In the poem "Forever in My Heart", she wrote that the woman in the rear "repented to teach her husband to find a title", but that was only her mood fluctuation when she suddenly saw Liu Yang, which did not represent her normal feelings; When her mood gradually calms down, I believe she will stick to her original choice and hope that her husband can retire after success. We can imagine from her Worry-Free that she, like people in the prosperous Tang Dynasty, is full of desire for fame. It can be seen that frontier poems, even if they appear in the form of in my heart forever, do not diminish their heroic spirit.
The lyrical style of frontier poems in the prosperous Tang Dynasty, whether it is strange in the ordinary or strong in the sadness, is always full of positive and enterprising spirit, which embodies the "prosperous Tang Dynasty". The frontier poems in the prosperous Tang Dynasty can be expressed as praising the magnificent frontier scenery or cheering the victory of the battle, or as courage and sincerity in facing the grim reality. The frontier fortress scenery has its peculiar side, and poets can praise it with novel and romantic eyes like Cen Can. Facing the scene of snowstorm, they will have a beautiful imagination of "like spring breeze, coming at night, blowing open the petals of ten thousand pear trees" ("Bai Xuege Farewell to Tian Shuji Wu's Home"), which reminds people of the warm memory of spring in a cold environment. However, the environment of the frontier fortress also has a worse and desolate side. Poets can also look at it with a normal heart, instead of the mixed feelings of sadness and joy, the joy of Rainbow, when facing the cold of "Spring Breeze but Yumenguan" (Liangzhou Ci). Poets in the prosperous Tang Dynasty can even face death with great pride. William Wang's "Liangzhou Ci" even said that "drunken battlefield does not laugh, and there have been several wars since ancient times", all of which were written in awe-inspiring style. This poem shows the breakthrough of people's aesthetic concept and unique spiritual outlook in the prosperous Tang Dynasty. The lofty sentiments in frontier poems in the prosperous Tang Dynasty are not pretentious broadmindedness, not to mention empty rhetoric, but in the face of suffering and even death, they can still laugh it off without fear. This kind of real free and easy and broad-minded, only frontier poems in the prosperous Tang Dynasty. Similarly, the beauty of the desolate and cold northwest frontier was only appreciated in the prosperous Tang Dynasty and expressed in a large number of poems. In the final analysis, this free and easy attitude towards death, this appreciation of grand and cold beauty, was produced by the strong national strength and enhanced national self-confidence of that era. Only those who understand the prosperous Tang Dynasty can understand the poems of the prosperous Tang Dynasty.
Frontier poems are not war poems. In the prosperous Tang Dynasty, there were many frontier poems describing the feelings of lovesickness between husband and wife, as if there were no feelings of fighting, as if they were far away from the prosperous Tang Dynasty. However, the poet showed great concern and deep sympathy for the misfortune and pain caused by the family breakdown caused by the long-term border defense and frequent battles between husband and wife, and was full of profound humanitarian spirit, which was remarkable in itself. It is under this understanding that there is a voice against belligerence in frontier fortress poems. The "people who have not returned from the Long March" is the tragedy of the frontier war since ancient times, and the Tang Dynasty is no exception. Some of this tragic situation is entirely due to the monarch's exultation and the frontier commander's invitation for credit and kindness, so some poets point their finger at these princes and ministers: "Death is a man's death, and credit is the general's work" (Liu Wan's Journey to the South), "And the heart of Emperor Jude is beating for war, and the frontier court is bleeding into sea water" (Du Fu's Military Vehicle Shop). Some poets can transcend the narrow national vision, express deep sympathy for the suffering brought by war to other ethnic minorities, and pin their hopes for peace among ethnic groups. "I heard that there is no war in western Liaoning, and I always get drunk and lie in the inn" (Cui Hao's Song of the Wild Fool), and "The general wins or loses, betting on more mink" (Cen Can's Song of Zhao Jiangjun). Hu's description of people living in harmony in peacetime itself shows how happy life peace has brought to people. These descriptions, which are full of deep feelings and profound thoughts, are always based on such strong national self-confidence and national pride as "Hu Qi leans on the mausoleum, and the Han soldiers ignore their bodies" (the fifth part of Five Poems of Jimen by Gao Shi) and "Washing the soldiers to hold the sea waves, and putting grass in the snow in Tianshan Mountain" (Zhan Nan Pian by Li Bai). It is with this spirit that the soldiers in Wang Changling's "Bright Moon in Qin Dynasty" and Gao Shi's "Song of Yan" show lofty patriotism in the face of bloody sacrifice and unfair treatment in the army.
"Meteorology in the Prosperous Tang Dynasty" was first put forward by Yan Yu, a Song poet. Regarding its connotation, Yan Yu said in Answer to a Book: "The poems of the Tang Dynasty, like Yan Shu, are both magnificent and magnificent." He also thinks that it is most appropriate to use the word "vigorous and tragic" to evaluate the poetry of the prosperous Tang Dynasty. What is the relationship between this "majestic" and "magnificent and tragic" weather in the prosperous Tang Dynasty and frontier poems in the prosperous Tang Dynasty? Yan Yu didn't say it clearly, but he said in the "Canghua Poetry Review": "The good poems in the Tang Dynasty are mostly works of defense, exile, travel and parting, which can often touch people's hearts and stimulate people's wishes." Apart from exile, these four poems have little to do with frontier fortress poems, and the other three are mostly related to frontier fortress poems. Mr. Lin Geng also pointed out in the article "Some Signs in the Climax of Tang Poetry" that the specific content of frontier poems "is often the expansion of traditional wandering themes, the expansion of political horizons and the expansion of landscapes". It can be seen that frontier life permeates the works of various themes and themes in the prosperous Tang Dynasty, which can better reflect the "prosperous Tang atmosphere" that poetry in the prosperous Tang Dynasty generally has. Of course, frontier poems, as a poetic theme, are not necessarily related to "prosperous Tang Dynasty", but because of their tragic and powerful touching power, they have become a typical embodiment of "vigorous and tragic" and "prosperous Tang Dynasty". This is inseparable from the specific soil in the prosperous Tang Dynasty and the spirit of the times produced on this soil. Once the soil and spirit of the times change, the artistic conception and spirit of frontier fortress poems will also change. Although frontier poems in the middle and late Tang Dynasty are not necessarily inferior to those in the prosperous Tang Dynasty in artistic skills, they are quite different from those in the prosperous Tang Dynasty in overall style, which further illustrates the profound relationship between frontier poems in the prosperous Tang Dynasty and "the weather in the prosperous Tang Dynasty". Chen Tao, a poet in the late Tang Dynasty, said in Longxi West: "Poor riverside bones are still from Miss Chun's dream". In the poem, the distant and contrasting battlefield bones are connected with the dreams of young girls in spring, which constitutes a thrilling picture and gives people a tragic feeling. This unfortunate feeling obviously does not belong to the "prosperous Tang Dynasty". Although there are many descriptions of sacrificial scenes in frontier fortress poems in the prosperous Tang Dynasty, they can make people face reality directly and won't make people fall asleep in dreams-dreams are not the truth of life after all, and can't cover up the truth of the times. (Author: Anhui Normal University)
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