du Ming Jiang Kui used his usual preface in this word. The advantage of preface lies in explaining the reasons and background of writing. This preface explains clearly the writing time, place, reason, content and theme of this word. Let people better understand the poet's psychological feelings when writing this word.
The whole word is divided into two parts. However, his two writing techniques are in sharp contrast, comparing the past prosperity and prosperity of Yangzhou City with the present ruin and ruin, and writing the disaster brought by the war to Yangzhou City.
The first part of the word describes the scene witnessed by the poet and his own psychological feelings. Described the miserable scene of the decline and ruin of Yangzhou city after Huma peeped into the river. Starting from his own whereabouts, the poet wrote that he passed Yangzhou City first, got off his horse at the famous Zhuxi Pavilion and stopped for a while. Walking on the long Yangzhou road, the poet saw all the vigorous and tidy wild oats. Du Mu, a poet in the late Tang Dynasty, is gone forever. After the Jin people invaded, they burned and looted, leaving only "waste pond trees" in Yangzhou city. When people talk about the war, they still feel worried and deeply hated. The word "disgust" appropriately describes the sufferings of the people, the ignorance of the court and the evil of the conference semifinals. At sunset and dusk, the shrill horn sounded everywhere again, echoing in the lonely sky of Yangzhou City and also in the poet's desolate heart. The poet naturally realized the transfer from vision to hearing.
The following text, using allusions, further deepens the theme of "sadness of parting". In the past, Yangzhou was prosperous, and the poet Du Mu left many immortal poems about Yangzhou. However, if this sentimental poet revisits his hometown today, he will be surprised and saddened by Yangzhou City today. Du Mu is a talented person. He has a subtle skill in writing the word "cardamom", and he is fascinated by the poem "brothel". However, he will not be able to write his old feelings when he is faced with the withered and dilapidated scene in front of him. The 24 th Bridge, a famous scenic spot in Yangzhou, still exists. The waves rippled and there was silence all around in the cold moonlight. Alas, imagine that although the peony flowers by the bridge bloom as scheduled every year, it is difficult for anyone to appreciate their splendor. The poet ends his poem with suspense, and naturally feels the same. The contrast between the past and the present makes people cry.
Between the lines, the tone of the text is shrouded in a sad atmosphere. No matter what the poet saw, heard at dusk, the so-called empty horn city, or what the poet thought, such as Du Mu's "Difficult to show deep affection" and "Bridge Medicine" which he didn't know about the hatred of national subjugation, it is a portrayal of tragedy.
Scenery blending is the most striking feature of this word in the expression of words. Empathy into the scene, happiness in the scene and sadness in writing are all common techniques used by poets. In particular, the poetess wrote many musical scenes in her articles: famous names, beautiful places and twenty-four bridges ... but the purpose of writing musical scenes is to set off the sadness and compare the sadness of "now": the fading of famous houses, the unfavorable scenery and the cold silence of the twenty bridges ... As Wang Fu said, "write musical scenes to mourn and enjoy their sadness." 」
It is one of the characteristics of this poem to write scenery and express feelings by comparing the past with the present. In the first film, the past "famous city" was used to set off today's "empty city"; Take the former "Spring Breeze Ten Miles of Yangzhou Road" (Du Mu's Farewell) as the contrast of today's desolate scene-"Let the wheat be green". In the following films, the past "Du Langjun Award", "Cardamom Ci" and "Dream of a brothel" were used to show off today's romance, difficulties in setting and feelings. The music of "Moonlit Night on the Twenty-four Bridges" in the past (Du Mu's article "To Han Chuo, Yangzhou Magistrate") sets off the sad scene of "the waves shake Leng Yue silently" today. The main purpose of writing Du Mu's affair in the next part is not to comment on and miss Du Mu, but to point out such an "emotion" through the method of "turning reality into emptiness": even if Du Mu is handsome and handsome, if he returns to Yangzhou now, he will be surprised by the difference between rivers and mountains. Borrowing the historical facts of Du Lang, this paper provokes the pain of "difficult to assign" and makes a comparison. The artistic description of "My heart is shaken and Leng Yue is silent" is a very fine close-up. The 24 th Bridge is still there, and the moonlit night is still there, but the romantic prosperity of "Jade Man Blowing the Flute" is gone. The poet set off the silence of "Leng Yue" with the movement of "wave heart swinging" under the bridge. Wandering in My Heart is a top view, while Silent Leng Yue was originally a top view, but when it was reflected in the water, it became a top view, which combined with the rippling water waves under the bridge to form a picture. From this picture, it seems that we can see the image of the poet bowing his head in meditation. In short, writing about the prosperity of the past is precisely to show the depression of today.
It is also one of the characteristics of this poem to make good use of predecessors' poems and virtual methods to make them unsinkable, lingering and endless. "Yangzhou Slow" makes extensive use of Du Mu's poems and poetic scenes (as many as four places), points out Du Lang's appreciation of romanticism, and integrates Du Mu's poetic scenes into his own.
Jiang Kui's ci style is elegant and ethereal, which is very prominent. The elegance and agility of this kind of words are not only manifested in the words, such as Qing, cold, empty, Bo Xin and Leng Yue, but also in the creation, such as the ruins after the war, such as the prosperity of Yangzhou in Du Lang's famous sentence, such as the Twenty-four Bridges, Bo Xin Dang and the silent tranquility of Leng Yue.
The creative background of Yangzhou Man Huai Zuo The word Du Ming was written in the third year of Xichun in Song Xiaozong (1 176), when the author was in his twenties. In the thirty-first year of Shaoxing, Song Gaozong (1 16 1), Yan Hongliang, the gold owner, invaded the south, and the Jianghuai army was defeated, which shocked China and foreign countries. Yan Hongliang was quickly killed by his men in Guazhou. According to the preface, in the third year of Xi Chun, Jiang Kui witnessed the depression after the war and looting in Yangzhou, recalling the past, lamenting the desolation of today, recalling the prosperity of the past, and sending it as a tribute to the memory of Yangzhou's past prosperity and grief over the broken mountains and rivers today.
Appreciation of Yangzhou Man and Huai Zuo Du Ming Er This word was written on the winter solstice in the third year of Xichun in Song Xiaozong (1 176), and the preface explained the writing time, place and motivation. Jiang Kui, who passed by Yangzhou, witnessed the depression in Yangzhou after the war and looting, recalled the past and the present, lamented the desolation of today, and recalled the prosperity of the past, and sent it in poetry to express his nostalgia for the prosperity of Yangzhou in the past and his grief over the broken mountains and rivers today. When Baishi arrived in Yangzhou, he was only fifteen years away from Jin Zhunan, when the author was only in his twenties. As soon as this famous poem was published, it was called "Leaving Sorrow" by his uncle Xiao Dezao (an old man in Yan Qian). Book of Songs. Five winds. After Zhou Pingwang moved eastward, the Forbidden City became ill and millet was everywhere. Seeing this, the poet mourned for his hometown and could not bear to leave.
This poem fully embodies the author's idea that poetry should be "implicit" and "there is a aftertaste in the sentence and a meaning in the text" ("Poems of the White Stone Taoist Collection"), and it is also a rare masterpiece for poets in past dynasties to express their "parting thoughts" and endless aftertaste. Yangzhou, where the poet "takes off his saddle and stays less", is located in the south of Huaihe River and is a fascinating "famous city" in history. "The Beauty of Bamboo West" originated from Du Mu's "Yangzhou Zen Temple Title". The pavilion is called Zhuxi, which is in front of Dongshugang Temple in Yangzhou and has beautiful scenery.
But after the ravages of the nomads from behind, it is now full of mutton docks. After the destruction of Huma, remnants can be seen everywhere. With the method of "less is more", the poet only took two shots: "Ten miles after the spring breeze, the wheat fields are green" and "the abandoned pond trees" in the city. "Green Wheat" reminds people of the poem of "Wo Su Li" repeatedly recited by ancient poets, and adds the feelings of Qingshan motherland from the unique sad color of "Green Wheat". The "waste pool" is devastated, and the "tree" is entrusted with the love for the homeland.
The emotion aroused by this scenery is "still tired of talking about soldiers." Chen Tingzhuo, a Qing Dynasty man, especially appreciated this description. He said, "After writing the soldier's coffin, the scene is vivid. The word' I am tired of talking about soldiers' contains infinite hurtful words. Others are tired of talking a thousand words and have no such charm. " ("Bai Yuzhai's Thorn", Volume II) Here, the author uses anthropomorphic methods, and even the "waste pond tree" hates the unjust war launched by the Jin people. That's the way it is, not to mention people! This is also an aesthetic empathy.
There are three sentences at the end of the last film: "Twilight, clear corners, cold wind, all in empty cities", but in another picture, from what I saw and heard, the atmosphere is more intense. As the sun sets, dusk falls, and the long sound of clearing horns breaks the silence of dusk, that is, it uses sound to set off silence and increase depression. The words "clearing corners and blowing cold" are beautifully written. Cold was originally the tactile feeling given by the weather, but the author didn't say it was cold, but said it was "blowing cold", which linked the sadness of the horn sound with the cold of the weather, pulled away the natural cause of cold and highlighted the man-made feeling. It seems that the sound of the horn blew away the cold of this empty city.
What you hear through hearing is the wailing of a clear horn, and what you feel through touch is the chill, and then you are associated with the "green wheat" and "waste pond trees" that you see visually. These are intertwined, and all the landscapes are unified in the "empty city" in this space. The word "all in" connects all the landscapes together. By writing the word "empty", he turned the scenery into emotion, integrated the emotion in the scene with the emotion in the scene, and wrote the indignation caused by leaving the empty city after the fall of the nomads from the army. I wrote that I didn't think about the recovery of the Song Dynasty, and even slightly ruined the sadness of this famous city. It also tells how the Song Dynasty relied on such an "empty city" to defend the frontier without causing people's worries and deep sorrow.
It is one of the characteristics of this poem to write scenery and express feelings by comparing the past with the present. In the first film, the "famous city" in the past was used to set off today's "empty city"; Take the former "Spring Breeze Ten Miles of Yangzhou Road" (Du Mu's farewell) as the contrast of today's desolate scene-"Let the wheat be green". In the following films, the past "Du Langjun Award", "Cardamom Ci" and "Dream of a brothel" were used to show off today's romance, difficulties in setting and feelings. The music of "Moonlit Night on the Twenty-four Bridges" in the past (Du Mu's article "To Han Chuo, Yangzhou Magistrate") sets off the sad scene of "the waves shake Leng Yue silently" today. The main purpose of writing Du Mu's affair in the next part is not to comment on and miss Du Mu, but to point out such an "emotion" through the method of "turning reality into emptiness": even if Du Mu is handsome and handsome, if he returns to Yangzhou now, he will be surprised by the difference between rivers and mountains. Borrowing the historical facts of Du Lang, this paper provokes the pain of "difficult to assign" and makes a comparison. The artistic description of "My heart is shaken and Leng Yue is silent" is a very fine close-up. The 24 th Bridge is still there, and the moonlit night is still there, but the romantic prosperity of "Jade Man Blowing the Flute" is gone. The poet set off the silence of "Leng Yue" with the movement of "wave heart swinging" under the bridge. Wandering in My Heart is a top view, while Silent Leng Yue was originally a top view, but when it was reflected in the water, it became a top view, which combined with the rippling water waves under the bridge to form a picture. From this picture, it seems that we can see the image of the poet bowing his head in meditation. In short, writing about the prosperity of the past is precisely to show the depression of today.
It is also one of the characteristics of this poem to make good use of predecessors' poems and virtual methods to make them unsinkable, lingering and endless. "Yangzhou Slow" makes extensive use of Du Mu's poems and poetic scenes (as many as four places), points out Du Lang's appreciation of romanticism, and integrates Du Mu's poetic scenes into his own.
There are 17 self-directed songs by Du Ming Jiang Kui, which are the earliest existing self-directed songs. The first one is travel, and the next one is ambition. At the end of the year, Du Mu's poem "Ten Miles of Spring Breeze" actually does not mean walking in the spring breeze, but reminds people of the grand occasion of "Yangzhou Road Ten Miles of Spring Breeze", with pavilions and beaded curtains fluttering. The antithesis between "crossing the spring breeze for ten miles" and "leaving the wheat green" is exactly the "sadness of parting" mentioned in the word order. Du Mu's Yangzhou poems have always been very famous, and later generations often learn about the style and features of Yangzhou in the Tang Dynasty from his poems. The next film of Jiang Kui's Ci begins with Du Mu, and takes his poems as the historical background, comparing the prosperity of Yangzhou in the past with the decline after the war, so as to express the feelings of the past and the present, and at the same time to depict his feelings. At the age of 22, Jiang Kui can live in the romantic and youthful Du Mu's self-state. However, in the face of the war-torn Yangzhou, even if there are many kinds of customs, it is inevitable to be overwhelmed by the feeling of being hurt and thinking about chaos. This is to write sadness in colorful language, which can be said to be a feature of this word. The author is not admiring Du Mu's tour, but actually pinning his current sadness and should not be blamed more.
Yangzhou Slow and Huaizuomingdu Four Yangzhou has been in the hub position of the Grand Canal and the Yangtze River shipping since Sui and Tang Dynasties, and it is also one of the foreign trade ports, with developed commerce and prosperous market. Du Mu, a famous poet in the late Tang Dynasty, used to be the secretary of Huainan Drug Rehabilitation Center, and Huainan Daoguan was located in Yangzhou. Jiang Kui's poems about Yangzhou written here left a deep impression on him.
In the Song Dynasty, Huainan East Road and Huainan West Road were set up in this area, and Yangzhou was the location of Huainan East Road. In the third year of Jianyan in the Southern Song Dynasty (1 129), the nomads invaded the south on a large scale, attacking Yangzhou, Jiankang (now Nanjing), Lin 'an (now Hangzhou) and other cities, burning and looting them. Since then, they have continued to attack the Southern Song Dynasty. In the 31st year of Shaoxing (1 16 1) and the 2nd year of Longxing (1 164), nomadic people invaded Huainan again, and the war raged for years, which naturally spread to Yangzhou. In the third year of Xichun (1 176), on the solstice of winter, after a heavy snow, Jiang Kui passed by Yangzhou. He said: "When you enter the city, you can look around for depression, the cold water is blue, the dusk is getting up, and the street corner is sad. I feel sad from it and feel sorry for past lives, because I am watching this song. Yan Qian, an old man, thinks there is sadness in "millet separation". The bustling city has become a broken well. When Jiang Kui saw the broken mountains and rivers, he couldn't help feeling the emotions reflected in The Book of Songs. He compared himself to a doctor in the Zhou Dynasty. After the Western Zhou Dynasty was overthrown, he was saddened to see the ruins of the ancestral temple palace full of crops.
In the preface, Jiang Kui said, "The sorrow of the present and the past." . Today, it refers to Yangzhou in front of us; Yesterday, it refers to Yangzhou written by Du Mu. Jiang Kui described the desolate scene of Yangzhou by means of comparison and contrast. Yangzhou and Tang Cheng are two parts: Zicheng (that is, the inner city) is the official area, above Shugang; Luocheng (that is, the outer city) is both a residential area and a commercial area, under Shugang. The two cities adjoin each other. Du Mu's poem Yangzhou said: "Willow hangs in the street, and two cities are reflected in the summer. The weather is beautiful and the cool songs are clear. The poem "Yangzhou Zen Temple" says: "The dusk tree is deep and long, and the small building is under the setting sun. Who knows that this quiet bamboo road leads to the bustling Yangzhou song. The poem "Farewell" also said: "The flowers are more than thirteen, and the cardamom is in the first two months. In Yangzhou, the spring breeze blows all over Sanli Long Street. With beaded curtains, no one can match her beauty. This rich city is full of pavilions and silk pipes, but when Jiang Kui came to travel, he was unrecognizable. Shang Kun said, "Huaizuo is a famous city and Zhuxi is a good place. It is better to go to the saddle and stay at the beginning. "Huai left refers to Huainan East Road. Zhuxi refers to Zhuxi Pavilion, near Shugangshang Temple. The word first points out that Yangzhou is the famous capital of Huainan and Zhuxi Pavilion is a place with pleasant scenery, indicating that Jiang Kui had stopped in Malaysia at the beginning of his journey and had hoped to see the elegance of the ancient city. But the reality is: "After ten miles of spring breeze, the wheat will be green. Shili Street, once filled with weeping willows and spring breeze, is now a native shepherd's purse wild wheat with infinite cyan. This shows that most of the residents here died or fled in the war, and there are almost no signs of activity.
What is the reason? "Since Hu Ma went to see the river, I abandoned the trees by the pool and still talked about the soldiers tirelessly." "Huma" refers to the ruler's cavalry spying on the river, which means hitting the north bank of the Yangtze River twice. Since then, Yangzhou has only abandoned ponds and towering ancient trees, and people who survived the robbery are still resentful and unwilling to mention this cruel war again. Jiang kui has such an experience; People who have experienced great pain are often reluctant to mention this experience, for fear of causing painful memories and being tortured again. "I'm tired of talking about war", which shows my extreme hatred of this kind of war. This sentence describes the complex psychological state of people who cause great pain. At this point, we also know that there are survivors in Yangzhou. When Jiang Kui talked with them, they made the above painful expression. The situation is so depressed that dusk comes quietly. "It's getting late, everything is empty. "Clear Angle, refers to the pronunciation of the bleak horn. The chilling sound of the horn from the garrison building shook the empty city. The sound of the horn showed the terrible silence of the empty city. The author's painful mood increases layer by layer, reaching * * *.
Xia Kun said, "Du Lang's reward is really shocking now." Du Lang refers to Du Mu. Jiang Kui thinks that his appreciation and writing skills are very high. But it must be a great surprise to expect him to come back now and see the vicissitudes of the ancient city. These words set off the damage suffered by Yangzhou far beyond Jiang Kui's expectation, so it was strongly influenced by the spirit and it was difficult to calm down. "Longitudinal nutmeg lyrics, brothel dream is good, difficult to love. In the poem Farewell quoted by Du Mu, there is a saying that "cardamom sprouts in early February", and the cardamom flowers on the branches in early spring are compared to beautiful girls. Another poem in Du Mu's "Farewell" said: "When you are down and out, you bring wine, and the Chu people have a thin waist and a light palm. Yangzhou's ten years, like a dream, wake up, but in the brothel women this is a fickle reputation. "Brothel, refers to prostitutes. These two poems by Du Mu are about his absurd life in Yangzhou. Now some poets have pointed out that what Jiang Kui said here is that "cardamom works well and brothel dreams work well" refers to Du Mu's talent and expressive power in writing poems. Jiang Kui's complicated feelings can't be expressed at this time, even if Du Mu comes back, it's hard for him to express them. Although Jiang Kui didn't experience the disaster personally, he felt very sad. At night, Jiang Kui lingers in the moonlight. " The 24th Bridge is still there, the waves are swaying, and Leng Yue is silent. "The Twenty-four Bridges are also seen in Du Mu's poem" To Han Chuo, Yangzhou Magistrate ":"There is water in the green hills, and the vegetation in the south of the Yangtze River is withered in autumn. Where does the Jade Man teach oral sex at Bridge 24 on a moonlit night? "Twenty-four bridges, the name of the bridge. On the moonlit night of that year, many people watched the moon on the bridge, and from time to time they heard the voice of a beautiful woman playing the flute. Now the bridge is still there, and the microwave in the water ripples around the moon shadow, but Leng Yue is silent. Who else will appreciate the moonlight! What a lonely moon! " Look at the red medicine by the bridge and you will know who it is for every year. "The red peony beside the poor bridge is still in full bloom every year. Who else will appreciate it? What a lonely peony! Things are still the same, why do people feel inferior, and the sad mood has reached a * * *.
This word has distinct layers, implicit meanings and endless meanings. It is of positive significance to accuse the rulers of the Jin Dynasty of plundering the disasters caused by the war and the partial security policy of the Southern Song Dynasty.
Appreciation of Yangzhou Men and Huaizuo Du Ming III Although Jiang Kui died as a wanderer all his life, Baishi's Ci is not only a portrayal of a wanderer's career, but also an emotional world that reflects various colors. It is true that due to the limitation of life path and aesthetic taste, the subject matter of Jiang Ci is narrower than that of Xin Ci, and the reflection of reality is slightly indifferent. But he is not an outsider who does not ask current events. Jiang Kui experienced four dynasties: Gao, Xiao, Guang and Ning. When Song and Jin made peace, young and middle-aged people were playing around in the imperial court, which made the restoration plan impossible. Jiang Kui is deeply saddened and sorry for this. In the second year of Xichun, I visited Yangzhou and felt the depression and desolation of this historic city, so I wrote this song to express my sadness. This is the earliest poem in Jiang Kui's poems, which can be tested for years. The last movie started with Du Ming and Good Place, but ended with Empty City. Its ups and downs are obvious. "After ten miles in the spring breeze, the wheat is green", which is vivid from the imaginary place. The desolate scene of barren cities, sparsely populated and collapsed houses is self-evident, similar to Du Fu's "Spring is green with vegetation" ("Spring Hope"). In fact, "Spring Breeze in Ten Miles" does not mean that the spring breeze blows all the way, but uses Du Mu's poems to remind the author of the grand occasion when the pavilions were staggered and the beads were hidden, reflecting today's decline. Although the looting of "Huma Peeping at the River" is a thing of the past, the "abandoning the pond tree" still tirelessly talked about the war, which shows how cruel the war disaster brought to the soldiers in that year was! In Bai's Ci Hua, Chen Tingzhuo thinks: "The word' I'm still tired of talking about soldiers' contains endless hurtful words, and others are tired of talking about it for a thousand times, and they don't have this charm." Jiang Ci is better than verve, and the beauty lies in light language, but verve is beyond the reach of some strong words. The sentence "Qing Jiao" not only adds sadness, but also contains many twists and turns: the bottom has a common enemy, but the upper has no intention of resisting the northern expedition of the rulers. In this way, the horn of Qingling can only echo in vain in the empty city where the war is raging. In the second part of the poem, the author further develops the association from nostalgia: the Yangzhou poems of Du Mu, a poet in the late Tang Dynasty, have always been well-known, but if he comes here again, he will never be able to sing affectionate poems again, because there is only one bend of Leng Yue in front of him, and a pot of cold water is accompanied by the twenty-four bridges he wandered over; Although the peony flowers by the bridge are still attractive, they are open and lonely. Especially the sentence "Twenty-four Bridges", the more difficult it is, the more bleak it is, which is shocking. Xiao Dezao thinks the word "sadness of parting" is really helpful. Poetry: Yangzhou Man Huai Zuo Du Ming Poetry Author: Song Jiangkui Poetry Classification: 300 Song Ci, scenery description, lyrics